Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Bottomless nude kneeling in a chair seen from behind, scattered colour patches dissolving figure into ground in cool pink and blue
Warm flesh tones with strong painterly modelling against a cool teal-grey ground. The background generates a bold white cloud-like or glacial mass behind the figure. High contrast and corporeal with a sense of cool open light.
Bottomless nude kneeling in a chair seen from behind, high-contrast figurative painting with glacial white forms emerging from a cool background
High-key warm white with large fractured plaster forms filling the background. Cool shadows give the pale surface depth and sculptural weight. Light and substantial with a bleached stone quality.
Bottomless nude kneeling in a chair seen from behind, high-key warm white forms with bleached stone texture and cool shadow relief
Bright sky blue with large rounded cloud-like forms in white and pale blue surrounding the figure. Figure is warm and grounded against the airy cool surround. Light and open — one of the most genuinely sky-like backgrounds in this range. Luminous and uplifting.
Bottomless nude kneeling in a chair seen from behind, painted with soft rounded cloud shapes in cool blue and white, warm figure against airy ground
Dark charcoal and deep purple flank large pale glowing rock or ice forms behind the figure. Scattered leaf shapes in the upper corners add a decorative note. Figure is warm against the luminous pale centre. Dramatic contrast between glowing stone and dark surround. Moody and painterly.
Bottomless nude kneeling in a chair seen from behind, painterly contrasts of warm figure against luminous rock and shadowed surround
Dark near-black ground with large pale rounded forms glowing with cool violet-grey light and teal edge highlights. Figure stands warm against the luminous floating masses. The orbs read as buoyant and light-catching rather than geological — strange and quietly spectacular.
Bottomless nude kneeling in a chair seen from behind, cool glowing masses float in near-black space with warm figure contrast
Pale yellow cream and soft mauve-blue build both figure and background as if a pointillist painting has been gently diffused — dots present but bleeding into each other. Background generates large luminous cloud-like forms in the same soft technique. High-key and summery — luminous rather than crisp.
Bottomless nude kneeling in a chair seen from behind, pale dotted brushwork dissolved into high-key summer light, figure and sky sharing the same haze
Warm brown-ochre surround with elaborate white marble sculptural forms filling the background — baroque fountain or ornate palace relief with faces and figures visible in the carved masses. Figure stands in warm flesh tones against the opulent white marble. Grand and slightly overwhelming.
Bottomless nude kneeling in a chair seen from behind, painted with opulent carved marble figures and warm flesh tones in baroque grandeur
Cool cream and white ground with strong vertical streaks in deep blue-grey and teal that read like frozen cascades or dripping ice. Figure rendered in the same cool palette with deep shadow and quiet intensity. Large dark organic forms flank the composition like drawn curtains.
Bottomless nude kneeling in a chair seen from behind, painted in an icy teal and white palette with dramatic dripping brushwork
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Bottomless nude kneeling in a chair seen from behind, angular blocks of cool light and warm figure, bright and airy
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Bottomless nude kneeling in a chair seen from behind, painted in loose gestural marks with golden flesh tones and floating torn-paper shapes
Flat irregular stone forms in cool grey-white with dark crack lines fill the background like a rendered stone wall. Figure painted in warm flesh tones with precise dark outline standing clearly in front of the flat pale ground. Clean graphic and architectural.
Bottomless nude kneeling in a chair seen from behind, rendered with clean outlines and flat pale architectural stonework behind