Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Nearly bald nude kneeling on a bed, rendered in angular red color planes with cubist geometry
Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Nearly bald nude kneeling on a bed, rendered in warm earth tones with painterly classical technique
Pale white and grey with soft angular background forms and warm red accents. Light and airy. The figure feels illuminated from within.
Nearly bald nude kneeling on a bed, rendered in pale grey and white with warm red accents and soft angular shapes
Cool grey with large sculptural rock forms in the background. Painterly and soft. The figure sits comfortably in front of the surface.
Nearly bald nude kneeling on a bed, rendered in soft painterly greys with sculptural stone textures
Warm painterly impasto with tall organic forms flanking the figure in muted golds blues and pinks. Loose and gestural. The figure stands in a gallery of painted shapes.
Nearly bald nude kneeling on a bed, rendered in warm impasto strokes of muted gold, blue, and pink
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Nearly bald nude kneeling on a bed, rendered in loose mosaic fragments of blue, white, and pink on a pale ground
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Nearly bald nude kneeling on a bed, rendered in faceted grey geometric planes, angular and precise
Cool blue and grey with large swirling floral forms filling the background. The figure is warmly rendered and pops against the cool decorative surround. Painterly and distinctive with a strong pattern character.
Nearly bald nude kneeling on a bed, in swirling blue-grey floral patterns, warm painterly figure against cool decorative ground
Deep warm brown with large rounded forms generating ghostly face-like shapes in the background. The figure stands before a surround of watching presences under a rounded arch. Dark and atmospheric with an unsettling warmth.
Nearly bald nude kneeling on a bed, rendered in deep umber tones with looming rounded forms suggesting shadowed faces
Cool teal and blue with swirling rounded organic forms creating a vortex-like background. Dark border frames the composition. Figure is warm against the cool oceanic surround. Dynamic and fluid — the background has genuine rotational energy. Related to Blue Organ but more oceanic than biological.
Nearly bald nude kneeling on a bed, rendered in swirling teal and blue with fluid vortex energy and a dark framing border
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Nearly bald nude kneeling on a bed, rendered in luminous whites with dark tendril marks and warm flesh tones
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Nearly bald nude kneeling on a bed, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice