Cool grey with swirling marks and ghostly repeated faces emerging from the background. Unsettling and distinctive. The figure stands in a crowd of shadows.
Sad nude leaning against a wall sitting on the floor, rendered in cool grey tones with swirling marks and ghostly layered faces
Warm painterly rendering with a rocky stone background in cool grey and blue. The figure feels grounded and real. Naturalistic and unfussy.
Sad nude leaning against a wall sitting on the floor, in warm painterly tones against cool grey-blue stone
Bold red and white with organic sculptural forms surrounding the figure. The red bleeds into white rather than filling hard shapes. Dramatic and immediate.
Sad nude leaning against a wall sitting on the floor, rendered in bold red and white with bleeding, organic forms and raw sculptural drama
Sandy ochre and warm stone tones with the background generating a clear arch and flanking walls that frame the figure in a niche. Painterly and naturalistic with strong architectural presence. The figure feels placed rather than imposed.
Sad nude leaning against a wall sitting on the floor, rendered in warm ochre and stone hues with architectural framing
Warm pink and grey with tall vertical brushstroke forms filling the background. The figure is naturalistically rendered in warm flesh tones against the streaked surround. Soft and painterly with a textured wall-like quality.
Sad nude leaning against a wall sitting on the floor, in warm painterly strokes of pink and grey, textured like a plastered wall
High-key warm white with large fractured plaster forms filling the background. Cool shadows give the pale surface depth and sculptural weight. Light and substantial with a bleached stone quality.
Sad nude leaning against a wall sitting on the floor, rendered in pale fractured plaster, cool shadows adding sculptural depth
Cool grey with large angular fractured rock forms flanking the figure on both sides. The figure is warmly rendered in flesh tones against the cool jagged surround. Naturalistic and grounded with a raw stone quality.
Sad nude leaning against a wall sitting on the floor, painted in warm flesh tones set against cool grey fractured stone, naturalistic and raw
Cool blue lavender and silver with a silky vertical flow in the background — draped fabric or cascading water in cool light. Figure is warm against the pearlescent surround. Iridescent and luminous throughout. One of the more delicate and distinctive backgrounds in this range.
Sad nude leaning against a wall sitting on the floor, rendered in cool lavender and silver with silky cascading texture and warm iridescent glow
Cool silver and blue with dramatic angular mountain-like forms filling the background — jagged peaks or shattered rock faces in dark gestural marks. Figure is warm and painterly against the powerful cool surround. Alpine and commanding. One of the more dramatically structured backgrounds in this range.
Sad nude leaning against a wall sitting on the floor, rendered in bold angular marks with icy silver-blue peaks and warm painterly figure
Deep saturated navy ground with large warm cream rounded forms glowing loosely behind the figure. Figure painted naturalistically in warm flesh tones. The contrast between the intense blue surround and luminous pale masses gives the image a nocturnal intimacy. Painterly and atmospheric.
Sad nude leaning against a wall sitting on the floor, painted in warm flesh tones against a deep saturated navy ground with glowing cream forms
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Sad nude leaning against a wall sitting on the floor, rendered in pale washes with soft grey-blue shadows and rose-pink highlights
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Sad nude leaning against a wall sitting on the floor, rendered in luminous whites with dark tendril marks and warm flesh tones