Cool silver and white impasto on a near-black ground. Bold painterly strokes carve the figure from darkness with monumental conviction. The background generates a deep black void with faint reflected light at the base.
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, heavy impasto in silver-white on black ground, faint reflected light at the base
Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, bold colour blocking in ochre and blue on a broken white ground, immediate and gestural
Cool blue-violet with large angular faceted planes filling the background. The figure is naturalistically rendered in warm flesh tones against the crystalline surround. Precise and cold with a quartz-like quality to the fractured background.
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, naturalistic figure contrasted with sharp geometric blue-violet crystal facets
High-key warm white with large fractured plaster forms filling the background. Cool shadows give the pale surface depth and sculptural weight. Light and substantial with a bleached stone quality.
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, large cracked plaster surfaces, light-filled yet substantial with cool-toned depth
Pale lilac and warm yellow with tall vertical brushstroke forms filling the background. The figure is rendered in golden flesh tones against the soft luminous surround. Light and airy with a distinctive period colour sensibility.
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, pale lilac ground and golden flesh tones with tall expressive brushwork
Warm rose and crimson with large flanking figurative forms swirling around the central figure. Background generates ghosted body shapes in pink and deep charcoal — reflected or echoed presences closing in. Figure stands in a surround of its own warm shadows. Intimate and confrontational.
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, surreal warm-toned figuration with echoed body shapes and enveloping shadow surround
Deep cobalt blue background with warm golden-yellow forms bursting outward in bold impasto. Figure painted in warm cream and flesh tones at the centre of the energy. Theatrical and baroque — stormy sky with golden light breaking through. One of the more dramatically coloured styles in the set.
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, theatrical oil painting style with stormy cobalt and bursting warm gold
Full monochrome in cool charcoal tones with deep sculptural shadows. Background generates large dark organic forms flanking the figure like stage curtains. Finds and amplifies the dramatic potential in any source — tension is always present.
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, cool-toned charcoal rendering where shadows build tension and depth
Cool blue and pale grey with large flowing folded forms filling the background — billowing fabric or soft drapery rendered in fluid organic shapes. Figure painted in warm flesh tones with blue-grey overlay. Lighter and more structured than Ashen Chaos — cool and considered.
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, cool-toned drapery in soft organic folds, warm figure under a blue-grey veil
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, pale blue ground, strong contour line and warm flesh tones in classical figure style
Entire surface broken into dense confident brushstrokes in cool blue-grey and white — figure and ground unified in the same energetic mark-making. The figure is present but woven into the surface rather than sitting on it. Cool silvery and kinetic.
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, painted in confident, kinetic mark-making of cool grey-white across the whole surface
Saturated yellow ground with vertical streaks and drips of red orange and blue running through the composition like paint in motion. Figure painted in warm flesh and orange-red tones fully absorbed into the blazing ground. Hot gestural and overwhelming.
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, executed in urgent expressionist strokes, flesh and ground merging in volcanic color