Bold colour blocks in yellow blue grey and red fill the entire image. The figure reads through the grid rather than in front of it. Energetic and immediate.
Woman shown caught in a mirror averted eyes nude, flat planes of yellow, blue, grey, and red fracture and define the form
Soft mauve and dusty pink with large rounded stone forms filling the background. The figure is warm-toned against a cool muted surround. The background generates a gentle grotto of pale organic shapes.
Woman shown caught in a mirror averted eyes nude, pale organic shapes form a gentle grotto of cool muted tones behind a warm figure
Dense pointillist dots in hot pink and blue-purple cover the entire image. Ghostly shadow figures flank the central figure in the background. Vivid and immediate with a strong pop energy.
Woman shown caught in a mirror averted eyes nude, pointillist dot technique in neon pink and violet, ghostly figures dissolving into color
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Woman shown caught in a mirror averted eyes nude, bold figure repeated in an ordered grid of warm and cool tones, slightly surreal
Cool blue lavender and silver with a silky vertical flow in the background — draped fabric or cascading water in cool light. Figure is warm against the pearlescent surround. Iridescent and luminous throughout. One of the more delicate and distinctive backgrounds in this range.
Woman shown caught in a mirror averted eyes nude, painted against pearlescent draped fabric in blues and silver with luminous warmth
Warm yellow and cream with soft blue accents — large rounded geometric forms fill the background like abstract sculpture. Figure integrates into the geometry rather than standing apart. Bold outlines and flat planes give a pop-art graffiti edge. Background generates oversized rounded planes with a constructed quality.
Woman shown caught in a mirror averted eyes nude, rendered in oversized rounded forms and flat color planes with a graffiti-inspired edge
Pale yellow cream and soft mauve-blue build both figure and background as if a pointillist painting has been gently diffused — dots present but bleeding into each other. Background generates large luminous cloud-like forms in the same soft technique. High-key and summery — luminous rather than crisp.
Woman shown caught in a mirror averted eyes nude, pale dotted brushwork dissolved into high-key summer light, figure and sky sharing the same haze
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Woman shown caught in a mirror averted eyes nude, soft cloudlike ground with charcoal vine tracery and cool blue-grey base
Cool blue-grey and near-black with a blazing white centre that backlights the figure dramatically. Large dark organic forms sweep in from both sides like heavy wings or drawn curtains. Figure sits at the threshold of light and shadow in deep cool tones with only traces of warm flesh breaking through.
Woman shown caught in a mirror averted eyes nude, dramatic chiaroscuro in near-black and icy white, organic shadows framing a glowing centre
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Woman shown caught in a mirror averted eyes nude, angular blocks of cool light and warm figure, bright and airy
Entire surface broken into dense confident brushstrokes in cool blue-grey and white — figure and ground unified in the same energetic mark-making. The figure is present but woven into the surface rather than sitting on it. Cool silvery and kinetic.
Woman shown caught in a mirror averted eyes nude, in dense, energetic strokes that merge figure and ground in silvery blue
Pale blue-white ground with large fluid dark forms sweeping in from the sides like heavy shadow or dark marble veining. Figure painted in warm flesh tones with cool blue accents standing clearly in the pale centre. Dramatic and fluid with a marbled quality.
Woman shown caught in a mirror averted eyes nude, bold fluid shadows frame a warmly lit central figure with cool blue accents