Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Curves and blocks standing nude, rendered in angular red color planes with cubist geometry
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Curves and blocks standing nude, rendered in faceted grey geometric planes, angular and precise
Deep cobalt blue and warm golden-yellow geometric planes fill the entire image. The figure is rendered in the same luminous yellow as the background geometry. Bold and immediate with figure and ground sharing a single warm-cool palette.
Curves and blocks standing nude, in bold cobalt and gold geometric planes, De Stijl-inspired
Warm sandy terracotta with a fine grain texture throughout. The background generates large soft white rounded forms that billow behind the figure. Warm and tactile with an unusual contrast between earthy ground and pale sculptural surround.
Curves and blocks standing nude, rendered in warm terracotta tones with fine grain texture and billowing soft white forms
Pale grey with bold dark contour line and flat rose-pink colour fills on shadows and forms. Rocky cloud-like forms fill the background in the same graphic style. Immediate and illustration-like with a strong linear character.
Curves and blocks standing nude, in bold ink outline and flat rose-pink shadow fills against pale grey
Cool blue and mauve with large rounded petal-like forms filling the background — abstract roses with a crystalline flash. Figure is warm and painterly against the cool floral surround. Soft and romantic but with a sparkling edge. Distinctive and immediately appealing.
Curves and blocks standing nude, in a soft romantic style with cool blue-mauve florals and warm painterly brushwork
Cool pale blue and cream with tall rounded vertical forms filling the background — standing stones or monoliths in pale stone tones. Figure is warm against the cool ancient surround. Clean and naturalistic with a megalithic presence. Distinctive vertical character sets it apart from other stone styles.
Curves and blocks standing nude, rendered in cool blue and cream tones with tall pale monolithic forms
Dark charcoal and deep purple flank large pale glowing rock or ice forms behind the figure. Scattered leaf shapes in the upper corners add a decorative note. Figure is warm against the luminous pale centre. Dramatic contrast between glowing stone and dark surround. Moody and painterly.
Curves and blocks standing nude, rendered in moody oils with glowing pale stone against deep charcoal and purple
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Curves and blocks standing nude, rendered in pale washes with soft grey-blue shadows and rose-pink highlights
Cool blue-grey and warm ochre-gold impasto with large diagonal brushstrokes creating a herringbone pattern across the entire surface. Figure and background unified in the same energetic mark-making. Flattering and enveloping — this style wraps its subject in warmth and movement.
Curves and blocks standing nude, rendered in thick impasto strokes of blue-grey and ochre in a sweeping herringbone pattern
Irregular fragments in blue ochre warm taupe white and rose cover the entire surface in a varied and energetic mosaic. Figure built from the same colourful planes with red shoes catching the eye. More saturated and lively than Crockery — the palette of a well-stocked tile market.
Curves and blocks standing nude, rendered in vibrant mosaic fragments of blue, ochre, taupe, and rose
Large irregular fragments of cobalt cream deep red and teal burst outward from the figure like a shattered wall fresco. Figure painted in warm terracotta and flesh planes with the same impasto weight as the ground. The whole surface feels ceramic and substantial.
Curves and blocks standing nude, in a shattered fresco style with heavy impasto and ceramic-weight paint