Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Coy standing nude half turned away, painted in soft impressionist strokes of blush, sage, and sky
Cool grey with a prominent marble or stone form behind the figure. Elegant and architectural. The figure is framed rather than consumed by the background.
Coy standing nude half turned away, rendered in cool grey tones with architectural marble framing the composition
Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Coy standing nude half turned away, rendered in warm ochre and flesh tones against a fractured white ground with bold colour blocks
Soft mauve and dusty pink with large rounded stone forms filling the background. The figure is warm-toned against a cool muted surround. The background generates a gentle grotto of pale organic shapes.
Coy standing nude half turned away, rendered in soft mauve and dusty pink with rounded stone forms and warm-toned figure
Cool grey with large rounded stone forms in the background and a vivid teal-cyan outline tracing the figure's contours. The glowing edge sits sharp against the muted painterly surround. Distinctive and immediate.
Coy standing nude half turned away, rendered in cool grey tones with glowing teal-cyan contour lines
Pale grey and warm brown with large rounded cloud-like forms filling the background. The figure is naturalistically rendered in warm flesh tones against the soft organic surround. Painterly and warm with a gentle depth to the background.
Coy standing nude half turned away, painted in warm flesh tones against soft rounded cloud-like forms in pale grey and warm brown
Cool blue-violet with large angular faceted planes filling the background. The figure is naturalistically rendered in warm flesh tones against the crystalline surround. Precise and cold with a quartz-like quality to the fractured background.
Coy standing nude half turned away, rendered in warm naturalistic tones against angular blue-violet crystalline planes
Cool blue and mauve with large rounded petal-like forms filling the background — abstract roses with a crystalline flash. Figure is warm and painterly against the cool floral surround. Soft and romantic but with a sparkling edge. Distinctive and immediately appealing.
Coy standing nude half turned away, in a soft romantic style with cool blue-mauve florals and warm painterly brushwork
Cool silver and blue with dramatic angular mountain-like forms filling the background — jagged peaks or shattered rock faces in dark gestural marks. Figure is warm and painterly against the powerful cool surround. Alpine and commanding. One of the more dramatically structured backgrounds in this range.
Coy standing nude half turned away, rendered in bold angular marks with icy silver-blue peaks and warm painterly figure
Dark charcoal and deep purple flank large pale glowing rock or ice forms behind the figure. Scattered leaf shapes in the upper corners add a decorative note. Figure is warm against the luminous pale centre. Dramatic contrast between glowing stone and dark surround. Moody and painterly.
Coy standing nude half turned away, rendered in moody oils with glowing pale stone against deep charcoal and purple
Pale yellow cream and soft mauve-blue build both figure and background as if a pointillist painting has been gently diffused — dots present but bleeding into each other. Background generates large luminous cloud-like forms in the same soft technique. High-key and summery — luminous rather than crisp.
Coy standing nude half turned away, rendered in soft pointillist strokes of cream and mauve-blue that bleed into luminous clouds
Entire surface broken into dense confident brushstrokes in cool blue-grey and white — figure and ground unified in the same energetic mark-making. The figure is present but woven into the surface rather than sitting on it. Cool silvery and kinetic.
Coy standing nude half turned away, rendered in bold, unified brushwork of cool blue-grey and white