Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Figure caught in a mirror, eye contact, nude, arms raised, modest, rendered in warm earth tones with painterly classical technique
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Figure caught in a mirror, eye contact, nude, arms raised, modest, rendered in warm sandy stone tones with rounded, cobbled texture
Deep blue with dramatic white sculptural forms in the background. The figure feels lit from within against a cool dramatic surround. Striking and cold.
Figure caught in a mirror, eye contact, nude, arms raised, modest, rendered in deep blue tones with luminous sculptural white forms
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Figure caught in a mirror, eye contact, nude, arms raised, modest, rendered in faceted grey geometric planes, angular and precise
Pale grey with bold dark contour line and flat rose-pink colour fills on shadows and forms. Rocky cloud-like forms fill the background in the same graphic style. Immediate and illustration-like with a strong linear character.
Figure caught in a mirror, eye contact, nude, arms raised, modest, in bold ink outline and flat rose-pink shadow fills against pale grey
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Figure caught in a mirror, eye contact, nude, arms raised, modest, rendered in warm flesh tones and pale blue with a pop-art grid of repeated figures
Cool blue lavender and silver with a silky vertical flow in the background — draped fabric or cascading water in cool light. Figure is warm against the pearlescent surround. Iridescent and luminous throughout. One of the more delicate and distinctive backgrounds in this range.
Figure caught in a mirror, eye contact, nude, arms raised, modest, rendered in cool lavender and silver with silky cascading texture and warm iridescent glow
Dark charcoal and deep purple flank large pale glowing rock or ice forms behind the figure. Scattered leaf shapes in the upper corners add a decorative note. Figure is warm against the luminous pale centre. Dramatic contrast between glowing stone and dark surround. Moody and painterly.
Figure caught in a mirror, eye contact, nude, arms raised, modest, rendered in moody oils with glowing pale stone against deep charcoal and purple
Cool blue and pale grey with large flowing folded forms filling the background — billowing fabric or soft drapery rendered in fluid organic shapes. Figure painted in warm flesh tones with blue-grey overlay. Lighter and more structured than Ashen Chaos — cool and considered.
Figure caught in a mirror, eye contact, nude, arms raised, modest, in cool blues and pale grey with billowing draped forms and warm flesh tones
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Figure caught in a mirror, eye contact, nude, arms raised, modest, rendered in luminous whites with dark tendril marks and warm flesh tones
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Figure caught in a mirror, eye contact, nude, arms raised, modest, rendered in bold dark contour line on pale blue ground with warm flesh tones
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Figure caught in a mirror, eye contact, nude, arms raised, modest, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice