Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Kneeling nude removing her shirt above her head, bold angular planes in warm reds, cubist faceting of form
Dark grey with cave-like grotto forms in the background. Hints of pink and mauve bleed through the stone texture. Cooler and moodier than Cool Slate.
Kneeling nude removing her shirt above her head, deep charcoal grotto atmosphere, cool and brooding with blushes of mauve
Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Kneeling nude removing her shirt above her head, integrated figure and landscape in warm browns, painterly realism
Cool grey with swirling marks and ghostly repeated faces emerging from the background. Unsettling and distinctive. The figure stands in a crowd of shadows.
Kneeling nude removing her shirt above her head, unsettling grey palette, ghostly crowd of faces dissolving into swirling textured shadow
Warm sepia and grey-brown tones over a heavily layered textured surface. The background generates dark flanking forms that read like weathered or torn paper. The figure feels retrieved from an aged document rather than a contemporary image.
Kneeling nude removing her shirt above her head, retrieved from deteriorating parchment, sepia-toned with torn-edge shadow forms
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Kneeling nude removing her shirt above her head, warm palette pop-art style with tiled figure reflections filling the background
Cool blue-purple ground with fragmented cream and gold shapes behind a confident figure. Background generates a broken tile or stained glass quality. Bold and slightly psychedelic in register. Figure holds coherence against the fractured surround.
Kneeling nude removing her shirt above her head, fragmented tile-like surround in deep blue and gold with surreal intensity
Cool blue and mauve with large rounded petal-like forms filling the background — abstract roses with a crystalline flash. Figure is warm and painterly against the cool floral surround. Soft and romantic but with a sparkling edge. Distinctive and immediately appealing.
Kneeling nude removing her shirt above her head, in a romantic painterly style with abstract roses, cool crystal tones, and luminous warmth
Pale cream and white with large rounded forms splashed with deep red blue and gold. Background reads like pale swirling marble with vivid colour scattered across it. Figure is warm and integrated into the rich complex surround. Energetic and distinctive — unlike anything else in this range.
Kneeling nude removing her shirt above her head, distinctive marble-like surface with energetic bursts of deep jewel tones
Dark near-black ground with large pale rounded forms glowing with cool violet-grey light and teal edge highlights. Figure stands warm against the luminous floating masses. The orbs read as buoyant and light-catching rather than geological — strange and quietly spectacular.
Kneeling nude removing her shirt above her head, pale rounded forms catch cool light against dark ground, teal edges shimmering
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Kneeling nude removing her shirt above her head, organic botanical style, pale open surround with loose dark linear marks
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Kneeling nude removing her shirt above her head, pale blue ground, strong contour line and warm flesh tones in classical figure style