Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Partially dressed figure kneeling/crouching, eye contact, street clothes, arms raised, somewhat risqué, rendered in angular red color planes with cubist geometry
Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Partially dressed figure kneeling/crouching, eye contact, street clothes, arms raised, somewhat risqué, rendered in warm earth tones with painterly classical technique
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Partially dressed figure kneeling/crouching, eye contact, street clothes, arms raised, somewhat risqué, rendered in warm flesh tones and pale blue with a pop-art grid of repeated figures
Deep cobalt blue borders frame a cool interior of angular rock or ice forms in blue and white. Figure is warm against the cold stone surround. Painterly and dramatic rather than photographic. The cobalt frame gives this style a distinctive compositional signature.
Partially dressed figure kneeling/crouching, eye contact, street clothes, arms raised, somewhat risqué, rendered in deep cobalt-framed painterly blues with angular ice-like forms
Cool blue and taupe with large rounded figurative forms assembled in the background. Softer and more integrated than Teal Colossi — the background presences feel painterly rather than monumental. Figure stands confidently in the cool fragmented surround. Classical and considered.
Partially dressed figure kneeling/crouching, eye contact, street clothes, arms raised, somewhat risqué, rendered in cool blues and taupe with soft rounded background forms
Cool blue and mauve with large rounded petal-like forms filling the background — abstract roses with a crystalline flash. Figure is warm and painterly against the cool floral surround. Soft and romantic but with a sparkling edge. Distinctive and immediately appealing.
Partially dressed figure kneeling/crouching, eye contact, street clothes, arms raised, somewhat risqué, in a soft romantic style with cool blue-mauve florals and warm painterly brushwork
Cool silver and blue with dramatic angular mountain-like forms filling the background — jagged peaks or shattered rock faces in dark gestural marks. Figure is warm and painterly against the powerful cool surround. Alpine and commanding. One of the more dramatically structured backgrounds in this range.
Partially dressed figure kneeling/crouching, eye contact, street clothes, arms raised, somewhat risqué, rendered in bold angular marks with icy silver-blue peaks and warm painterly figure
Warm dusty rose taupe and gold in rectangular block forms — pastel library shelves filling the background. Figure is warm and integrated into the faded bookish surface. Slightly worn and whimsical in character. Distinctive and quietly charming.
Partially dressed figure kneeling/crouching, eye contact, street clothes, arms raised, somewhat risqué, rendered in dusty rose, taupe, and gold rectangular blocks evoking faded library shelves
Warm brown-ochre surround with elaborate white marble sculptural forms filling the background — baroque fountain or ornate palace relief with faces and figures visible in the carved masses. Figure stands in warm flesh tones against the opulent white marble. Grand and slightly overwhelming.
Partially dressed figure kneeling/crouching, eye contact, street clothes, arms raised, somewhat risqué, rendered in warm ochre tones against elaborate white baroque marble relief
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Partially dressed figure kneeling/crouching, eye contact, street clothes, arms raised, somewhat risqué, rendered in bold dark contour line on pale blue ground with warm flesh tones
Bright cerulean blue upper ground with large pale grey-taupe sculptural forms flanking the figure like twisted columns or sentinel presences. Figure painted in warm flesh tones against the vivid blue. Theatrical and architectural — the flanking forms give every subject a dramatic escort.
Partially dressed figure kneeling/crouching, eye contact, street clothes, arms raised, somewhat risqué, rendered in vivid cerulean blue with monumental sculptural forms in pale grey-taupe
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Partially dressed figure kneeling/crouching, eye contact, street clothes, arms raised, somewhat risqué, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice