Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Nude figure facing away, downcast eyes, risqué, integrated figure and landscape in warm browns, painterly realism
Pale white and grey with soft angular background forms and warm red accents. Light and airy. The figure feels illuminated from within.
Nude figure facing away, downcast eyes, risqué, cool white tones, subtle angularity, and warm red highlights evoking inner luminosity
Dense ink crosshatch on pale ground with swirling figurative forms filling the background. Engraving-like in character. The line maps the figure with forensic intensity.
Nude figure facing away, downcast eyes, risqué, etching-style crosshatch traces every contour with obsessive, engraving-like intensity
Warm painterly impasto with tall organic forms flanking the figure in muted golds blues and pinks. Loose and gestural. The figure stands in a gallery of painted shapes.
Nude figure facing away, downcast eyes, risqué, painterly and expressive, thick impasto in soft golds and faded pinks
Warm pink and grey with flowing organic forms in the background. Soft and painterly. The figure feels at ease in a gentle decorative surround.
Nude figure facing away, downcast eyes, risqué, dreamy pink-grey composition with loose flowing shapes and a soft decorative feel
Cool blue lavender and silver with a silky vertical flow in the background — draped fabric or cascading water in cool light. Figure is warm against the pearlescent surround. Iridescent and luminous throughout. One of the more delicate and distinctive backgrounds in this range.
Nude figure facing away, downcast eyes, risqué, in delicate iridescent blues and lavender with silky vertical flow and glowing warmth
Cool blue and mauve with large rounded petal-like forms filling the background — abstract roses with a crystalline flash. Figure is warm and painterly against the cool floral surround. Soft and romantic but with a sparkling edge. Distinctive and immediately appealing.
Nude figure facing away, downcast eyes, risqué, in a romantic painterly style with abstract roses, cool crystal tones, and luminous warmth
Pale cream and white with large rounded forms splashed with deep red blue and gold. Background reads like pale swirling marble with vivid colour scattered across it. Figure is warm and integrated into the rich complex surround. Energetic and distinctive — unlike anything else in this range.
Nude figure facing away, downcast eyes, risqué, distinctive marble-like surface with energetic bursts of deep jewel tones
Warm geometric fragmentation in cream taupe and deep red-brown with strong architectural planes. The figure is refracted through large faceted forms — crystalline and structural. Background generates towering angular geometry that frames and fragments in equal measure.
Nude figure facing away, downcast eyes, risqué, shattered into towering angular planes of cream and red-brown, cubist and architecturally imposing
Deep cobalt blue background with warm golden-yellow forms bursting outward in bold impasto. Figure painted in warm cream and flesh tones at the centre of the energy. Theatrical and baroque — stormy sky with golden light breaking through. One of the more dramatically coloured styles in the set.
Nude figure facing away, downcast eyes, risqué, theatrical oil painting style with stormy cobalt and bursting warm gold
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Nude figure facing away, downcast eyes, risqué, organic botanical style, pale open surround with loose dark linear marks
Deep cobalt and violet-blue ground with large rounded organic forms in cream warm taupe and pale gold massed behind the figure like oversized cloud shapes. Figure painted in warm flesh tones with confident impasto marks. Rich saturated and sculptural.
Nude figure facing away, downcast eyes, risqué, thick confident brushwork, cobalt and cream with rounded cloud-like massing