Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Figure facing away, eyes not visible, lingerie, somewhat risqué, bold angular planes in warm reds, cubist faceting of form
Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Figure facing away, eyes not visible, lingerie, somewhat risqué, integrated figure and landscape in warm browns, painterly realism
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Figure facing away, eyes not visible, lingerie, somewhat risqué, loose impressionist technique, glowing with pinks, greens, and blues
High contrast black and white with dark architectural forms flanking the figure. Graphic and controlled. The figure stands in a surround of deep shadow and structure.
Figure facing away, eyes not visible, lingerie, somewhat risqué, stark monochrome with controlled shadow and geometric structure
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Figure facing away, eyes not visible, lingerie, somewhat risqué, earthy cobblestone surface, figure integrated into rounded relief forms
Cool grey with large rounded stone forms in the background and a vivid teal-cyan outline tracing the figure's contours. The glowing edge sits sharp against the muted painterly surround. Distinctive and immediate.
Figure facing away, eyes not visible, lingerie, somewhat risqué, vivid teal edge lighting on rounded stone-grey painterly background
Pale ground with a dense blue-grey pattern of text-like or script-like marks filling the background. The figure is rendered in warm flesh tones over the inscribed surface. Distinctive and layered with an archaeological quality.
Figure facing away, eyes not visible, lingerie, somewhat risqué, figure in warm tones emerging from an archaeological ground of text-like markings
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Figure facing away, eyes not visible, lingerie, somewhat risqué, warm palette pop-art style with tiled figure reflections filling the background
Dark blue border frames a cool interior of rounded boulder forms in pale blue and stone. Figure is warm and painterly against the cool surround. The vignette framing gives a distinctive painting-within-a-painting quality. Cool and composed with real painterly substance.
Figure facing away, eyes not visible, lingerie, somewhat risqué, painterly composition with dark border framing and cool sculptural tones
Cool pale blue and cream with tall rounded vertical forms filling the background — standing stones or monoliths in pale stone tones. Figure is warm against the cool ancient surround. Clean and naturalistic with a megalithic presence. Distinctive vertical character sets it apart from other stone styles.
Figure facing away, eyes not visible, lingerie, somewhat risqué, clean megalithic composition of rounded vertical stone forms in pale hues
Pale yellow cream and soft mauve-blue build both figure and background as if a pointillist painting has been gently diffused — dots present but bleeding into each other. Background generates large luminous cloud-like forms in the same soft technique. High-key and summery — luminous rather than crisp.
Figure facing away, eyes not visible, lingerie, somewhat risqué, pointillist technique diffused to a warm glow, cream and soft blue merging in cloud-like forms
Bright cerulean blue upper ground with large pale grey-taupe sculptural forms flanking the figure like twisted columns or sentinel presences. Figure painted in warm flesh tones against the vivid blue. Theatrical and architectural — the flanking forms give every subject a dramatic escort.
Figure facing away, eyes not visible, lingerie, somewhat risqué, dramatic architectural staging in cerulean blue with pale sculptural presences