Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Nude figure standing, cropped at thigh, arms raised, downcast eyes, somewhat risqué, bold angular planes in warm reds, cubist faceting of form
Bold yellow dominates with dramatic dark gestural marks cutting through figure and background alike. High impact and immediate. The colour owns the image.
Nude figure standing, cropped at thigh, arms raised, downcast eyes, somewhat risqué, high-contrast yellow field cut through with expressive dark gestural drawing
Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Nude figure standing, cropped at thigh, arms raised, downcast eyes, somewhat risqué, cool-toned figurative work where forms dissolve into spectral, atmospheric haze
Warm painterly impasto with tall organic forms flanking the figure in muted golds blues and pinks. Loose and gestural. The figure stands in a gallery of painted shapes.
Nude figure standing, cropped at thigh, arms raised, downcast eyes, somewhat risqué, painterly and expressive, thick impasto in soft golds and faded pinks
Cool blue geometric planes like shattered ice filling the background. The figure is refracted rather than rendered. Cold and crystalline.
Nude figure standing, cropped at thigh, arms raised, downcast eyes, somewhat risqué, cubist planes of glacial blue splinter the figure into icy geometry
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Nude figure standing, cropped at thigh, arms raised, downcast eyes, somewhat risqué, strict angular planes, no colour, figure folded into geometric surfaces
Warm brown-ochre surround with elaborate white marble sculptural forms filling the background — baroque fountain or ornate palace relief with faces and figures visible in the carved masses. Figure stands in warm flesh tones against the opulent white marble. Grand and slightly overwhelming.
Nude figure standing, cropped at thigh, arms raised, downcast eyes, somewhat risqué, depicted amid ornate sculptural baroque reliefs in rich ochre and warm white marble
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Nude figure standing, cropped at thigh, arms raised, downcast eyes, somewhat risqué, organic botanical style, pale open surround with loose dark linear marks
Cool blue-grey and warm ochre-gold impasto with large diagonal brushstrokes creating a herringbone pattern across the entire surface. Figure and background unified in the same energetic mark-making. Flattering and enveloping — this style wraps its subject in warmth and movement.
Nude figure standing, cropped at thigh, arms raised, downcast eyes, somewhat risqué, expressive impasto in blue-grey and ochre-gold, energetic herringbone marks enveloping the subject
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Nude figure standing, cropped at thigh, arms raised, downcast eyes, somewhat risqué, pale blue ground, strong contour line and warm flesh tones in classical figure style
Cool blue-grey and near-black with a blazing white centre that backlights the figure dramatically. Large dark organic forms sweep in from both sides like heavy wings or drawn curtains. Figure sits at the threshold of light and shadow in deep cool tones with only traces of warm flesh breaking through.
Nude figure standing, cropped at thigh, arms raised, downcast eyes, somewhat risqué, deep cool palette, blazing backlight, monumental dark shapes converging on a luminous threshold
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Nude figure standing, cropped at thigh, arms raised, downcast eyes, somewhat risqué, delicate icy facets of blue-grey white and cream against a crushed-paper ground