Rich dark red floral forms fill the background with the figure rendered in warm flesh tones against them. Lush and decorative. The background has real depth and complexity.
Figure facing away, eyes not visible, lingerie, modest, painted in lush oil with jewel-toned florals and warm, luminous skin against layered depth
Warm painterly impasto with tall organic forms flanking the figure in muted golds blues and pinks. Loose and gestural. The figure stands in a gallery of painted shapes.
Figure facing away, eyes not visible, lingerie, modest, rendered in warm impasto strokes of muted gold, blue, and pink
Pale warm-grey with large fractured stone and architectural planes filling the background. The figure is warm-toned and well-integrated against the cool monumental surround. The background generates a sense of broken wall or collapsed structure.
Figure facing away, eyes not visible, lingerie, modest, rendered in warm tones against fractured stone planes and monumental grey architecture
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Figure facing away, eyes not visible, lingerie, modest, rendered in faceted grey geometric planes, angular and precise
High-key warm white with large fractured plaster forms filling the background. Cool shadows give the pale surface depth and sculptural weight. Light and substantial with a bleached stone quality.
Figure facing away, eyes not visible, lingerie, modest, rendered in pale fractured plaster, cool shadows adding sculptural depth
Cool blue and pale grey with large flowing folded forms filling the background — billowing fabric or soft drapery rendered in fluid organic shapes. Figure painted in warm flesh tones with blue-grey overlay. Lighter and more structured than Ashen Chaos — cool and considered.
Figure facing away, eyes not visible, lingerie, modest, in cool blues and pale grey with billowing draped forms and warm flesh tones
Warm cream impasto background covered in large swirling floral forms — the brocade fabric of a sofa that was never meant to be sat on. Figure rendered in warm flesh tones that merge politely with the respectable surround. Comfortable and slightly suffocating.
Figure facing away, eyes not visible, lingerie, modest, rendered in thick impasto oils with swirling brocade florals in warm cream and flesh tones
Deep navy border framing bold geometric fragmentation in warm orange-red and cool blue-grey planes. Figure broken into strong angular forms with high colour contrast. Vivid and dramatic — flame colours against a dark surround with real punch.
Figure facing away, eyes not visible, lingerie, modest, rendered in bold Cubist planes of flame orange and cool grey against deep navy
Irregular fragments in blue ochre warm taupe white and rose cover the entire surface in a varied and energetic mosaic. Figure built from the same colourful planes with red shoes catching the eye. More saturated and lively than Crockery — the palette of a well-stocked tile market.
Figure facing away, eyes not visible, lingerie, modest, rendered in vibrant mosaic fragments of blue, ochre, taupe, and rose
Deep cobalt and violet-blue ground with large rounded organic forms in cream warm taupe and pale gold massed behind the figure like oversized cloud shapes. Figure painted in warm flesh tones with confident impasto marks. Rich saturated and sculptural.
Figure facing away, eyes not visible, lingerie, modest, rendered in deep cobalt and violet with creamy impasto organic forms
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Figure facing away, eyes not visible, lingerie, modest, rendered in pale washes with drifting cool and warm fragments on an open white ground
Dense swirling gestural marks in cool grey-white and deep burgundy-red. Dark turbulent forms flank a pale central figure. Heavy impasto quality throughout. Brooding and theatrical.
Figure facing away, eyes not visible, lingerie, modest, rendered in dense impasto strokes of grey-white and deep burgundy