Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Figure standing partially clothed, cropped at thigh, arms down, diverted eyes, street clothes, warm red cubist fragmentation, faceted planes revealing structure
Dense ink crosshatch on pale ground with swirling figurative forms filling the background. Engraving-like in character. The line maps the figure with forensic intensity.
Figure standing partially clothed, cropped at thigh, arms down, diverted eyes, street clothes, forensic ink linework builds form through layered crosshatching on pale ground
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Figure standing partially clothed, cropped at thigh, arms down, diverted eyes, street clothes, soft tactile stonework with embedded, sculpted depth
Deep blue with sweeping fluid forms that merge completely with the figure. The hair explodes into waves that fill the entire image. Figure and style become one thing.
Figure standing partially clothed, cropped at thigh, arms down, diverted eyes, street clothes, where hair and form become tidal surges of saturated blue abstraction
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Figure standing partially clothed, cropped at thigh, arms down, diverted eyes, street clothes, scattered colour patches dissolving figure into ground in cool pink and blue
Cool grey and blue-white angular stone planes fill the background like a quarry face. Figure is clean and graphic against the fractured surround. Pale and architectural — precise rather than painterly. Strong structural character throughout.
Figure standing partially clothed, cropped at thigh, arms down, diverted eyes, street clothes, clean graphic figure against fractured stone-like angular planes in pale grey tones
Warm cream and ivory ground with faint ghosted figure forms visible in the background texture. Painterly and delicate — the spectral presences are suggested rather than stated. Figure is confident and warm against the pale haunted surround. Flattering and quietly distinctive.
Figure standing partially clothed, cropped at thigh, arms down, diverted eyes, street clothes, painterly and delicate, with spectral presences softly haunting the pale ground
Bright sky blue with large rounded cloud-like forms in white and pale blue surrounding the figure. Figure is warm and grounded against the airy cool surround. Light and open — one of the most genuinely sky-like backgrounds in this range. Luminous and uplifting.
Figure standing partially clothed, cropped at thigh, arms down, diverted eyes, street clothes, painted with soft rounded cloud shapes in cool blue and white, warm figure against airy ground
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Figure standing partially clothed, cropped at thigh, arms down, diverted eyes, street clothes, silkscreen-like, colour barely arrived, delicate and unresolved
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Figure standing partially clothed, cropped at thigh, arms down, diverted eyes, street clothes, soft cloudlike ground with charcoal vine tracery and cool blue-grey base
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Figure standing partially clothed, cropped at thigh, arms down, diverted eyes, street clothes, clean decisive linework on azure ground, draped forms in elegant dark outline
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Figure standing partially clothed, cropped at thigh, arms down, diverted eyes, street clothes, painted with precise crystalline geometry in cool white and warm flesh tones