Cool grey with a prominent marble or stone form behind the figure. Elegant and architectural. The figure is framed rather than consumed by the background.
Figure caught in a mirror, eye contact, lingerie, arms raised, cool-toned marble architecture as backdrop, geometric and refined, figure clearly defined
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Figure caught in a mirror, eye contact, lingerie, arms raised, free tessellated brushwork in blue, white, and pink, figure and field unified
Cool blue geometric planes like shattered ice filling the background. The figure is refracted rather than rendered. Cold and crystalline.
Figure caught in a mirror, eye contact, lingerie, arms raised, cubist planes of glacial blue splinter the figure into icy geometry
Pale warm plaster with dark ornate architectural forms flanking the figure. The background reads as a classical interior with worn columns or pilasters. Painterly and warm with a genuinely historical quality.
Figure caught in a mirror, eye contact, lingerie, arms raised, historic oil painting quality with flanking architectural ornament and warm hues
High-key warm white with large fractured plaster forms filling the background. Cool shadows give the pale surface depth and sculptural weight. Light and substantial with a bleached stone quality.
Figure caught in a mirror, eye contact, lingerie, arms raised, large cracked plaster surfaces, light-filled yet substantial with cool-toned depth
Pale ground with a dense blue-grey pattern of text-like or script-like marks filling the background. The figure is rendered in warm flesh tones over the inscribed surface. Distinctive and layered with an archaeological quality.
Figure caught in a mirror, eye contact, lingerie, arms raised, figure in warm tones emerging from an archaeological ground of text-like markings
Warm cream and near-white ground with fluid swirling organic forms. Figure is golden-warm against an almost bleached surround. Background generates soft billowing shapes — fabric-like or smoke-like. Airy and luminous with a light classical feel.
Figure caught in a mirror, eye contact, lingerie, arms raised, airy and warm, with smoke-soft organic forms in a near-white classical palette
Cool grey and blue-white angular stone planes fill the background like a quarry face. Figure is clean and graphic against the fractured surround. Pale and architectural — precise rather than painterly. Strong structural character throughout.
Figure caught in a mirror, eye contact, lingerie, arms raised, pale, structural rendering with angular faceted planes and sharp geometric precision
Cool blue lavender and silver with a silky vertical flow in the background — draped fabric or cascading water in cool light. Figure is warm against the pearlescent surround. Iridescent and luminous throughout. One of the more delicate and distinctive backgrounds in this range.
Figure caught in a mirror, eye contact, lingerie, arms raised, in delicate iridescent blues and lavender with silky vertical flow and glowing warmth
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Figure caught in a mirror, eye contact, lingerie, arms raised, quietly decorative style with fluid organic motifs in terracotta against a near-white surround
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Figure caught in a mirror, eye contact, lingerie, arms raised, pale blue ground, strong contour line and warm flesh tones in classical figure style
Pale warm peach ground with massive sweeping black forms rendered in bold gestural marks at cave-painting scale. Figure painted naturalistically and relatively small against the dominant primitive marks. Raw and monumental.
Figure caught in a mirror, eye contact, lingerie, arms raised, sweeping cave-painting gestures in black on warm peach, naturalistic figure dwarfed by raw marks