Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Standing nude with a great idea, warm red cubist fragmentation, faceted planes revealing structure
Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Standing nude with a great idea, dramatic stone forms in rich ochre and taupe, old master style
Strong graphite on dark ground with bold sweeping strokes filling the background. High contrast and dramatic. The figure stands in a storm of marks!
Standing nude with a great idea, high-contrast charcoal style with expressive storm-like mark-making
Cool grey with swirling marks and ghostly repeated faces emerging from the background. Unsettling and distinctive. The figure stands in a crowd of shadows.
Standing nude with a great idea, eerie repeated figures emerge from shadowy grey backgrounds with expressive gestural marks
Dense ink crosshatch on pale ground with swirling figurative forms filling the background. Engraving-like in character. The line maps the figure with forensic intensity.
Standing nude with a great idea, forensic ink linework builds form through layered crosshatching on pale ground
Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Standing nude with a great idea, loose painterly grid of blue and yellow with energetic graphic presence
High-key warm white with large fractured plaster forms filling the background. Cool shadows give the pale surface depth and sculptural weight. Light and substantial with a bleached stone quality.
Standing nude with a great idea, high-key warm white forms with bleached stone texture and cool shadow relief
Cool silver and blue with dramatic angular mountain-like forms filling the background — jagged peaks or shattered rock faces in dark gestural marks. Figure is warm and painterly against the powerful cool surround. Alpine and commanding. One of the more dramatically structured backgrounds in this range.
Standing nude with a great idea, dramatic jagged mountain forms in cool gestural strokes framing a warmly painted subject
Warm coral and peach collage fragments arranged in large diamond shapes suggest a torn-up pastel townscape — sun-bleached buildings seen from above or in elevation. Figure stands in front of the fragmented architecture against cool blue gaps. Tactile and sun-warmed.
Standing nude with a great idea, rendered in tactile torn-paper collage, sun-bleached pastels arranged in diamond forms
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Standing nude with a great idea, clean decisive linework on azure ground, draped forms in elegant dark outline
Entire surface broken into dense confident brushstrokes in cool blue-grey and white — figure and ground unified in the same energetic mark-making. The figure is present but woven into the surface rather than sitting on it. Cool silvery and kinetic.
Standing nude with a great idea, in dense, energetic strokes that merge figure and ground in silvery blue
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Standing nude with a great idea, painted with precise crystalline geometry in cool white and warm flesh tones