Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Sprawled sitting nude, bold angular planes in warm reds, cubist faceting of form
Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Sprawled sitting nude, integrated figure and landscape in warm browns, painterly realism
Cool grey with swirling marks and ghostly repeated faces emerging from the background. Unsettling and distinctive. The figure stands in a crowd of shadows.
Sprawled sitting nude, unsettling grey palette, ghostly crowd of faces dissolving into swirling textured shadow
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Sprawled sitting nude, free tessellated brushwork in blue, white, and pink, figure and field unified
Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Sprawled sitting nude, bold colour blocking in ochre and blue on a broken white ground, immediate and gestural
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Sprawled sitting nude, strict angular planes, no colour, figure folded into geometric surfaces
High-key warm white with large fractured plaster forms filling the background. Cool shadows give the pale surface depth and sculptural weight. Light and substantial with a bleached stone quality.
Sprawled sitting nude, large cracked plaster surfaces, light-filled yet substantial with cool-toned depth
Pale ground with a dense blue-grey pattern of text-like or script-like marks filling the background. The figure is rendered in warm flesh tones over the inscribed surface. Distinctive and layered with an archaeological quality.
Sprawled sitting nude, figure in warm tones emerging from an archaeological ground of text-like markings
Stark black corners frame radiating crumpled white planes — crushed paper or foil caught in sharp light. Figure is warm against the high contrast surround. Graphic and dramatic with a strong print-like character. Bold silhouettes read with particular intensity in this style.
Sprawled sitting nude, sharp print-like treatment with warm figure against intense geometric shadow play
Cool silver and blue with dramatic angular mountain-like forms filling the background — jagged peaks or shattered rock faces in dark gestural marks. Figure is warm and painterly against the powerful cool surround. Alpine and commanding. One of the more dramatically structured backgrounds in this range.
Sprawled sitting nude, sharp alpine geometry in dark silver and blue, contrasting with richly painted warm tones
Deep cobalt blue background with warm golden-yellow forms bursting outward in bold impasto. Figure painted in warm cream and flesh tones at the centre of the energy. Theatrical and baroque — stormy sky with golden light breaking through. One of the more dramatically coloured styles in the set.
Sprawled sitting nude, theatrical oil painting style with stormy cobalt and bursting warm gold
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Sprawled sitting nude, pale blue ground, strong contour line and warm flesh tones in classical figure style