Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Nude figure standing, cropped at thigh, arms down, downcast eyes, somewhat risqué, painted in soft impressionist strokes of blush, sage, and sky
Cool grey with swirling marks and ghostly repeated faces emerging from the background. Unsettling and distinctive. The figure stands in a crowd of shadows.
Nude figure standing, cropped at thigh, arms down, downcast eyes, somewhat risqué, rendered in cool grey tones with swirling marks and ghostly layered faces
Warm painterly rendering with a rocky stone background in cool grey and blue. The figure feels grounded and real. Naturalistic and unfussy.
Nude figure standing, cropped at thigh, arms down, downcast eyes, somewhat risqué, in warm painterly tones against cool grey-blue stone
High contrast black and white with dark architectural forms flanking the figure. Graphic and controlled. The figure stands in a surround of deep shadow and structure.
Nude figure standing, cropped at thigh, arms down, downcast eyes, somewhat risqué, rendered in stark black and white with bold architectural shadows
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Nude figure standing, cropped at thigh, arms down, downcast eyes, somewhat risqué, rendered in faceted grey geometric planes, angular and precise
Pale ground with a dense blue-grey pattern of text-like or script-like marks filling the background. The figure is rendered in warm flesh tones over the inscribed surface. Distinctive and layered with an archaeological quality.
Nude figure standing, cropped at thigh, arms down, downcast eyes, somewhat risqué, rendered in warm flesh tones over a dense field of script-like marks on pale ground
Cool blue-grey palette with chunky broken brushwork throughout. Background generates irregular boulder or cloud-like forms in blue grey and muted brown. Figure merges softly with the cool ground. Loose and painterly with a raw textural quality.
Nude figure standing, cropped at thigh, arms down, downcast eyes, somewhat risqué, in a loose painterly style with chunky brushwork and cool blue-grey tones
Deep cobalt blue background with warm golden-yellow forms bursting outward in bold impasto. Figure painted in warm cream and flesh tones at the centre of the energy. Theatrical and baroque — stormy sky with golden light breaking through. One of the more dramatically coloured styles in the set.
Nude figure standing, cropped at thigh, arms down, downcast eyes, somewhat risqué, rendered in thick impasto with cobalt depths and explosive golden light
Deep saturated navy ground with large warm cream rounded forms glowing loosely behind the figure. Figure painted naturalistically in warm flesh tones. The contrast between the intense blue surround and luminous pale masses gives the image a nocturnal intimacy. Painterly and atmospheric.
Nude figure standing, cropped at thigh, arms down, downcast eyes, somewhat risqué, painted in warm flesh tones against a deep saturated navy ground with glowing cream forms
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Nude figure standing, cropped at thigh, arms down, downcast eyes, somewhat risqué, rendered in pale washes with soft grey-blue shadows and rose-pink highlights
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Nude figure standing, cropped at thigh, arms down, downcast eyes, somewhat risqué, rendered in bold dark contour line on pale blue ground with warm flesh tones
Entire surface broken into dense confident brushstrokes in cool blue-grey and white — figure and ground unified in the same energetic mark-making. The figure is present but woven into the surface rather than sitting on it. Cool silvery and kinetic.
Nude figure standing, cropped at thigh, arms down, downcast eyes, somewhat risqué, rendered in bold, unified brushwork of cool blue-grey and white