Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Figure caught in a mirror, eye contact, nude, arms raised, painted in soft impressionist strokes of blush, sage, and sky
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Figure caught in a mirror, eye contact, nude, arms raised, rendered in warm sandy stone tones with rounded, cobbled texture
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Figure caught in a mirror, eye contact, nude, arms raised, rendered in loose mosaic fragments of blue, white, and pink on a pale ground
Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Figure caught in a mirror, eye contact, nude, arms raised, rendered in warm ochre and flesh tones against a fractured white ground with bold colour blocks
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Figure caught in a mirror, eye contact, nude, arms raised, rendered in faceted grey geometric planes, angular and precise
High-key warm white with large fractured plaster forms filling the background. Cool shadows give the pale surface depth and sculptural weight. Light and substantial with a bleached stone quality.
Figure caught in a mirror, eye contact, nude, arms raised, rendered in pale fractured plaster, cool shadows adding sculptural depth
Pale ground with a dense blue-grey pattern of text-like or script-like marks filling the background. The figure is rendered in warm flesh tones over the inscribed surface. Distinctive and layered with an archaeological quality.
Figure caught in a mirror, eye contact, nude, arms raised, rendered in warm flesh tones over a dense field of script-like marks on pale ground
Cool blue-grey palette with chunky broken brushwork throughout. Background generates irregular boulder or cloud-like forms in blue grey and muted brown. Figure merges softly with the cool ground. Loose and painterly with a raw textural quality.
Figure caught in a mirror, eye contact, nude, arms raised, in a loose painterly style with chunky brushwork and cool blue-grey tones
Cool grey and blue-white angular stone planes fill the background like a quarry face. Figure is clean and graphic against the fractured surround. Pale and architectural — precise rather than painterly. Strong structural character throughout.
Figure caught in a mirror, eye contact, nude, arms raised, rendered in cool grey and blue-white angular stone planes, precise and architectural
Cool blue lavender and silver with a silky vertical flow in the background — draped fabric or cascading water in cool light. Figure is warm against the pearlescent surround. Iridescent and luminous throughout. One of the more delicate and distinctive backgrounds in this range.
Figure caught in a mirror, eye contact, nude, arms raised, rendered in cool lavender and silver with silky cascading texture and warm iridescent glow
Stark black corners frame radiating crumpled white planes — crushed paper or foil caught in sharp light. Figure is warm against the high contrast surround. Graphic and dramatic with a strong print-like character. Bold silhouettes read with particular intensity in this style.
Figure caught in a mirror, eye contact, nude, arms raised, rendered in high-contrast crumpled paper texture with bold graphic shadows
Deep cobalt blue background with warm golden-yellow forms bursting outward in bold impasto. Figure painted in warm cream and flesh tones at the centre of the energy. Theatrical and baroque — stormy sky with golden light breaking through. One of the more dramatically coloured styles in the set.
Figure caught in a mirror, eye contact, nude, arms raised, rendered in thick impasto with cobalt depths and explosive golden light