Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Almost clinical nude standing at attention, bold angular planes in warm reds, cubist faceting of form
Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Almost clinical nude standing at attention, integrated figure and landscape in warm browns, painterly realism
Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Almost clinical nude standing at attention, cool-toned figurative work where forms dissolve into spectral, atmospheric haze
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Almost clinical nude standing at attention, free tessellated brushwork in blue, white, and pink, figure and field unified
Dense honeycomb dot pattern in warm gold and brown covers the entire image. Bold white rounded forms break through the pattern creating strong contrast. Warm and intricate with an almost textile quality.
Almost clinical nude standing at attention, intricate dotwork texture in honey and brown, white shapes emergent
Cool blue-grey palette with chunky broken brushwork throughout. Background generates irregular boulder or cloud-like forms in blue grey and muted brown. Figure merges softly with the cool ground. Loose and painterly with a raw textural quality.
Almost clinical nude standing at attention, painted with broken brushwork, cool palette, figure dissolving into textured ground
Cool grey and blue-white angular stone planes fill the background like a quarry face. Figure is clean and graphic against the fractured surround. Pale and architectural — precise rather than painterly. Strong structural character throughout.
Almost clinical nude standing at attention, pale, structural rendering with angular faceted planes and sharp geometric precision
Cool cerulean blue and cream in large flat geometric planes. Figure is warm against the cool blue geometry — a clean warm-cool contrast. Elegant and graphic rather than sensuous. Background generates smooth rounded geometric forms in deep and pale blue.
Almost clinical nude standing at attention, elegant graphic style with smooth rounded shapes in cool blue and ivory
Pale yellow cream and soft mauve-blue build both figure and background as if a pointillist painting has been gently diffused — dots present but bleeding into each other. Background generates large luminous cloud-like forms in the same soft technique. High-key and summery — luminous rather than crisp.
Almost clinical nude standing at attention, pointillist technique diffused to a warm glow, cream and soft blue merging in cloud-like forms
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Almost clinical nude standing at attention, pale blue ground, strong contour line and warm flesh tones in classical figure style
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Almost clinical nude standing at attention, delicate icy facets of blue-grey white and cream against a crushed-paper ground
Dense swirling gestural marks in cool grey-white and deep burgundy-red. Dark turbulent forms flank a pale central figure. Heavy impasto quality throughout. Brooding and theatrical.
Almost clinical nude standing at attention, in brooding theatrical impasto, dark swirling forms framing pale light