Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of a subject making eye contact with arms behind, nude, arms behind, subtle jewelry, traditional bust cropping, warm red cubist fragmentation, faceted planes revealing structure
Soft painterly impasto in warm flesh and stone tones. The background reads as marbled or plastered surface. Figure and ground feel made of the same material.
Portrait of a subject making eye contact with arms behind, nude, arms behind, subtle jewelry, traditional bust cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Cool blue and lavender with rounded stone forms in the background. Softer and more organic than it first appears. The palette runs from ice blue to soft purple.
Portrait of a subject making eye contact with arms behind, nude, arms behind, subtle jewelry, traditional bust cropping, soft organic shapes in an ice-blue to purple palette
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of a subject making eye contact with arms behind, nude, arms behind, subtle jewelry, traditional bust cropping, luminous impressionist style with pale floral tones and delicate brushwork
Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Portrait of a subject making eye contact with arms behind, nude, arms behind, subtle jewelry, traditional bust cropping, soft ethereal style with phantom presences emerging from pale, diffused grounds
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of a subject making eye contact with arms behind, nude, arms behind, subtle jewelry, traditional bust cropping, soft tactile stonework with embedded, sculpted depth
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Portrait of a subject making eye contact with arms behind, nude, arms behind, subtle jewelry, traditional bust cropping, scattered colour patches dissolving figure into ground in cool pink and blue
Dense honeycomb dot pattern in warm gold and brown covers the entire image. Bold white rounded forms break through the pattern creating strong contrast. Warm and intricate with an almost textile quality.
Portrait of a subject making eye contact with arms behind, nude, arms behind, subtle jewelry, traditional bust cropping, dense honeycomb pattern in amber tones with graphic white forms
Cool blue-violet with large angular faceted planes filling the background. The figure is naturalistically rendered in warm flesh tones against the crystalline surround. Precise and cold with a quartz-like quality to the fractured background.
Portrait of a subject making eye contact with arms behind, nude, arms behind, subtle jewelry, traditional bust cropping, precise faceted background in cool quartz-like fragments framing warm flesh tones
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Portrait of a subject making eye contact with arms behind, nude, arms behind, subtle jewelry, traditional bust cropping, soft cream background with rounded decorative shapes in earthy rust tones, ornamental and warm
Warm cream impasto background covered in large swirling floral forms — the brocade fabric of a sofa that was never meant to be sat on. Figure rendered in warm flesh tones that merge politely with the respectable surround. Comfortable and slightly suffocating.
Portrait of a subject making eye contact with arms behind, nude, arms behind, subtle jewelry, traditional bust cropping, painted with merging warm tones and heavy brushwork evoking ornate upholstered comfort
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of a subject making eye contact with arms behind, nude, arms behind, subtle jewelry, traditional bust cropping, soft cloudlike ground with charcoal vine tracery and cool blue-grey base