Emotive, dramatic female nude portrait, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Nude with open dress shirt, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Emotionally powerful nude with hair cascading over her face, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a partially dressed subject with arms up, averted eyes, body canted, lingerie, cropped at the waist, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Nude lite through shades, creating diagonal lines, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Powerful nude of a inquisitive woman making direct eye contact, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of a subject, not making eye contact, arms playing a vital role, body square, lingerie, statement jewelry, cropped at the waist, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a subject, eyes averted, with arms behind, nude, subtle jewelry, astonished, tight cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of a subject, eyes averted, with arms behind, nude, astonished, traditional bust cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of partially dressed subject making eye contact, body square, lingerie, tight cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Glamour fashion nude with purple hair and suspenders, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Nude with exotic jewelry making direct eye contact, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Semi-nude portrait of woman wearing a revealing tank top, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Classic impressionist nude portrait of woman hugging herself, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Seemingly sad nude in open white shirt, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Somber nude portrait of a woman in a open robe, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, very tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject with averted eyes, body square, street clothes, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Classic Greek female torso, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Kneeling nude with her back to the canvas and her face angled, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Romantic boudoir nude with open blue work shirt and averted eyes, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Nude figure doing her morning ablutions leaning against a wall, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Crouching nude with city backdrop, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Quiet, organic nude slender woman doing yoga, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Nude kneeling on the arms of an overstuffed chair, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Kneeling nude on a glass table, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Standing nude grasping her neck, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Noir image of a woman next to a barstool pulling down her skirt, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Nude kneeling on a high backed chair, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Surprised nude sitting on a down comforter, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Nude woman staring out a window through blinds at night, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Female nude leaning on a counter stretching, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Candid modest standing nude with hands clasped in front, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Woman shown caught in a mirror averted eyes nude, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Romantic impressionist nude with open robe, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Severe standing nude with braded hair, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Woman in a lace bustier brushing her long dark hair, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of nude subject with averted eyes, body canted, smiling, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, subtle jewelry, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Female nude portrait with bowed head, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Coy female nude with sweater pulled up to her mouth, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the waist, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Female nude with the wildest hair, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, tight cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, cropped at the waist, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a subject making eye contact with arms behind, nude, very tight cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of partially dressed subject, making eye contact, square to the canvas, arms playing a vital role, body canted, street clothes, traditional bust cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject with averted eyes, facing downward, body square, cropped at the waist, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Mosaic adorned nude with penetrating eyes, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject with averted eyes, body canted, lingerie, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a subject, eyes averted, with arms behind, nude, astonished, cropped at the hip, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject with averted eyes, body square, subtle jewelry, tight cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of a subject, eyes averted, with arms behind, nude, astonished, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of a subject, not making eye contact, arms playing a vital role, body square, lingerie, subtle jewelry, astonished, cropped at the waist, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject with averted eyes, facing downward, body canted, astonished, traditional bust cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of a subject making eye contact with arms behind, street clothes, cropped at the hip, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a subject, eyes averted, with arms behind, nude, subtle jewelry, astonished, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Coy nude with robe draped off her shoulders, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of a subject, not making eye contact, arms playing a vital role, body canted, nude, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject with averted eyes, facing downward, body canted, astonished, traditional bust cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of a subject, eyes averted, with arms behind, nude, astonished, cropped at the waist, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject with averted eyes, body canted, cropped at the waist, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject, making eye contact, square to the canvas, arms playing a vital role, body square, street clothes, cropped at the hip, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of partially dressed subject with averted eyes, body canted, street clothes, smiling, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a subject, not making eye contact, arms playing a vital role, body canted, street clothes, cropped at the waist, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject, making eye contact, square to the canvas, arms playing a vital role, body square, traditional bust cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of a nude subject with arms up, eyes closed, body square, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject making eye contact, body square, lingerie, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Ruby lipped nude woman with long wild hair providing modesty, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject, making eye contact, square to the canvas, arms playing a vital role, body square, cropped at the waist, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject, making eye contact, arms playing a vital role, body canted, street clothes, cropped at the waist, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Smiling nude woman holding her blue shirt wide open, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject with averted eyes, body square, street clothes, statement jewelry, smiling, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject with averted eyes, body canted, cropped at the waist, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, subtle jewelry, cropped at the waist, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject making eye contact, body square, lingerie, smiling, cropped at the waist, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of a subject, eyes averted, with arms behind, nude, traditional bust cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Classic nude portrait of woman lost in thought, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of a subject, not making eye contact, arms playing a vital role, body canted, lingerie, cropped at the hip, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a subject, eyes averted, with arms behind, nude, traditional bust cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of partially dressed subject making eye contact, body square, lingerie, traditional bust cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, statement jewelry, smiling, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject, making eye contact, square to the canvas, arms playing a vital role, body canted, street clothes, smiling, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Serious nude with arms tightly crossed, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a nude subject with arms up, eyes closed, body canted, very tight cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of partially dressed subject, making eye contact, square to the canvas, arms playing a vital role, body canted, lingerie, smiling, tight cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork