Portrait of a nude woman full of emotion, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of female nude subject with dress shirt, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Emotionally powerful nude with hair covering her face, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a partially dressed subject with arms up, averted eyes, body canted, lingerie, cropped at the waist, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of a woman lite through shades, nude, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Powerful nude of a inquisitive woman making direct eye contact, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of a subject, not making eye contact, arms playing a vital role, body square, lingerie, statement jewelry, cropped at the waist, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a subject, eyes averted, with arms behind, nude, subtle jewelry, astonished, tight cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of a subject, eyes averted, with arms behind, nude, astonished, traditional bust cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of partially dressed subject making eye contact, body square, lingerie, tight cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Glamour fashion nude portrait, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject making eye contact, body square, lingerie, statement jewelry, traditional bust cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Nude portrait of woman wearing a transparent tank top, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Classic impressionist nude portrait of woman looking downward, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of partially dressed subject with averted eyes, body canted, street clothes, tight cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Somber nude portrait of a woman in a robe, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, very tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject with averted eyes, body square, street clothes, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Classic Greek female torso, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Nude figure kneeling/crouching, risqué pose, averted eyes, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Figure standing partially clothed in street clothes, cropped at thigh, arms playing a vital role, downcast eyes, modest, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Nude female morning ablutions, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Nude figure kneeling/crouching, risqué pose, eye contact, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Figure sitting on the ground, modest pose, eye contact, nude, arms playing a vital role, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Nude figure kneeling/crouching, modest pose, averted eyes, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Nude figure kneeling/crouching, risqué pose, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Figure standing partially clothed in street clothes, cropped at thigh, arms playing a vital role, eye contact, modest, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Figure leaning in with averted eyes, lingerie, somewhat risqué, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Figure sitting on the ground, risqué pose, eye contact, nude, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Nude woman staring out a window through blinds at night, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Female nude leaning on a counter stretching, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Nude figure standing, cropped at thigh, arms down, eye contact, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Woman shown caught in a mirror, averted eyes, nude, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Nude woman with open robe looking away, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Figure facing away, eyes not visible, lingerie, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a woman in an undergarment brushing her long dark hair, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of nude subject with averted eyes, body canted, smiling, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, subtle jewelry, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Simple portrait of woman, nude, with head bowed down, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Woman, nude, with sweater pulled up covering her mouth, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the waist, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of female nude with wild hair, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, tight cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, cropped at the waist, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a subject making eye contact with arms behind, nude, very tight cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of partially dressed subject, making eye contact, square to the canvas, arms playing a vital role, body canted, street clothes, traditional bust cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject with averted eyes, facing downward, body square, cropped at the waist, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of partially dressed subject making eye contact, body square, lingerie, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject with averted eyes, body canted, lingerie, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a subject, eyes averted, with arms behind, nude, astonished, cropped at the hip, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject with averted eyes, body square, subtle jewelry, tight cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of a subject, eyes averted, with arms behind, nude, astonished, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of a subject, not making eye contact, arms playing a vital role, body square, lingerie, subtle jewelry, astonished, cropped at the waist, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject with averted eyes, facing downward, body canted, astonished, traditional bust cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of a subject making eye contact with arms behind, street clothes, cropped at the hip, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a subject, eyes averted, with arms behind, nude, subtle jewelry, astonished, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject, making eye contact, arms playing a vital role, body canted, street clothes, smiling, traditional bust cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of a subject, not making eye contact, arms playing a vital role, body canted, nude, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject with averted eyes, facing downward, body canted, astonished, traditional bust cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of a subject, eyes averted, with arms behind, nude, astonished, cropped at the waist, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject with averted eyes, body canted, cropped at the waist, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject, making eye contact, square to the canvas, arms playing a vital role, body square, street clothes, cropped at the hip, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of partially dressed subject with averted eyes, body canted, street clothes, smiling, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a subject, not making eye contact, arms playing a vital role, body canted, street clothes, cropped at the waist, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject, making eye contact, square to the canvas, arms playing a vital role, body square, traditional bust cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of a nude subject with arms up, eyes closed, body square, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject making eye contact, body square, lingerie, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Ruby lipped nude woman with long wild hair covering her chest, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject, making eye contact, square to the canvas, arms playing a vital role, body square, cropped at the waist, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject, making eye contact, arms playing a vital role, body canted, street clothes, cropped at the waist, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Smiling nude woman holding her shirt wide open, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject with averted eyes, body square, street clothes, statement jewelry, smiling, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject with averted eyes, body canted, cropped at the waist, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, subtle jewelry, cropped at the waist, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject making eye contact, body square, lingerie, smiling, cropped at the waist, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of a subject, eyes averted, with arms behind, nude, traditional bust cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Classic nude portrait of woman lost in thought, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of a subject, not making eye contact, arms playing a vital role, body canted, lingerie, cropped at the hip, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a subject, eyes averted, with arms behind, nude, traditional bust cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of partially dressed subject making eye contact, body square, lingerie, traditional bust cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, statement jewelry, smiling, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject, making eye contact, square to the canvas, arms playing a vital role, body canted, street clothes, smiling, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Serious nude woman arms tightly crossed, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a nude subject with arms up, eyes closed, body canted, very tight cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of partially dressed subject, making eye contact, square to the canvas, arms playing a vital role, body canted, lingerie, smiling, tight cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork