Portrait of partially dressed subject with averted eyes, body canted, street clothes, astonished, tight cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of partially dressed subject with averted eyes, body canted, street clothes, cropped at the waist, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, astonished, very tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a partially dressed subject with arms up, diverted eyes, body canted, lingerie, arms up, cropped at the waist, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, statement jewlry, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject with averted eyes, body canted, street clothes, subtle jewelry, traditional bust cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of a subject, not making eye contact,. Arms play a vital role, body square, lingerie, statement jewlry, cropped at the waist, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a subject eyed averted with arms behind, nude, arms behind, subtle jewelry, astonished, tight cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, traditional bust cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of partially dressed subject making eye contact, body square, lingerie, tight cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of a subject, not making eye contact,. Arms play a vital role, body square, lingerie, statement jewlry, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject making eye contact, body square, lingerie, statement jewlry, traditional bust cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of partially dressed subject with averted eyes, body square, lingerie, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, street clothes, cropped at the waist, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of partially dressed subject with averted eyes, body canted, street clothes, tight cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, very tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject with averted eyes, body square, street clothes, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Nude figure standing, cropped at thigh, arms down, downcast eyes, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Nude figure kneeling/crouching, risqué pose, diverted eyes, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Figure standing partially clothed in street clothes, cropped at thigh, arms playing a vital role, downcast eyes, modest, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Nude figure standing, cropped at thigh, arms playing a vital role, eye contact, modest, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Nude figure kneeling/crouching, risqué pose, eye contact, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Figure sitting on the ground, modest pose, eye contact, nude, arms playing a vital role, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Nude figure kneeling/crouching, modest pose, diverted eyes, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Nude figure kneeling/crouching, risqué pose, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Figure standing partially clothed in street clothes, cropped at thigh, arms playing a vital role, eye contact, modest, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Figure leaning in with averted eyes, lingerie, somewhat risqué, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Figure sitting on the ground, risqué pose, eye contact, nude, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Figure in an unusual pose, diverted eyes, nude, arms playing a vital role, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Figure leaning in with averted eyes, nude, somewhat risqué, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Nude figure standing, cropped at thigh, arms down, eye contact, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Figure sitting on the ground, modest pose, downcast eyes, nude, arms raised, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Figure standing wearing lingerie, cropped at thigh, arms playing a vital role, diverted eyes, modest, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Figure facing away, eyes not visible, lingerie, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, lingerie, cropped at the waist, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of nude subject with averted eyes, body canted, smiling, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, subtle jewelry, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the waist, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of a subject making eye contact with arms behind, nude, arms behind, cropped at the hip, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, tight cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, cropped at the waist, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a subject making eye contact with arms behind, nude, arms behind, very tight cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, traditional bust cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject with averted eyes, facing downward, body square, cropped at the waist, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of partially dressed subject making eye contact, body square, lingerie, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject with averted eyes, body canted, lingerie, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, cropped at the hip, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject with averted eyes, body square, subtle jewelry, tight cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of a subject, not making eye contact,. Arms play a vital role, body square, lingerie, subtle jewelry, astonished, cropped at the waist, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject with averted eyes, facing downward, body canted, astonished, traditional bust cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of a subject making eye contact with arms behind, street clothes, arms behind, cropped at the hip, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a subject eyed averted with arms behind, nude, arms behind, subtle jewelry, astonished, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject, making eye contact. Arms play a vital role, body canted, street clothes, smiling, traditional bust cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, nude, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject with averted eyes, facing downward, body canted, astonished, traditional bust cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, cropped at the waist, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject with averted eyes, body canted, cropped at the waist, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body square, street clothes, cropped at the hip, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of partially dressed subject with averted eyes, body canted, street clothes, smiling, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, street clothes, cropped at the waist, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject, making eye contact, square to the canvas. Arms play a vital role, body square, traditional bust cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of a nude subject with arms up, eyes closed, body square, arms up, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject making eye contact, body square, lingerie, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, very tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject, making eye contact, square to the canvas. Arms play a vital role, body square, cropped at the waist, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject, making eye contact. Arms play a vital role, body canted, street clothes, cropped at the waist, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, smiling, cropped at the hip, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject with averted eyes, body square, street clothes, statement jewlry, smiling, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject with averted eyes, body canted, cropped at the waist, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, subtle jewelry, cropped at the waist, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject making eye contact, body square, lingerie, smiling, cropped at the waist, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of a subject eyed averted with arms behind, nude, arms behind, traditional bust cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, nude, traditional bust cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, lingerie, cropped at the hip, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a subject eyed averted with arms behind, nude, arms behind, traditional bust cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of partially dressed subject making eye contact, body square, lingerie, traditional bust cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, statement jewlry, smiling, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, smiling, tight cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of nude subject, making eye contact, square to the canvas. Arms play a vital role, body square, traditional bust cropping, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Portrait of a nude subject with arms up, eyes closed, body canted, arms up, very tight cropping, in warm sculptural impasto, flesh tones and plastered surface sharing the same painted matter
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, lingerie, smiling, tight cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, painted with unified flesh and mineral pigments, figure and ground merging in tactile brushwork