Pale white and grey with soft angular background forms and warm red accents. Light and airy. The figure feels illuminated from within.
Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, rendered in pale grey and white with warm red accents and soft angular shapes
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, rendered in warm sandy stone tones with rounded, cobbled texture
Bold mixed impasto strokes in grey pink mauve and ochre fill the background with painterly energy. The figure rides a richly worked surface of broken colour. Lively and immediate with a full warm-cool palette.
Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, rendered in bold impasto strokes of pink, mauve, grey, and ochre
Warm flesh tones throughout with ghostly repeated figure forms filling the background in the same skin palette. The repeated forms generate odd fleshy appendages around the central figure. Distinctive and slightly unsettling.
Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, rendered in warm skin tones with ghostly repeated figure forms creating an unsettling backdrop
Near-white ground with delicate coloured pencil-like lines and scattered colour accents in pale yellow blush and red. Figure has a light fashion illustration quality. Background generates soft cloud-like forms at the edges. Airy and playful — one of the lightest styles in this range.
Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, rendered in delicate coloured pencil lines with pale yellow, blush, and red accents on near-white ground
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, rendered in warm terracotta and rust on a pale ivory ground with loose scrolling organic forms
Dark near-black ground with large pale rounded forms glowing with cool violet-grey light and teal edge highlights. Figure stands warm against the luminous floating masses. The orbs read as buoyant and light-catching rather than geological — strange and quietly spectacular.
Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, rendered in deep shadow with luminous violet-grey orbs and teal-edged highlights
Deep indigo and navy forms fill the background in large bold brushstrokes with warm brown-ochre accents. Figure stands in pale blue-grey tones against the turbulent dark surround. Rich impasto character with genuine menace — the dark masses press in from all sides.
Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, rendered in luminous whites with dark tendril marks and warm flesh tones
Irregular fragments in blue ochre warm taupe white and rose cover the entire surface in a varied and energetic mosaic. Figure built from the same colourful planes with red shoes catching the eye. More saturated and lively than Crockery — the palette of a well-stocked tile market.
Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, rendered in vibrant mosaic fragments of blue, ochre, taupe, and rose
Deep cobalt and violet-blue ground with large rounded organic forms in cream warm taupe and pale gold massed behind the figure like oversized cloud shapes. Figure painted in warm flesh tones with confident impasto marks. Rich saturated and sculptural.
Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, rendered in deep cobalt and violet with creamy impasto organic forms
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, rendered in pale washes with drifting cool and warm fragments on an open white ground