Danger

Deep indigo and navy forms fill the background in large bold brushstrokes with warm brown-ochre accents. Figure stands in pale blue-grey tones against the turbulent dark surround. Rich impasto character with genuine menace — the dark masses press in from all sides.

Part of the curated style catalog — one of 300 styles applied across 1,600 source images.

Portrait 0149 — Danger

Portrait 0149

Portrait of partially dressed subject with averted eyes, body canted, street clothes, astonished, tight cropping, thick impasto painting, turbulent dark surround in deep blue and ochre against pale grey figure

Portrait 0176 — Danger

Portrait 0176

Portrait of partially dressed subject with averted eyes, body canted, street clothes, cropped at the waist, thick impasto painting, turbulent dark surround in deep blue and ochre against pale grey figure

Portrait 0324 — Danger

Portrait 0324

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, astonished, very tight cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 0498 — Danger

Portrait 0498

Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 0553 — Danger

Portrait 0553

Portrait of a partially dressed subject with arms up, diverted eyes, body canted, lingerie, arms up, cropped at the waist, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Portrait 0675 — Danger

Portrait 0675

Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, statement jewlry, traditional bust cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 0986 — Danger

Portrait 0986

Portrait of partially dressed subject with averted eyes, body canted, street clothes, subtle jewelry, traditional bust cropping, thick impasto painting, turbulent dark surround in deep blue and ochre against pale grey figure

Portrait 1602 — Danger

Portrait 1602

Portrait of a subject, not making eye contact,. Arms play a vital role, body square, lingerie, statement jewlry, cropped at the waist, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 3385 — Danger

Portrait 3385

Portrait of a subject eyed averted with arms behind, nude, arms behind, subtle jewelry, astonished, tight cropping, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Portrait 3463 — Danger

Portrait 3463

Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, traditional bust cropping, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Portrait 4711 — Danger

Portrait 4711

Portrait of partially dressed subject making eye contact, body square, lingerie, tight cropping, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Portrait 4755 — Danger

Portrait 4755

Portrait of a subject, not making eye contact,. Arms play a vital role, body square, lingerie, statement jewlry, traditional bust cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 4958 — Danger

Portrait 4958

Portrait of partially dressed subject making eye contact, body square, lingerie, statement jewlry, traditional bust cropping, thick impasto painting, turbulent dark surround in deep blue and ochre against pale grey figure

Portrait 4971 — Danger

Portrait 4971

Portrait of partially dressed subject with averted eyes, body square, lingerie, traditional bust cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 5351 — Danger

Portrait 5351

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, street clothes, cropped at the waist, thick impasto painting, turbulent dark surround in deep blue and ochre against pale grey figure

Portrait 5369 — Danger

Portrait 5369

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, thick impasto painting, turbulent dark surround in deep blue and ochre against pale grey figure

Portrait 5432 — Danger

Portrait 5432

Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, thick impasto painting, turbulent dark surround in deep blue and ochre against pale grey figure

Portrait 5485 — Danger

Portrait 5485

Portrait of partially dressed subject with averted eyes, body canted, street clothes, tight cropping, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Portrait 5605 — Danger

Portrait 5605

Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Portrait 5646 — Danger

Portrait 5646

Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, very tight cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 5796 — Danger

Portrait 5796

Portrait of partially dressed subject with averted eyes, body square, street clothes, tight cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 6081 — Danger

Portrait 6081

Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Figure 0442 — Danger

Figure 0442

Nude figure standing, cropped at thigh, arms down, downcast eyes, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Figure 0515 — Danger

Figure 0515

Nude figure kneeling/crouching, risqué pose, diverted eyes, thick impasto painting, turbulent dark surround in deep blue and ochre against pale grey figure

Figure 1219 — Danger

Figure 1219

Figure standing partially clothed in street clothes, cropped at thigh, arms playing a vital role, downcast eyes, modest, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Figure 1255 — Danger

Figure 1255

Nude figure standing, cropped at thigh, arms playing a vital role, eye contact, modest, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Figure 2388 — Danger

Figure 2388

Nude figure kneeling/crouching, risqué pose, eye contact, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Figure 2394 — Danger

Figure 2394

Figure sitting on the ground, modest pose, eye contact, nude, arms playing a vital role, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Figure 2515 — Danger

Figure 2515

Nude figure kneeling/crouching, modest pose, diverted eyes, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Figure 2710 — Danger

Figure 2710

Nude figure kneeling/crouching, risqué pose, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Figure 2773 — Danger

Figure 2773

Figure standing partially clothed in street clothes, cropped at thigh, arms playing a vital role, eye contact, modest, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Figure 3460 — Danger

Figure 3460

Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Figure 3519 — Danger

Figure 3519

Figure leaning in with averted eyes, lingerie, somewhat risqué, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Figure 3640 — Danger

Figure 3640

Figure sitting on the ground, risqué pose, eye contact, nude, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Figure 4017 — Danger

Figure 4017

Figure in an unusual pose, diverted eyes, nude, arms playing a vital role, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Figure 4195 — Danger

Figure 4195

Figure leaning in with averted eyes, nude, somewhat risqué, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Figure 4561 — Danger

Figure 4561

Nude figure standing, cropped at thigh, arms down, eye contact, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Figure 4632 — Danger

Figure 4632

Figure sitting on the ground, modest pose, downcast eyes, nude, arms raised, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Figure 5878 — Danger

Figure 5878

Figure standing wearing lingerie, cropped at thigh, arms playing a vital role, diverted eyes, modest, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Figure 6297 — Danger

Figure 6297

Figure facing away, eyes not visible, lingerie, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 0004 — Danger

Portrait 0004

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, lingerie, cropped at the waist, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Portrait 0021 — Danger

Portrait 0021

Portrait of nude subject with averted eyes, body canted, smiling, tight cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 0033 — Danger

Portrait 0033

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, subtle jewelry, traditional bust cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 0058 — Danger

Portrait 0058

Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Portrait 0093 — Danger

Portrait 0093

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, tight cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 0127 — Danger

Portrait 0127

Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the waist, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Portrait 0209 — Danger

Portrait 0209

Portrait of a subject making eye contact with arms behind, nude, arms behind, cropped at the hip, thick impasto painting, turbulent dark surround in deep blue and ochre against pale grey figure

Portrait 0409 — Danger

Portrait 0409

Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, tight cropping, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Portrait 0471 — Danger

Portrait 0471

Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, cropped at the waist, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 0475 — Danger

Portrait 0475

Portrait of a subject making eye contact with arms behind, nude, arms behind, very tight cropping, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Portrait 0476 — Danger

Portrait 0476

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, traditional bust cropping, thick impasto painting, turbulent dark surround in deep blue and ochre against pale grey figure

Portrait 0571 — Danger

Portrait 0571

Portrait of nude subject with averted eyes, facing downward, body square, cropped at the waist, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Portrait 0651 — Danger

Portrait 0651

Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 0708 — Danger

Portrait 0708

Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 0739 — Danger

Portrait 0739

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Portrait 0891 — Danger

Portrait 0891

Portrait of partially dressed subject making eye contact, body square, lingerie, traditional bust cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 0966 — Danger

Portrait 0966

Portrait of partially dressed subject with averted eyes, body canted, lingerie, traditional bust cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 0978 — Danger

Portrait 0978

Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, cropped at the hip, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 0985 — Danger

Portrait 0985

Portrait of nude subject with averted eyes, body square, subtle jewelry, tight cropping, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Portrait 1143 — Danger

Portrait 1143

Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, traditional bust cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 1258 — Danger

Portrait 1258

Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Portrait 1404 — Danger

Portrait 1404

Portrait of a subject, not making eye contact,. Arms play a vital role, body square, lingerie, subtle jewelry, astonished, cropped at the waist, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 1535 — Danger

Portrait 1535

Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, thick impasto painting, turbulent dark surround in deep blue and ochre against pale grey figure

Portrait 2501 — Danger

Portrait 2501

Portrait of nude subject with averted eyes, facing downward, body canted, astonished, traditional bust cropping, thick impasto painting, turbulent dark surround in deep blue and ochre against pale grey figure

Portrait 2645 — Danger

Portrait 2645

Portrait of a subject making eye contact with arms behind, street clothes, arms behind, cropped at the hip, thick impasto painting, turbulent dark surround in deep blue and ochre against pale grey figure

Portrait 2652 — Danger

Portrait 2652

Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 2667 — Danger

Portrait 2667

Portrait of a subject eyed averted with arms behind, nude, arms behind, subtle jewelry, astonished, traditional bust cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 2890 — Danger

Portrait 2890

Portrait of partially dressed subject, making eye contact. Arms play a vital role, body canted, street clothes, smiling, traditional bust cropping, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Portrait 3174 — Danger

Portrait 3174

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, nude, traditional bust cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 3208 — Danger

Portrait 3208

Portrait of nude subject with averted eyes, facing downward, body canted, astonished, traditional bust cropping, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Portrait 3219 — Danger

Portrait 3219

Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, cropped at the waist, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 3285 — Danger

Portrait 3285

Portrait of nude subject with averted eyes, body canted, cropped at the waist, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 3343 — Danger

Portrait 3343

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body square, street clothes, cropped at the hip, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Portrait 3468 — Danger

Portrait 3468

Portrait of partially dressed subject with averted eyes, body canted, street clothes, smiling, tight cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 3482 — Danger

Portrait 3482

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, street clothes, cropped at the waist, thick impasto painting, turbulent dark surround in deep blue and ochre against pale grey figure

Portrait 3521 — Danger

Portrait 3521

Portrait of nude subject, making eye contact, square to the canvas. Arms play a vital role, body square, traditional bust cropping, thick impasto painting, turbulent dark surround in deep blue and ochre against pale grey figure

Portrait 3696 — Danger

Portrait 3696

Portrait of a nude subject with arms up, eyes closed, body square, arms up, tight cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 3732 — Danger

Portrait 3732

Portrait of partially dressed subject making eye contact, body square, lingerie, traditional bust cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 3747 — Danger

Portrait 3747

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, very tight cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 3810 — Danger

Portrait 3810

Portrait of nude subject, making eye contact, square to the canvas. Arms play a vital role, body square, cropped at the waist, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 3827 — Danger

Portrait 3827

Portrait of partially dressed subject, making eye contact. Arms play a vital role, body canted, street clothes, cropped at the waist, thick impasto painting, turbulent dark surround in deep blue and ochre against pale grey figure

Portrait 3828 — Danger

Portrait 3828

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, smiling, cropped at the hip, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 3838 — Danger

Portrait 3838

Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Portrait 3882 — Danger

Portrait 3882

Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, traditional bust cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 3924 — Danger

Portrait 3924

Portrait of partially dressed subject with averted eyes, body square, street clothes, statement jewlry, smiling, tight cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 3999 — Danger

Portrait 3999

Portrait of nude subject with averted eyes, body canted, cropped at the waist, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 4007 — Danger

Portrait 4007

Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, subtle jewelry, cropped at the waist, thick impasto painting, turbulent dark surround in deep blue and ochre against pale grey figure

Portrait 4032 — Danger

Portrait 4032

Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, tight cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 4070 — Danger

Portrait 4070

Portrait of partially dressed subject making eye contact, body square, lingerie, smiling, cropped at the waist, thick impasto painting, turbulent dark surround in deep blue and ochre against pale grey figure

Portrait 4094 — Danger

Portrait 4094

Portrait of a subject eyed averted with arms behind, nude, arms behind, traditional bust cropping, thick impasto painting, turbulent dark surround in deep blue and ochre against pale grey figure

Portrait 4132 — Danger

Portrait 4132

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, nude, traditional bust cropping, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Portrait 4161 — Danger

Portrait 4161

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, lingerie, cropped at the hip, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 4187 — Danger

Portrait 4187

Portrait of a subject eyed averted with arms behind, nude, arms behind, traditional bust cropping, thick impasto painting, turbulent dark surround in deep blue and ochre against pale grey figure

Portrait 4220 — Danger

Portrait 4220

Portrait of partially dressed subject making eye contact, body square, lingerie, traditional bust cropping, thick impasto painting, turbulent dark surround in deep blue and ochre against pale grey figure

Portrait 4233 — Danger

Portrait 4233

Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, statement jewlry, smiling, traditional bust cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 4284 — Danger

Portrait 4284

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, smiling, tight cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 4296 — Danger

Portrait 4296

Portrait of nude subject, making eye contact, square to the canvas. Arms play a vital role, body square, traditional bust cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure

Portrait 4325 — Danger

Portrait 4325

Portrait of a nude subject with arms up, eyes closed, body canted, arms up, very tight cropping, thick impasto painting, turbulent dark surround in deep blue and ochre against pale grey figure

Portrait 4378 — Danger

Portrait 4378

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, lingerie, smiling, tight cropping, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward

Portrait 4381 — Danger

Portrait 4381

Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, bold brushwork in dark navy and indigo masses with brown-ochre highlights pressing inward