Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Portrait of nude subject with averted eyes, body canted, cropped at the hip, rendered in warm earth tones with painterly classical technique
Dense ink crosshatch on pale ground with swirling figurative forms filling the background. Engraving-like in character. The line maps the figure with forensic intensity.
Portrait of nude subject with averted eyes, body canted, cropped at the hip, rendered in dense crosshatched ink with engraving-like precision and swirling figurative forms
Cool grey with large rounded boulder forms filling the background. The figure stands in front rather than integrating with the surface.
Portrait of nude subject with averted eyes, body canted, cropped at the hip, rendered in cool grey tones with soft rounded boulder forms
Deep navy blue with large pale boulder forms flanking the figure. Warm flesh tones pop sharply against the cool dark surround. Painterly and dramatic with a strong warm-cool contrast.
Portrait of nude subject with averted eyes, body canted, cropped at the hip, rendered in deep navy with bold warm-cool contrast and dramatic painterly strokes
Cool grey and blue-white angular stone planes fill the background like a quarry face. Figure is clean and graphic against the fractured surround. Pale and architectural — precise rather than painterly. Strong structural character throughout.
Portrait of nude subject with averted eyes, body canted, cropped at the hip, rendered in cool grey and blue-white angular stone planes, precise and architectural
Deep crimson and burgundy flank a central burst of white and gold light behind the figure. Background generates large wing-like forms in warm crimson and cream. Figure stands illuminated against the dark dramatic surround. Operatic and theatrical — one of the most dramatic warm styles in this range.
Portrait of nude subject with averted eyes, body canted, cropped at the hip, rendered in deep crimson and gold with theatrical chiaroscuro lighting
Warm sepia-tan ground with visible canvas or linen texture throughout. Background generates loose angular-organic dark forms — primitive architectural fragments or crude masks. The whole surface has a warm parchment quality. Textured and slightly hallucinatory.
Portrait of nude subject with averted eyes, body canted, cropped at the hip, rendered in warm sepia tones on raw linen with ghostly primitive forms emerging from the weave
Deep saturated navy ground with large warm cream rounded forms glowing loosely behind the figure. Figure painted naturalistically in warm flesh tones. The contrast between the intense blue surround and luminous pale masses gives the image a nocturnal intimacy. Painterly and atmospheric.
Portrait of nude subject with averted eyes, body canted, cropped at the hip, painted in warm flesh tones against a deep saturated navy ground with glowing cream forms
Cool blue-grey and warm ochre-gold impasto with large diagonal brushstrokes creating a herringbone pattern across the entire surface. Figure and background unified in the same energetic mark-making. Flattering and enveloping — this style wraps its subject in warmth and movement.
Portrait of nude subject with averted eyes, body canted, cropped at the hip, rendered in thick impasto strokes of blue-grey and ochre in a sweeping herringbone pattern
Irregular fragments in blue ochre warm taupe white and rose cover the entire surface in a varied and energetic mosaic. Figure built from the same colourful planes with red shoes catching the eye. More saturated and lively than Crockery — the palette of a well-stocked tile market.
Portrait of nude subject with averted eyes, body canted, cropped at the hip, rendered in vibrant mosaic fragments of blue, ochre, taupe, and rose
Large rounded organic forms in cream pale gold and soft teal-grey pack the background like a mass of open oyster shells. Figure painted in warm flesh tones with the same impasto weight as the surrounding forms. Lush and sculptural — the figure is held rather than swamped.
Portrait of nude subject with averted eyes, body canted, cropped at the hip, rendered in thick impasto with rounded organic forms in cream, gold, and soft teal-grey
Deep cobalt and violet-blue ground with large rounded organic forms in cream warm taupe and pale gold massed behind the figure like oversized cloud shapes. Figure painted in warm flesh tones with confident impasto marks. Rich saturated and sculptural.
Portrait of nude subject with averted eyes, body canted, cropped at the hip, rendered in deep cobalt and violet with creamy impasto organic forms