On Fire

Deep crimson and burgundy flank a central burst of white and gold light behind the figure. Background generates large wing-like forms in warm crimson and cream. Figure stands illuminated against the dark dramatic surround. Operatic and theatrical — one of the most dramatic warm styles in this range.

Part of the curated style catalog — one of 300 styles applied across 1,600 source images.

All source images · All styles · Essays · Elsewhere · Explore the full catalog

Portrait 0149 — On Fire

Portrait of partially dressed subject with averted eyes, body canted, street clothes, astonished, tight cropping, painted with sweeping wing-like forms in crimson and cream against deep shadow

Portrait 0176 — On Fire

Portrait of partially dressed subject with averted eyes, body canted, street clothes, cropped at the waist, painted with sweeping wing-like forms in crimson and cream against deep shadow

Portrait 0324 — On Fire

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, astonished, very tight cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 0498 — On Fire

Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 0553 — On Fire

Portrait of a partially dressed subject with arms up, diverted eyes, body canted, lingerie, arms up, cropped at the waist, in a dramatic operatic style with warm burgundy tones and radiant golden light

Portrait 0675 — On Fire

Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, statement jewlry, traditional bust cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 0986 — On Fire

Portrait of partially dressed subject with averted eyes, body canted, street clothes, subtle jewelry, traditional bust cropping, painted with sweeping wing-like forms in crimson and cream against deep shadow

Portrait 1602 — On Fire

Portrait of a subject, not making eye contact,. Arms play a vital role, body square, lingerie, statement jewlry, cropped at the waist, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 3385 — On Fire

Portrait of a subject eyed averted with arms behind, nude, arms behind, subtle jewelry, astonished, tight cropping, in a dramatic operatic style with warm burgundy tones and radiant golden light

Portrait 3463 — On Fire

Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, traditional bust cropping, in a dramatic operatic style with warm burgundy tones and radiant golden light

Portrait 4711 — On Fire

Portrait of partially dressed subject making eye contact, body square, lingerie, tight cropping, in a dramatic operatic style with warm burgundy tones and radiant golden light

Portrait 4755 — On Fire

Portrait of a subject, not making eye contact,. Arms play a vital role, body square, lingerie, statement jewlry, traditional bust cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 4958 — On Fire

Portrait of partially dressed subject making eye contact, body square, lingerie, statement jewlry, traditional bust cropping, painted with sweeping wing-like forms in crimson and cream against deep shadow

Portrait 4971 — On Fire

Portrait of partially dressed subject with averted eyes, body square, lingerie, traditional bust cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 5351 — On Fire

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, street clothes, cropped at the waist, painted with sweeping wing-like forms in crimson and cream against deep shadow

Portrait 5369 — On Fire

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, painted with sweeping wing-like forms in crimson and cream against deep shadow

Portrait 5432 — On Fire

Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, painted with sweeping wing-like forms in crimson and cream against deep shadow

Portrait 5485 — On Fire

Portrait of partially dressed subject with averted eyes, body canted, street clothes, tight cropping, in a dramatic operatic style with warm burgundy tones and radiant golden light

Portrait 5605 — On Fire

Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, in a dramatic operatic style with warm burgundy tones and radiant golden light

Portrait 5646 — On Fire

Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, very tight cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 5796 — On Fire

Portrait of partially dressed subject with averted eyes, body square, street clothes, tight cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 6081 — On Fire

Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Figure 0442 — On Fire

Nude figure standing, cropped at thigh, arms down, downcast eyes, in a dramatic operatic style with warm burgundy tones and radiant golden light

Figure 0515 — On Fire

Nude figure kneeling/crouching, risqué pose, diverted eyes, painted with sweeping wing-like forms in crimson and cream against deep shadow

Figure 1219 — On Fire

Figure standing partially clothed in street clothes, cropped at thigh, arms playing a vital role, downcast eyes, modest, in a dramatic operatic style with warm burgundy tones and radiant golden light

Figure 1255 — On Fire

Nude figure standing, cropped at thigh, arms playing a vital role, eye contact, modest, in a dramatic operatic style with warm burgundy tones and radiant golden light

Figure 2388 — On Fire

Nude figure kneeling/crouching, risqué pose, eye contact, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Figure 2394 — On Fire

Figure sitting on the ground, modest pose, eye contact, nude, arms playing a vital role, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Figure 2515 — On Fire

Nude figure kneeling/crouching, modest pose, diverted eyes, in a dramatic operatic style with warm burgundy tones and radiant golden light

Figure 2710 — On Fire

Nude figure kneeling/crouching, risqué pose, in a dramatic operatic style with warm burgundy tones and radiant golden light

Figure 2773 — On Fire

Figure standing partially clothed in street clothes, cropped at thigh, arms playing a vital role, eye contact, modest, in a dramatic operatic style with warm burgundy tones and radiant golden light

Figure 3460 — On Fire

Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, in a dramatic operatic style with warm burgundy tones and radiant golden light

Figure 3519 — On Fire

Figure leaning in with averted eyes, lingerie, somewhat risqué, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Figure 3640 — On Fire

Figure sitting on the ground, risqué pose, eye contact, nude, in a dramatic operatic style with warm burgundy tones and radiant golden light

Figure 4017 — On Fire

Figure in an unusual pose, diverted eyes, nude, arms playing a vital role, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Figure 4195 — On Fire

Figure leaning in with averted eyes, nude, somewhat risqué, in a dramatic operatic style with warm burgundy tones and radiant golden light

Figure 4561 — On Fire

Nude figure standing, cropped at thigh, arms down, eye contact, in a dramatic operatic style with warm burgundy tones and radiant golden light

Figure 4632 — On Fire

Figure sitting on the ground, modest pose, downcast eyes, nude, arms raised, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Figure 5878 — On Fire

Figure standing wearing lingerie, cropped at thigh, arms playing a vital role, diverted eyes, modest, in a dramatic operatic style with warm burgundy tones and radiant golden light

Figure 6297 — On Fire

Figure facing away, eyes not visible, lingerie, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 0004 — On Fire

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, lingerie, cropped at the waist, in a dramatic operatic style with warm burgundy tones and radiant golden light

Portrait 0021 — On Fire

Portrait of nude subject with averted eyes, body canted, smiling, tight cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 0033 — On Fire

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, subtle jewelry, traditional bust cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 0058 — On Fire

Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, in a dramatic operatic style with warm burgundy tones and radiant golden light

Portrait 0093 — On Fire

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, tight cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 0127 — On Fire

Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the waist, in a dramatic operatic style with warm burgundy tones and radiant golden light

Portrait 0209 — On Fire

Portrait of a subject making eye contact with arms behind, nude, arms behind, cropped at the hip, painted with sweeping wing-like forms in crimson and cream against deep shadow

Portrait 0409 — On Fire

Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, tight cropping, in a dramatic operatic style with warm burgundy tones and radiant golden light

Portrait 0471 — On Fire

Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, cropped at the waist, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 0475 — On Fire

Portrait of a subject making eye contact with arms behind, nude, arms behind, very tight cropping, in a dramatic operatic style with warm burgundy tones and radiant golden light

Portrait 0476 — On Fire

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, traditional bust cropping, painted with sweeping wing-like forms in crimson and cream against deep shadow

Portrait 0571 — On Fire

Portrait of nude subject with averted eyes, facing downward, body square, cropped at the waist, in a dramatic operatic style with warm burgundy tones and radiant golden light

Portrait 0651 — On Fire

Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 0708 — On Fire

Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 0739 — On Fire

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, in a dramatic operatic style with warm burgundy tones and radiant golden light

Portrait 0891 — On Fire

Portrait of partially dressed subject making eye contact, body square, lingerie, traditional bust cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 0966 — On Fire

Portrait of partially dressed subject with averted eyes, body canted, lingerie, traditional bust cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 0978 — On Fire

Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, cropped at the hip, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 0985 — On Fire

Portrait of nude subject with averted eyes, body square, subtle jewelry, tight cropping, in a dramatic operatic style with warm burgundy tones and radiant golden light

Portrait 1143 — On Fire

Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, traditional bust cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 1258 — On Fire

Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, in a dramatic operatic style with warm burgundy tones and radiant golden light

Portrait 1404 — On Fire

Portrait of a subject, not making eye contact,. Arms play a vital role, body square, lingerie, subtle jewelry, astonished, cropped at the waist, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 1535 — On Fire

Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, painted with sweeping wing-like forms in crimson and cream against deep shadow

Portrait 2501 — On Fire

Portrait of nude subject with averted eyes, facing downward, body canted, astonished, traditional bust cropping, painted with sweeping wing-like forms in crimson and cream against deep shadow

Portrait 2645 — On Fire

Portrait of a subject making eye contact with arms behind, street clothes, arms behind, cropped at the hip, painted with sweeping wing-like forms in crimson and cream against deep shadow

Portrait 2652 — On Fire

Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 2667 — On Fire

Portrait of a subject eyed averted with arms behind, nude, arms behind, subtle jewelry, astonished, traditional bust cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 2890 — On Fire

Portrait of partially dressed subject, making eye contact. Arms play a vital role, body canted, street clothes, smiling, traditional bust cropping, in a dramatic operatic style with warm burgundy tones and radiant golden light

Portrait 3174 — On Fire

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, nude, traditional bust cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 3208 — On Fire

Portrait of nude subject with averted eyes, facing downward, body canted, astonished, traditional bust cropping, in a dramatic operatic style with warm burgundy tones and radiant golden light

Portrait 3219 — On Fire

Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, cropped at the waist, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 3285 — On Fire

Portrait of nude subject with averted eyes, body canted, cropped at the waist, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 3343 — On Fire

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body square, street clothes, cropped at the hip, in a dramatic operatic style with warm burgundy tones and radiant golden light

Portrait 3468 — On Fire

Portrait of partially dressed subject with averted eyes, body canted, street clothes, smiling, tight cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 3482 — On Fire

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, street clothes, cropped at the waist, painted with sweeping wing-like forms in crimson and cream against deep shadow

Portrait 3521 — On Fire

Portrait of nude subject, making eye contact, square to the canvas. Arms play a vital role, body square, traditional bust cropping, painted with sweeping wing-like forms in crimson and cream against deep shadow

Portrait 3696 — On Fire

Portrait of a nude subject with arms up, eyes closed, body square, arms up, tight cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 3732 — On Fire

Portrait of partially dressed subject making eye contact, body square, lingerie, traditional bust cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 3747 — On Fire

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, very tight cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 3810 — On Fire

Portrait of nude subject, making eye contact, square to the canvas. Arms play a vital role, body square, cropped at the waist, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 3827 — On Fire

Portrait of partially dressed subject, making eye contact. Arms play a vital role, body canted, street clothes, cropped at the waist, painted with sweeping wing-like forms in crimson and cream against deep shadow

Portrait 3828 — On Fire

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, smiling, cropped at the hip, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 3838 — On Fire

Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, in a dramatic operatic style with warm burgundy tones and radiant golden light

Portrait 3882 — On Fire

Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, traditional bust cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 3924 — On Fire

Portrait of partially dressed subject with averted eyes, body square, street clothes, statement jewlry, smiling, tight cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 3999 — On Fire

Portrait of nude subject with averted eyes, body canted, cropped at the waist, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 4007 — On Fire

Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, subtle jewelry, cropped at the waist, painted with sweeping wing-like forms in crimson and cream against deep shadow

Portrait 4032 — On Fire

Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, tight cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 4070 — On Fire

Portrait of partially dressed subject making eye contact, body square, lingerie, smiling, cropped at the waist, painted with sweeping wing-like forms in crimson and cream against deep shadow

Portrait 4094 — On Fire

Portrait of a subject eyed averted with arms behind, nude, arms behind, traditional bust cropping, painted with sweeping wing-like forms in crimson and cream against deep shadow

Portrait 4132 — On Fire

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, nude, traditional bust cropping, in a dramatic operatic style with warm burgundy tones and radiant golden light

Portrait 4161 — On Fire

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, lingerie, cropped at the hip, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 4187 — On Fire

Portrait of a subject eyed averted with arms behind, nude, arms behind, traditional bust cropping, painted with sweeping wing-like forms in crimson and cream against deep shadow

Portrait 4220 — On Fire

Portrait of partially dressed subject making eye contact, body square, lingerie, traditional bust cropping, painted with sweeping wing-like forms in crimson and cream against deep shadow

Portrait 4233 — On Fire

Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, statement jewlry, smiling, traditional bust cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 4284 — On Fire

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, smiling, tight cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 4296 — On Fire

Portrait of nude subject, making eye contact, square to the canvas. Arms play a vital role, body square, traditional bust cropping, rendered in deep crimson and gold with theatrical chiaroscuro lighting

Portrait 4325 — On Fire

Portrait of a nude subject with arms up, eyes closed, body canted, arms up, very tight cropping, painted with sweeping wing-like forms in crimson and cream against deep shadow

Portrait 4378 — On Fire

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, lingerie, smiling, tight cropping, in a dramatic operatic style with warm burgundy tones and radiant golden light

Portrait 4381 — On Fire

Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, in a dramatic operatic style with warm burgundy tones and radiant golden light

All source images · All styles · Essays · Elsewhere · Explore the full catalog