Warm painterly impasto with tall organic forms flanking the figure in muted golds blues and pinks. Loose and gestural. The figure stands in a gallery of painted shapes.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, very tight cropping, rendered in warm impasto strokes of muted gold, blue, and pink
Deep dark ground with large pale cloud-like forms and a vivid teal-cyan glow tracing the figure's edges. Dramatic and immediate with strong contrast between the dark surround and the luminous outline. More intense than similar trace styles.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, very tight cropping, rendered in deep shadow with glowing cyan edge light and stark dramatic contrast
Cool blue-grey palette with chunky broken brushwork throughout. Background generates irregular boulder or cloud-like forms in blue grey and muted brown. Figure merges softly with the cool ground. Loose and painterly with a raw textural quality.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, very tight cropping, in a loose painterly style with chunky brushwork and cool blue-grey tones
Cool blue lavender and silver with a silky vertical flow in the background — draped fabric or cascading water in cool light. Figure is warm against the pearlescent surround. Iridescent and luminous throughout. One of the more delicate and distinctive backgrounds in this range.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, very tight cropping, rendered in cool lavender and silver with silky cascading texture and warm iridescent glow
Cool blue silver and white with tall draped figurative forms flanking the central figure — statuesque sentinels in pale marble tones. Figure stands between the cool pale presences. Elegant and ceremonial rather than threatening. Classical in feel with a distinctive flanking composition.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, very tight cropping, rendered in cool marble tones with statuesque flanking figures in classical composition
Pale blue rose and cream with ghosted figurative forms flanking the central figure — softer and more ethereal than Clay Chorus. Background generates cool pale presences rather than warm terracotta. Figure stands quietly in the dreamlike surround. Cool and understated with a classical composition.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, very tight cropping, rendered in cool blue and cream tones with ghostly flanking figures
Deep indigo and navy forms fill the background in large bold brushstrokes with warm brown-ochre accents. Figure stands in pale blue-grey tones against the turbulent dark surround. Rich impasto character with genuine menace — the dark masses press in from all sides.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, very tight cropping, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, very tight cropping, rendered in pale blue and cream geometric planes with warm flesh tones
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, very tight cropping, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice
Large rounded geometric planes in mid blue pale blue-grey cream and warm taupe cover the entire surface in a cool confident mosaic. Figure painted in the same cool tones fully integrated into the ground. Structured and architectural with a glazed ceramic quality.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, very tight cropping, rendered in cool geometric planes of blue, grey-cream, and taupe with ceramic-glazed depth
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, very tight cropping, rendered in pale washes with drifting cool and warm fragments on an open white ground
Near-white ground with sparse irregular dark forms in grey-brown and warm taupe scattered at the edges and base. Figure painted in warm flesh tones with precise dark line standing clearly in the open white field. Bright airy and uncluttered.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, very tight cropping, painted in warm flesh tones with crisp ink lines on an open white ground