Bold red and white planes with black outline and strong fragmentation. The style dominates but the figure always survives. Graphic and decisive.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, traditional bust cropping, in decisive graphic planes of red and white, black-outlined and boldly fragmented
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, traditional bust cropping, loose impressionist technique, glowing with pinks, greens, and blues
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, traditional bust cropping, earthy cobblestone surface, figure integrated into rounded relief forms
Warm red-ochre watercolour wash on pale ground. Loose and gestural. The figure feels sketched in colour rather than drawn in line.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, traditional bust cropping, sketched in color, fluid red-ochre watercolor on light ground
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, traditional bust cropping, free tessellated brushwork in blue, white, and pink, figure and field unified
Pale grey and white with large rounded sculptural forms in the background. Light and airy. The figure feels set against polished stone.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, traditional bust cropping, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, traditional bust cropping, strict angular planes, no colour, figure folded into geometric surfaces
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, traditional bust cropping, warm palette pop-art style with tiled figure reflections filling the background
Warm geometric fragmentation in cream taupe and deep red-brown with strong architectural planes. The figure is refracted through large faceted forms — crystalline and structural. Background generates towering angular geometry that frames and fragments in equal measure.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, traditional bust cropping, shattered into towering angular planes of cream and red-brown, cubist and architecturally imposing
Deep cobalt blue organic forms and warm cream masses fill the background in bold painterly strokes. Figure rendered in warm flesh tones against the strong blue and cream surround. The blue forms have genuine weight and presence — geological and imposing. Blue border frames the composition.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, traditional bust cropping, in an expressive style with weighty geological blues and warm organic forms
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, traditional bust cropping, organic botanical style, pale open surround with loose dark linear marks
Large irregular fragments in warm yellow golden ochre cobalt blue and teal scattered across a pale near-white ground. Figure built from the same vivid fragments with generous white space throughout. Bright celebratory and light-filled.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, traditional bust cropping, in vivid broken-color fragments—golden ochre and cobalt—light and celebratory