Marble Day

Pale grey and white with large rounded sculptural forms in the background. Light and airy. The figure feels set against polished stone.

Part of the curated style catalog — one of 300 styles applied across 1,600 source images.

Portrait 0149 — Marble Day

Portrait 0149

Portrait of partially dressed subject with averted eyes, body canted, street clothes, astonished, tight cropping, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble

Portrait 0176 — Marble Day

Portrait 0176

Portrait of partially dressed subject with averted eyes, body canted, street clothes, cropped at the waist, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble

Portrait 0324 — Marble Day

Portrait 0324

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, astonished, very tight cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 0498 — Marble Day

Portrait 0498

Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 0553 — Marble Day

Portrait 0553

Portrait of a partially dressed subject with arms up, diverted eyes, body canted, lingerie, arms up, cropped at the waist, against rounded stone-like forms in muted grey and white, light and spacious

Portrait 0675 — Marble Day

Portrait 0675

Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, statement jewlry, traditional bust cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 0986 — Marble Day

Portrait 0986

Portrait of partially dressed subject with averted eyes, body canted, street clothes, subtle jewelry, traditional bust cropping, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble

Portrait 1602 — Marble Day

Portrait 1602

Portrait of a subject, not making eye contact,. Arms play a vital role, body square, lingerie, statement jewlry, cropped at the waist, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 3385 — Marble Day

Portrait 3385

Portrait of a subject eyed averted with arms behind, nude, arms behind, subtle jewelry, astonished, tight cropping, against rounded stone-like forms in muted grey and white, light and spacious

Portrait 3463 — Marble Day

Portrait 3463

Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, traditional bust cropping, against rounded stone-like forms in muted grey and white, light and spacious

Portrait 4711 — Marble Day

Portrait 4711

Portrait of partially dressed subject making eye contact, body square, lingerie, tight cropping, against rounded stone-like forms in muted grey and white, light and spacious

Portrait 4755 — Marble Day

Portrait 4755

Portrait of a subject, not making eye contact,. Arms play a vital role, body square, lingerie, statement jewlry, traditional bust cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 4958 — Marble Day

Portrait 4958

Portrait of partially dressed subject making eye contact, body square, lingerie, statement jewlry, traditional bust cropping, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble

Portrait 4971 — Marble Day

Portrait 4971

Portrait of partially dressed subject with averted eyes, body square, lingerie, traditional bust cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 5351 — Marble Day

Portrait 5351

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, street clothes, cropped at the waist, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble

Portrait 5369 — Marble Day

Portrait 5369

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble

Portrait 5432 — Marble Day

Portrait 5432

Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble

Portrait 5485 — Marble Day

Portrait 5485

Portrait of partially dressed subject with averted eyes, body canted, street clothes, tight cropping, against rounded stone-like forms in muted grey and white, light and spacious

Portrait 5605 — Marble Day

Portrait 5605

Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, against rounded stone-like forms in muted grey and white, light and spacious

Portrait 5646 — Marble Day

Portrait 5646

Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, very tight cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 5796 — Marble Day

Portrait 5796

Portrait of partially dressed subject with averted eyes, body square, street clothes, tight cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 6081 — Marble Day

Portrait 6081

Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Figure 0442 — Marble Day

Figure 0442

Nude figure standing, cropped at thigh, arms down, downcast eyes, against rounded stone-like forms in muted grey and white, light and spacious

Figure 0515 — Marble Day

Figure 0515

Nude figure kneeling/crouching, risqué pose, diverted eyes, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble

Figure 1219 — Marble Day

Figure 1219

Figure standing partially clothed in street clothes, cropped at thigh, arms playing a vital role, downcast eyes, modest, against rounded stone-like forms in muted grey and white, light and spacious

Figure 1255 — Marble Day

Figure 1255

Nude figure standing, cropped at thigh, arms playing a vital role, eye contact, modest, against rounded stone-like forms in muted grey and white, light and spacious

Figure 2388 — Marble Day

Figure 2388

Nude figure kneeling/crouching, risqué pose, eye contact, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Figure 2394 — Marble Day

Figure 2394

Figure sitting on the ground, modest pose, eye contact, nude, arms playing a vital role, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Figure 2515 — Marble Day

Figure 2515

Nude figure kneeling/crouching, modest pose, diverted eyes, against rounded stone-like forms in muted grey and white, light and spacious

Figure 2710 — Marble Day

Figure 2710

Nude figure kneeling/crouching, risqué pose, against rounded stone-like forms in muted grey and white, light and spacious

Figure 2773 — Marble Day

Figure 2773

Figure standing partially clothed in street clothes, cropped at thigh, arms playing a vital role, eye contact, modest, against rounded stone-like forms in muted grey and white, light and spacious

Figure 3460 — Marble Day

Figure 3460

Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, against rounded stone-like forms in muted grey and white, light and spacious

Figure 3519 — Marble Day

Figure 3519

Figure leaning in with averted eyes, lingerie, somewhat risqué, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Figure 3640 — Marble Day

Figure 3640

Figure sitting on the ground, risqué pose, eye contact, nude, against rounded stone-like forms in muted grey and white, light and spacious

Figure 4017 — Marble Day

Figure 4017

Figure in an unusual pose, diverted eyes, nude, arms playing a vital role, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Figure 4195 — Marble Day

Figure 4195

Figure leaning in with averted eyes, nude, somewhat risqué, against rounded stone-like forms in muted grey and white, light and spacious

Figure 4561 — Marble Day

Figure 4561

Nude figure standing, cropped at thigh, arms down, eye contact, against rounded stone-like forms in muted grey and white, light and spacious

Figure 4632 — Marble Day

Figure 4632

Figure sitting on the ground, modest pose, downcast eyes, nude, arms raised, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Figure 5878 — Marble Day

Figure 5878

Figure standing wearing lingerie, cropped at thigh, arms playing a vital role, diverted eyes, modest, against rounded stone-like forms in muted grey and white, light and spacious

Figure 6297 — Marble Day

Figure 6297

Figure facing away, eyes not visible, lingerie, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 0004 — Marble Day

Portrait 0004

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, lingerie, cropped at the waist, against rounded stone-like forms in muted grey and white, light and spacious

Portrait 0021 — Marble Day

Portrait 0021

Portrait of nude subject with averted eyes, body canted, smiling, tight cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 0033 — Marble Day

Portrait 0033

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, subtle jewelry, traditional bust cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 0058 — Marble Day

Portrait 0058

Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, against rounded stone-like forms in muted grey and white, light and spacious

Portrait 0093 — Marble Day

Portrait 0093

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, tight cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 0127 — Marble Day

Portrait 0127

Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the waist, against rounded stone-like forms in muted grey and white, light and spacious

Portrait 0209 — Marble Day

Portrait 0209

Portrait of a subject making eye contact with arms behind, nude, arms behind, cropped at the hip, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble

Portrait 0409 — Marble Day

Portrait 0409

Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, tight cropping, against rounded stone-like forms in muted grey and white, light and spacious

Portrait 0471 — Marble Day

Portrait 0471

Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, cropped at the waist, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 0475 — Marble Day

Portrait 0475

Portrait of a subject making eye contact with arms behind, nude, arms behind, very tight cropping, against rounded stone-like forms in muted grey and white, light and spacious

Portrait 0476 — Marble Day

Portrait 0476

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, traditional bust cropping, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble

Portrait 0571 — Marble Day

Portrait 0571

Portrait of nude subject with averted eyes, facing downward, body square, cropped at the waist, against rounded stone-like forms in muted grey and white, light and spacious

Portrait 0651 — Marble Day

Portrait 0651

Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 0708 — Marble Day

Portrait 0708

Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 0739 — Marble Day

Portrait 0739

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, against rounded stone-like forms in muted grey and white, light and spacious

Portrait 0891 — Marble Day

Portrait 0891

Portrait of partially dressed subject making eye contact, body square, lingerie, traditional bust cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 0966 — Marble Day

Portrait 0966

Portrait of partially dressed subject with averted eyes, body canted, lingerie, traditional bust cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 0978 — Marble Day

Portrait 0978

Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, cropped at the hip, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 0985 — Marble Day

Portrait 0985

Portrait of nude subject with averted eyes, body square, subtle jewelry, tight cropping, against rounded stone-like forms in muted grey and white, light and spacious

Portrait 1143 — Marble Day

Portrait 1143

Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, traditional bust cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 1258 — Marble Day

Portrait 1258

Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, against rounded stone-like forms in muted grey and white, light and spacious

Portrait 1404 — Marble Day

Portrait 1404

Portrait of a subject, not making eye contact,. Arms play a vital role, body square, lingerie, subtle jewelry, astonished, cropped at the waist, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 1535 — Marble Day

Portrait 1535

Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble

Portrait 2501 — Marble Day

Portrait 2501

Portrait of nude subject with averted eyes, facing downward, body canted, astonished, traditional bust cropping, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble

Portrait 2645 — Marble Day

Portrait 2645

Portrait of a subject making eye contact with arms behind, street clothes, arms behind, cropped at the hip, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble

Portrait 2652 — Marble Day

Portrait 2652

Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 2667 — Marble Day

Portrait 2667

Portrait of a subject eyed averted with arms behind, nude, arms behind, subtle jewelry, astonished, traditional bust cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 2890 — Marble Day

Portrait 2890

Portrait of partially dressed subject, making eye contact. Arms play a vital role, body canted, street clothes, smiling, traditional bust cropping, against rounded stone-like forms in muted grey and white, light and spacious

Portrait 3174 — Marble Day

Portrait 3174

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, nude, traditional bust cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 3208 — Marble Day

Portrait 3208

Portrait of nude subject with averted eyes, facing downward, body canted, astonished, traditional bust cropping, against rounded stone-like forms in muted grey and white, light and spacious

Portrait 3219 — Marble Day

Portrait 3219

Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, cropped at the waist, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 3285 — Marble Day

Portrait 3285

Portrait of nude subject with averted eyes, body canted, cropped at the waist, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 3343 — Marble Day

Portrait 3343

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body square, street clothes, cropped at the hip, against rounded stone-like forms in muted grey and white, light and spacious

Portrait 3468 — Marble Day

Portrait 3468

Portrait of partially dressed subject with averted eyes, body canted, street clothes, smiling, tight cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 3482 — Marble Day

Portrait 3482

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, street clothes, cropped at the waist, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble

Portrait 3521 — Marble Day

Portrait 3521

Portrait of nude subject, making eye contact, square to the canvas. Arms play a vital role, body square, traditional bust cropping, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble

Portrait 3696 — Marble Day

Portrait 3696

Portrait of a nude subject with arms up, eyes closed, body square, arms up, tight cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 3732 — Marble Day

Portrait 3732

Portrait of partially dressed subject making eye contact, body square, lingerie, traditional bust cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 3747 — Marble Day

Portrait 3747

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, very tight cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 3810 — Marble Day

Portrait 3810

Portrait of nude subject, making eye contact, square to the canvas. Arms play a vital role, body square, cropped at the waist, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 3827 — Marble Day

Portrait 3827

Portrait of partially dressed subject, making eye contact. Arms play a vital role, body canted, street clothes, cropped at the waist, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble

Portrait 3828 — Marble Day

Portrait 3828

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, smiling, cropped at the hip, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 3838 — Marble Day

Portrait 3838

Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, against rounded stone-like forms in muted grey and white, light and spacious

Portrait 3882 — Marble Day

Portrait 3882

Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, traditional bust cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 3924 — Marble Day

Portrait 3924

Portrait of partially dressed subject with averted eyes, body square, street clothes, statement jewlry, smiling, tight cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 3999 — Marble Day

Portrait 3999

Portrait of nude subject with averted eyes, body canted, cropped at the waist, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 4007 — Marble Day

Portrait 4007

Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, subtle jewelry, cropped at the waist, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble

Portrait 4032 — Marble Day

Portrait 4032

Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, tight cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 4070 — Marble Day

Portrait 4070

Portrait of partially dressed subject making eye contact, body square, lingerie, smiling, cropped at the waist, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble

Portrait 4094 — Marble Day

Portrait 4094

Portrait of a subject eyed averted with arms behind, nude, arms behind, traditional bust cropping, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble

Portrait 4132 — Marble Day

Portrait 4132

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, nude, traditional bust cropping, against rounded stone-like forms in muted grey and white, light and spacious

Portrait 4161 — Marble Day

Portrait 4161

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, lingerie, cropped at the hip, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 4187 — Marble Day

Portrait 4187

Portrait of a subject eyed averted with arms behind, nude, arms behind, traditional bust cropping, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble

Portrait 4220 — Marble Day

Portrait 4220

Portrait of partially dressed subject making eye contact, body square, lingerie, traditional bust cropping, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble

Portrait 4233 — Marble Day

Portrait 4233

Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, statement jewlry, smiling, traditional bust cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 4284 — Marble Day

Portrait 4284

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, smiling, tight cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 4296 — Marble Day

Portrait 4296

Portrait of nude subject, making eye contact, square to the canvas. Arms play a vital role, body square, traditional bust cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere

Portrait 4325 — Marble Day

Portrait 4325

Portrait of a nude subject with arms up, eyes closed, body canted, arms up, very tight cropping, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble

Portrait 4378 — Marble Day

Portrait 4378

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, lingerie, smiling, tight cropping, against rounded stone-like forms in muted grey and white, light and spacious

Portrait 4381 — Marble Day

Portrait 4381

Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, against rounded stone-like forms in muted grey and white, light and spacious