Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, cropped at the waist, luminous impressionist style with pale floral tones and delicate brushwork
Bold red and white with organic sculptural forms surrounding the figure. The red bleeds into white rather than filling hard shapes. Dramatic and immediate.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, cropped at the waist, in sweeping red-bleeds-to-white with expressive organic shapes and visceral immediacy
Warm painterly impasto with tall organic forms flanking the figure in muted golds blues and pinks. Loose and gestural. The figure stands in a gallery of painted shapes.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, cropped at the waist, loose gestural brushwork with organic forms in dusty warm tones
Pale grey and white with large rounded sculptural forms in the background. Light and airy. The figure feels set against polished stone.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, cropped at the waist, against rounded stone-like forms in muted grey and white, light and spacious
Cool grey-brown with tall dark arched panels flanking the figure. The panels carry circular rivet-like forms giving the background a strong industrial character. Stark and architectural with a mechanical edge.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, cropped at the waist, architectural metalwork backdrop, dark arched forms with circular rivets, mechanical severity
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, cropped at the waist, bold figure repeated in an ordered grid of warm and cool tones, slightly surreal
Dark blue border frames a cool interior of rounded boulder forms in pale blue and stone. Figure is warm and painterly against the cool surround. The vignette framing gives a distinctive painting-within-a-painting quality. Cool and composed with real painterly substance.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, cropped at the waist, bold rounded forms in pale blue and stone with a warm central figure
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, cropped at the waist, soft cream background with rounded decorative shapes in earthy rust tones, ornamental and warm
Dusty rose taupe and cream in large swooping curved geometric planes — the warm counterpart to Teal and Ice. Figure integrates into the geometry in matching warm tones. Soft and unified with the same elegant geometric confidence. Warm and immediately inviting.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, cropped at the waist, rendered in soft unified warm tones with sweeping curved geometry
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, cropped at the waist, soft cloudlike ground with charcoal vine tracery and cool blue-grey base
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, cropped at the waist, painted with precise crystalline geometry in cool white and warm flesh tones
Near-white ground with bold crimson-rose and dark contour lines describing the figure in confident decisive strokes. Minimal background detail keeps the focus entirely on the line. Immediate and graphic with the authority of a strong fashion illustration.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body from the side, cropped at the waist, strong contour lines and decisive strokes in crimson on minimal white ground