Pale white and grey with soft angular background forms and warm red accents. Light and airy. The figure feels illuminated from within.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, smiling, cropped at the hip, light airy composition with geometric background forms and glowing inner radiance
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, smiling, cropped at the hip, luminous impressionist style with pale floral tones and delicate brushwork
Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, smiling, cropped at the hip, soft ethereal style with phantom presences emerging from pale, diffused grounds
Pale lavender and grey with bold sweeping ribbon-like forms in the background. Soft but dynamic. The figure stands in a swirl of delicate movement.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, smiling, cropped at the hip, soft dynamic strokes in lavender and grey, swirling ribbon shapes in the background
Pale grey and white with large rounded sculptural forms in the background. Light and airy. The figure feels set against polished stone.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, smiling, cropped at the hip, against rounded stone-like forms in muted grey and white, light and spacious
Bold mixed impasto strokes in grey pink mauve and ochre fill the background with painterly energy. The figure rides a richly worked surface of broken colour. Lively and immediate with a full warm-cool palette.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, smiling, cropped at the hip, painted with broken colour and lively warm-cool contrasts
Warm cream and pale blue with large flowing draped forms filling the background. The figure is naturalistically rendered in warm flesh tones against the sculptural surround. Calm and considered with a classical drapery quality.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, smiling, cropped at the hip, rendered naturalistically in warm flesh tones against sculpted pale drapery
Pale ivory and cream ground with loose scrolling organic forms in terracotta and rust. Background generates rounded decorative shapes — ornamental rather than architectural. Figure is warm and confident against the near-white surround. Distinctive and quietly decorative.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, smiling, cropped at the hip, soft cream background with rounded decorative shapes in earthy rust tones, ornamental and warm
Cool silver and blue with dramatic angular mountain-like forms filling the background — jagged peaks or shattered rock faces in dark gestural marks. Figure is warm and painterly against the powerful cool surround. Alpine and commanding. One of the more dramatically structured backgrounds in this range.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, smiling, cropped at the hip, dramatic jagged mountain forms in cool gestural strokes framing a warmly painted subject
Pale cream and white with large rounded forms splashed with deep red blue and gold. Background reads like pale swirling marble with vivid colour scattered across it. Figure is warm and integrated into the rich complex surround. Energetic and distinctive — unlike anything else in this range.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, smiling, cropped at the hip, pale swirling ground with vivid scattered colour and warm rounded forms
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, smiling, cropped at the hip, soft cloudlike ground with charcoal vine tracery and cool blue-grey base
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, smiling, cropped at the hip, angular blocks of cool light and warm figure, bright and airy