Bold red and white planes with black outline and strong fragmentation. The style dominates but the figure always survives. Graphic and decisive.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the hip, in decisive graphic planes of red and white, black-outlined and boldly fragmented
Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the hip, integrated figure and landscape in warm browns, painterly realism
Warm golden-ochre with tall dark ornate column forms flanking the figure. The figure is rendered in luminous warm tones against the architectural surround. Rich and structured with a classical grandeur.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the hip, structured classical composition with gilded warmth and monumental columns
Warm cream and pale blue with large flowing draped forms filling the background. The figure is naturalistically rendered in warm flesh tones against the sculptural surround. Calm and considered with a classical drapery quality.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the hip, calm and classical, with large draped forms in cream and soft blue
Pale grey with bold dark contour line and flat rose-pink colour fills on shadows and forms. Rocky cloud-like forms fill the background in the same graphic style. Immediate and illustration-like with a strong linear character.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the hip, strong linear style with flat pink fills and rocky cloud forms in pale grey
Pale white and cool grey-green ground shattered into large angular planes by bold dark outlines. Figure described in confident contour with minimal interior rendering. Background generates broken geometric shapes like fractured ice. Clean and immediate with strong graphic authority.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the hip, clean graphic style with confident line work and shattered angular forms in pale cool tones
Deep crimson and burgundy flank a central burst of white and gold light behind the figure. Background generates large wing-like forms in warm crimson and cream. Figure stands illuminated against the dark dramatic surround. Operatic and theatrical — one of the most dramatic warm styles in this range.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the hip, painted with sweeping wing-like forms in crimson and cream against deep shadow
Cool blue and mauve with large rounded petal-like forms filling the background — abstract roses with a crystalline flash. Figure is warm and painterly against the cool floral surround. Soft and romantic but with a sparkling edge. Distinctive and immediately appealing.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the hip, in a romantic painterly style with abstract roses, cool crystal tones, and luminous warmth
Rich impasto in warm plum-mauve and cool blue with large loose visible brushstrokes unifying figure and background. Background generates rounded organic forms from the same energetic brushwork. The surface is alive throughout — one of the more genuinely painterly styles in the set.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the hip, gestural impasto painting, organic forms emerging from unified brushwork in mauve and blue
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the hip, organic botanical style, pale open surround with loose dark linear marks
Saturated yellow ground with vertical streaks and drips of red orange and blue running through the composition like paint in motion. Figure painted in warm flesh and orange-red tones fully absorbed into the blazing ground. Hot gestural and overwhelming.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the hip, executed in urgent expressionist strokes, flesh and ground merging in volcanic color
Large irregular fragments in warm yellow golden ochre cobalt blue and teal scattered across a pale near-white ground. Figure built from the same vivid fragments with generous white space throughout. Bright celebratory and light-filled.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, cropped at the hip, in vivid broken-color fragments—golden ochre and cobalt—light and celebratory