Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, warm red cubist fragmentation, faceted planes revealing structure
Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, soft ethereal style with phantom presences emerging from pale, diffused grounds
Pale grey and white with large rounded sculptural forms in the background. Light and airy. The figure feels set against polished stone.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, against rounded stone-like forms in muted grey and white, light and spacious
Warm grey-brown with tall dark architectural forms flanking the figure on either side. The figure is naturalistically rendered in warm flesh tones against the cool structured surround. Painterly and grounded with a monumental quality.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, flanked by tall dark forms, naturalistic figure in earthy warmth against structured stone
Pale grey and warm brown with large rounded cloud-like forms filling the background. The figure is naturalistically rendered in warm flesh tones against the soft organic surround. Painterly and warm with a gentle depth to the background.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, naturalistic figure painting with painterly warm tones and gentle organic depth
Hot coral and orange figure burns against fractured cool blue and white ground. Background generates angular broken planes with a ghosted second figure visible behind. Strong warm-cool tension dominates. Sources with bold colour read with hallucinatory intensity.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, bold warm-cool contrast with angular broken grounds and ghosted figural echoes
Warm rose and crimson with large flanking figurative forms swirling around the central figure. Background generates ghosted body shapes in pink and deep charcoal — reflected or echoed presences closing in. Figure stands in a surround of its own warm shadows. Intimate and confrontational.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, bold flanking figures in deep charcoal and pink, intimate and confrontational oil style
Cool cerulean blue and cream in large flat geometric planes. Figure is warm against the cool blue geometry — a clean warm-cool contrast. Elegant and graphic rather than sensuous. Background generates smooth rounded geometric forms in deep and pale blue.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, bold flat geometry in deep and pale blue, warm figure against cool graphic forms
Dark charcoal and deep purple flank large pale glowing rock or ice forms behind the figure. Scattered leaf shapes in the upper corners add a decorative note. Figure is warm against the luminous pale centre. Dramatic contrast between glowing stone and dark surround. Moody and painterly.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, painterly contrasts of warm figure against luminous rock and shadowed surround
Warm loose impasto figure against a swirling violet and cream ground. Background generates large looping organic forms — unfurling petals or folding fabric. Warm flesh tones sit dramatically against the cool violet surround.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, loose impasto technique, warm flesh against cool violet organic forms
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, soft cloudlike ground with charcoal vine tracery and cool blue-grey base
Pale white and cool grey central forms flanked by deep burnt orange-red on both sides — bleached columns between dark ember wings. Figure stands in the pale central zone against the dramatic warm surround. High contrast and architectural — cool centre held between walls of fire.
Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, bleached architectural forms caught between walls of ember-dark warmth