Strong graphite on dark ground with bold sweeping strokes filling the background. High contrast and dramatic. The figure stands in a storm of marks!
Portrait of nude subject with averted eyes, facing downward, body canted, cropped at the waist, rendered in bold graphite on dark ground with dramatic sweeping strokes
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Portrait of nude subject with averted eyes, facing downward, body canted, cropped at the waist, rendered in warm sandy stone tones with rounded, cobbled texture
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Portrait of nude subject with averted eyes, facing downward, body canted, cropped at the waist, rendered in loose mosaic fragments of blue, white, and pink on a pale ground
Warm sepia and grey-brown tones over a heavily layered textured surface. The background generates dark flanking forms that read like weathered or torn paper. The figure feels retrieved from an aged document rather than a contemporary image.
Portrait of nude subject with averted eyes, facing downward, body canted, cropped at the waist, rendered in warm sepia and grey-brown tones with heavy layered texture
Dense honeycomb dot pattern in warm gold and brown covers the entire image. Bold white rounded forms break through the pattern creating strong contrast. Warm and intricate with an almost textile quality.
Portrait of nude subject with averted eyes, facing downward, body canted, cropped at the waist, rendered in warm gold halftone dots with bold white cutout shapes
Cool blue-grey palette with chunky broken brushwork throughout. Background generates irregular boulder or cloud-like forms in blue grey and muted brown. Figure merges softly with the cool ground. Loose and painterly with a raw textural quality.
Portrait of nude subject with averted eyes, facing downward, body canted, cropped at the waist, in a loose painterly style with chunky brushwork and cool blue-grey tones
Cool grey and blue-white angular stone planes fill the background like a quarry face. Figure is clean and graphic against the fractured surround. Pale and architectural — precise rather than painterly. Strong structural character throughout.
Portrait of nude subject with averted eyes, facing downward, body canted, cropped at the waist, rendered in cool grey and blue-white angular stone planes, precise and architectural
Cool blue and taupe with angular stone-like geometric forms and a distinctive arched border framing the composition. Background generates fractured architectural planes within the arch. Figure is clean and graphic against the cool structured surround. Architectural and precise with a classical framing quality.
Portrait of nude subject with averted eyes, facing downward, body canted, cropped at the waist, rendered in cool blues and taupe with angular stone-like geometry and a classical arched border
Cool blue and mauve with large rounded petal-like forms filling the background — abstract roses with a crystalline flash. Figure is warm and painterly against the cool floral surround. Soft and romantic but with a sparkling edge. Distinctive and immediately appealing.
Portrait of nude subject with averted eyes, facing downward, body canted, cropped at the waist, in a soft romantic style with cool blue-mauve florals and warm painterly brushwork
Pale cream and white with large rounded forms splashed with deep red blue and gold. Background reads like pale swirling marble with vivid colour scattered across it. Figure is warm and integrated into the rich complex surround. Energetic and distinctive — unlike anything else in this range.
Portrait of nude subject with averted eyes, facing downward, body canted, cropped at the waist, rendered in creamy marble tones with bold red, blue, and gold splashes
Cream sand and dark charcoal in large irregular mosaic pieces — Roman floor tile or unearthed archaeological surface. Figure integrates into the mosaic ground. Neutral and substantial rather than energetic. Background has a genuinely ancient and excavated quality.
Portrait of nude subject with averted eyes, facing downward, body canted, cropped at the waist, rendered in cream and charcoal mosaic tessellations evoking Roman floor tile
Deep indigo and navy forms fill the background in large bold brushstrokes with warm brown-ochre accents. Figure stands in pale blue-grey tones against the turbulent dark surround. Rich impasto character with genuine menace — the dark masses press in from all sides.
Portrait of nude subject with averted eyes, facing downward, body canted, cropped at the waist, painted in deep indigo and navy impasto with warm ochre accents and pale blue-grey figure