Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, astonished, tight cropping, luminous impressionist style with pale floral tones and delicate brushwork
Warm painterly rendering with a rocky stone background in cool grey and blue. The figure feels grounded and real. Naturalistic and unfussy.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, astonished, tight cropping, naturalistic oil style with textured rocky backdrop
Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, astonished, tight cropping, soft ethereal style with phantom presences emerging from pale, diffused grounds
Warm painterly impasto with tall organic forms flanking the figure in muted golds blues and pinks. Loose and gestural. The figure stands in a gallery of painted shapes.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, astonished, tight cropping, loose gestural brushwork with organic forms in dusty warm tones
Pale grey and white with large rounded sculptural forms in the background. Light and airy. The figure feels set against polished stone.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, astonished, tight cropping, against rounded stone-like forms in muted grey and white, light and spacious
Pale grey with bold dark contour line and flat rose-pink colour fills on shadows and forms. Rocky cloud-like forms fill the background in the same graphic style. Immediate and illustration-like with a strong linear character.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, astonished, tight cropping, graphic ink illustration with bold contours and dusty pink form shadows
Warm loose impasto figure against a swirling violet and cream ground. Background generates large looping organic forms — unfurling petals or folding fabric. Warm flesh tones sit dramatically against the cool violet surround.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, astonished, tight cropping, loose impasto technique, warm flesh against cool violet organic forms
Warm geometric fragmentation in cream taupe and deep red-brown with strong architectural planes. The figure is refracted through large faceted forms — crystalline and structural. Background generates towering angular geometry that frames and fragments in equal measure.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, astonished, tight cropping, fragmented through crystalline geometric forms in earthy tones, structural and monumental
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, astonished, tight cropping, silkscreen-like, colour barely arrived, delicate and unresolved
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, astonished, tight cropping, painted with precise crystalline geometry in cool white and warm flesh tones
Large irregular pale grey-white forms suggest rough-hewn rock faces receding behind the figure. Cool blue ground visible between the forms. Figure painted in warm flesh tones standing clearly against the pale rocky ground. The figure commands the space with quiet authority.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, astonished, tight cropping, painterly rocky backdrop in cool blues and pale greys contrasting warm figurative tones
Pale near-white ground with loose organic forms in cool blue-grey and warm taupe floating around the figure like torn fragments drifting in open space. Figure painted in warm golden flesh tones with loose painterly marks. Airy and open with generous white space throughout.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, astonished, tight cropping, painted in loose gestural marks with golden flesh tones and floating torn-paper shapes