Soft painterly impasto in warm flesh and stone tones. The background reads as marbled or plastered surface. Figure and ground feel made of the same material.
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the waist, rendered in thick impasto strokes of warm flesh and stone tones on a marbled plaster ground
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the waist, rendered in loose mosaic fragments of blue, white, and pink on a pale ground
Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the waist, rendered in warm ochre and flesh tones against a fractured white ground with bold colour blocks
Deep burnt orange and amber flanking forms cradle a cool white figure. The background generates warm flame-like shapes that contrast sharply with the pale painterly rendering of the figure. Vivid and energetic with strong colour drama.
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the waist, in vivid burnt orange and amber with painterly white figure
Cool blue-grey stone block architecture fills the background with arched recesses and layered masonry. The figure is warm-toned against a cool structured surround. Painterly and grounded with a classical architectural presence.
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the waist, rendered in painterly oils with warm figure against cool classical stonework
Cool blue-violet with large angular faceted planes filling the background. The figure is naturalistically rendered in warm flesh tones against the crystalline surround. Precise and cold with a quartz-like quality to the fractured background.
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the waist, rendered in warm naturalistic tones against angular blue-violet crystalline planes
Pale ground with a dense blue-grey pattern of text-like or script-like marks filling the background. The figure is rendered in warm flesh tones over the inscribed surface. Distinctive and layered with an archaeological quality.
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the waist, rendered in warm flesh tones over a dense field of script-like marks on pale ground
Cool teal and blue with swirling rounded organic forms creating a vortex-like background. Dark border frames the composition. Figure is warm against the cool oceanic surround. Dynamic and fluid — the background has genuine rotational energy. Related to Blue Organ but more oceanic than biological.
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the waist, rendered in swirling teal and blue with fluid vortex energy and a dark framing border
Dark near-black ground with large pale rounded forms glowing with cool violet-grey light and teal edge highlights. Figure stands warm against the luminous floating masses. The orbs read as buoyant and light-catching rather than geological — strange and quietly spectacular.
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the waist, rendered in deep shadow with luminous violet-grey orbs and teal-edged highlights
Deep cobalt blue background with warm golden-yellow forms bursting outward in bold impasto. Figure painted in warm cream and flesh tones at the centre of the energy. Theatrical and baroque — stormy sky with golden light breaking through. One of the more dramatically coloured styles in the set.
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the waist, rendered in thick impasto with cobalt depths and explosive golden light
Pale watercolour-like ground with soft grey-blue shadow marks and rose-pink accents catching at knees hands and floor. Dark forms loom in the upper corners. The surface has a first-pull silkscreen quality — colour present but not yet fully arrived. Delicate and slightly unresolved.
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the waist, rendered in pale washes with soft grey-blue shadows and rose-pink highlights
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the waist, rendered in pale blue and cream geometric planes with warm flesh tones