Cool grey with swirling marks and ghostly repeated faces emerging from the background. Unsettling and distinctive. The figure stands in a crowd of shadows.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, tight cropping, unsettling grey palette, ghostly crowd of faces dissolving into swirling textured shadow
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, tight cropping, free tessellated brushwork in blue, white, and pink, figure and field unified
Pale grey and white with large rounded sculptural forms in the background. Light and airy. The figure feels set against polished stone.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, tight cropping, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble
Dusty mauve-grey stone texture absorbs the figure into the surface. Body reads as shallow relief rather than figure against background. Cool and permanent — the source becomes architecture.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, tight cropping, monolithic grey-pink surface, body fused with architectural weight
Cool grey and blue-white angular stone planes fill the background like a quarry face. Figure is clean and graphic against the fractured surround. Pale and architectural — precise rather than painterly. Strong structural character throughout.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, tight cropping, pale, structural rendering with angular faceted planes and sharp geometric precision
Bright teal blue white and red in large fluid abstract shapes surrounding the figure. Background feels restless and unanchored — forms drift without fully resolving. Figure holds coherence against the scattered surround. Energetic but loose — works best with strong confident sources.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, tight cropping, energetic abstract surround of fluid blue, white, and red shapes, figure holds center
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, tight cropping, organic botanical style, pale open surround with loose dark linear marks
Pure black ground with shattered mirror or glass fragments flying outward from the figure in cool silver-white. Figure stands at the centre of the explosion in pale silver tones. Cinematic and high contrast — one of the most dramatically distinctive styles in the set.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, tight cropping, dramatic high-contrast style with cool silver glass shards bursting outward from darkness
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, tight cropping, pale blue ground, strong contour line and warm flesh tones in classical figure style
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, tight cropping, luminous cubist planes in blue, cream, and confident warm tones
Large rounded geometric planes in mid blue pale blue-grey cream and warm taupe cover the entire surface in a cool confident mosaic. Figure painted in the same cool tones fully integrated into the ground. Structured and architectural with a glazed ceramic quality.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, tight cropping, architectural mosaic style, figure and ground unified in cool structured geometric planes
Pale blue-white ground with large fluid dark forms sweeping in from the sides like heavy shadow or dark marble veining. Figure painted in warm flesh tones with cool blue accents standing clearly in the pale centre. Dramatic and fluid with a marbled quality.
Portrait of partially dressed subject with averted eyes, body from the side, street clothes, tight cropping, dramatic marbled contrasts with sweeping dark forms and glowing pale center