High contrast black and white with dark architectural forms flanking the figure. Graphic and controlled. The figure stands in a surround of deep shadow and structure.
Portrait of partially dressed subject with averted eyes, body canted, street clothes, tight cropping, rendered in stark black and white with bold architectural shadows
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Portrait of partially dressed subject with averted eyes, body canted, street clothes, tight cropping, rendered in loose mosaic fragments of blue, white, and pink on a pale ground
Pale grey and white with large rounded sculptural forms in the background. Light and airy. The figure feels set against polished stone.
Portrait of partially dressed subject with averted eyes, body canted, street clothes, tight cropping, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere
Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Portrait of partially dressed subject with averted eyes, body canted, street clothes, tight cropping, rendered in warm ochre and flesh tones against a fractured white ground with bold colour blocks
Warm sepia and grey-brown tones over a heavily layered textured surface. The background generates dark flanking forms that read like weathered or torn paper. The figure feels retrieved from an aged document rather than a contemporary image.
Portrait of partially dressed subject with averted eyes, body canted, street clothes, tight cropping, rendered in warm sepia and grey-brown tones with heavy layered texture
Warm rose and crimson with large flanking figurative forms swirling around the central figure. Background generates ghosted body shapes in pink and deep charcoal — reflected or echoed presences closing in. Figure stands in a surround of its own warm shadows. Intimate and confrontational.
Portrait of partially dressed subject with averted eyes, body canted, street clothes, tight cropping, rendered in warm rose and crimson with swirling figurative forms and ghosted shadow presences
Cool blue and taupe with angular stone-like geometric forms and a distinctive arched border framing the composition. Background generates fractured architectural planes within the arch. Figure is clean and graphic against the cool structured surround. Architectural and precise with a classical framing quality.
Portrait of partially dressed subject with averted eyes, body canted, street clothes, tight cropping, rendered in cool blues and taupe with angular stone-like geometry and a classical arched border
Dark charcoal and deep purple flank large pale glowing rock or ice forms behind the figure. Scattered leaf shapes in the upper corners add a decorative note. Figure is warm against the luminous pale centre. Dramatic contrast between glowing stone and dark surround. Moody and painterly.
Portrait of partially dressed subject with averted eyes, body canted, street clothes, tight cropping, rendered in moody oils with glowing pale stone against deep charcoal and purple
Warm white and taupe rounded forms fill the background with strong dark contour lines — smooth boulders or giant cloud masses. Figure painted naturalistically in warm flesh tones against the pale organic ground. Dark border frames the composition.
Portrait of partially dressed subject with averted eyes, body canted, street clothes, tight cropping, rendered in warm flesh tones with bold dark contours and rounded organic forms
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait of partially dressed subject with averted eyes, body canted, street clothes, tight cropping, rendered in bold dark contour line on pale blue ground with warm flesh tones
Cool blue-grey and near-black with a blazing white centre that backlights the figure dramatically. Large dark organic forms sweep in from both sides like heavy wings or drawn curtains. Figure sits at the threshold of light and shadow in deep cool tones with only traces of warm flesh breaking through.
Portrait of partially dressed subject with averted eyes, body canted, street clothes, tight cropping, rendered in cool blue-grey tones with stark white backlighting and sweeping dark forms
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Portrait of partially dressed subject with averted eyes, body canted, street clothes, tight cropping, rendered in pale blue and cream geometric planes with warm flesh tones