Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, smiling, tight cropping, bold angular planes in warm reds, cubist faceting of form
Strong graphite on dark ground with bold sweeping strokes filling the background. High contrast and dramatic. The figure stands in a storm of marks!
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, smiling, tight cropping, powerful dark-ground graphite technique with bold gestural strokes
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, smiling, tight cropping, loose impressionist technique, glowing with pinks, greens, and blues
Dense ink crosshatch on pale ground with swirling figurative forms filling the background. Engraving-like in character. The line maps the figure with forensic intensity.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, smiling, tight cropping, etching-style crosshatch traces every contour with obsessive, engraving-like intensity
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, smiling, tight cropping, free tessellated brushwork in blue, white, and pink, figure and field unified
Pale grey and white with large rounded sculptural forms in the background. Light and airy. The figure feels set against polished stone.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, smiling, tight cropping, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble
Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, smiling, tight cropping, bold colour blocking in ochre and blue on a broken white ground, immediate and gestural
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, smiling, tight cropping, strict angular planes, no colour, figure folded into geometric surfaces
Pale cream and warm rose with a distinctive stippled newsprint-like texture throughout. Figure has the quality of a silk screen that didn't fully take — present but not quite arrived. Background generates soft fragmented forms in the same light palette. Light and distinctive — unlike most painterly styles in this range.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, smiling, tight cropping, soft stippled halftone feel in blush and cream, delicate and print-like
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, smiling, tight cropping, delicate icy facets of blue-grey white and cream against a crushed-paper ground
Large rounded cloud-like forms in white and cool grey fill the background with soft dark contour lines defining the volumes. Figure painted in warm flesh tones with clean precise line standing clearly against the pale airy ground. Gentle sculptural and softly drawn.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, smiling, tight cropping, warm figure tones contrasting softly drawn cool backgrounds with delicate line
Flat irregular stone forms in cool grey-white with dark crack lines fill the background like a rendered stone wall. Figure painted in warm flesh tones with precise dark outline standing clearly in front of the flat pale ground. Clean graphic and architectural.
Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, smiling, tight cropping, in a crisp graphic style, warm tones contrasting a cool grey-white stone wall