Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of nude subject making eye contact, face and body square to the canvas, astonished, tight cropping, bold angular planes in warm reds, cubist faceting of form
Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Portrait of nude subject making eye contact, face and body square to the canvas, astonished, tight cropping, integrated figure and landscape in warm browns, painterly realism
Pale grey and white with large rounded sculptural forms in the background. Light and airy. The figure feels set against polished stone.
Portrait of nude subject making eye contact, face and body square to the canvas, astonished, tight cropping, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble
Cool blue geometric planes like shattered ice filling the background. The figure is refracted rather than rendered. Cold and crystalline.
Portrait of nude subject making eye contact, face and body square to the canvas, astonished, tight cropping, cubist planes of glacial blue splinter the figure into icy geometry
Deep burnt orange and amber flanking forms cradle a cool white figure. The background generates warm flame-like shapes that contrast sharply with the pale painterly rendering of the figure. Vivid and energetic with strong colour drama.
Portrait of nude subject making eye contact, face and body square to the canvas, astonished, tight cropping, energetic colour drama in deep amber and crisp white rendering
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Portrait of nude subject making eye contact, face and body square to the canvas, astonished, tight cropping, strict angular planes, no colour, figure folded into geometric surfaces
Cool grey with large angular fractured rock forms flanking the figure on both sides. The figure is warmly rendered in flesh tones against the cool jagged surround. Naturalistic and grounded with a raw stone quality.
Portrait of nude subject making eye contact, face and body square to the canvas, astonished, tight cropping, oil-painted realism with jagged stone textures, cool grey palette warmed by natural flesh tones
Stark black corners frame radiating crumpled white planes — crushed paper or foil caught in sharp light. Figure is warm against the high contrast surround. Graphic and dramatic with a strong print-like character. Bold silhouettes read with particular intensity in this style.
Portrait of nude subject making eye contact, face and body square to the canvas, astonished, tight cropping, sharp print-like treatment with warm figure against intense geometric shadow play
Bright sky blue with large rounded cloud-like forms in white and pale blue surrounding the figure. Figure is warm and grounded against the airy cool surround. Light and open — one of the most genuinely sky-like backgrounds in this range. Luminous and uplifting.
Portrait of nude subject making eye contact, face and body square to the canvas, astonished, tight cropping, in an open, uplifting style of pale blue and white cloudscapes with luminous rounded forms
Pale cream and warm rose with a distinctive stippled newsprint-like texture throughout. Figure has the quality of a silk screen that didn't fully take — present but not quite arrived. Background generates soft fragmented forms in the same light palette. Light and distinctive — unlike most painterly styles in this range.
Portrait of nude subject making eye contact, face and body square to the canvas, astonished, tight cropping, soft stippled halftone feel in blush and cream, delicate and print-like
Luminous white cloud forms fill the background with dark charcoal tendril or vine-like marks threading through them. Cool blue-grey at the base. Figure painted in warm flesh tones against the pale open surround. Looser and more organic than Pale Damask — botanical rather than decorative.
Portrait of nude subject making eye contact, face and body square to the canvas, astonished, tight cropping, organic botanical style, pale open surround with loose dark linear marks
Flat irregular stone forms in cool grey-white with dark crack lines fill the background like a rendered stone wall. Figure painted in warm flesh tones with precise dark outline standing clearly in front of the flat pale ground. Clean graphic and architectural.
Portrait of nude subject making eye contact, face and body square to the canvas, astonished, tight cropping, in a crisp graphic style, warm tones contrasting a cool grey-white stone wall