Fragments the source into angular colour planes with a cubist edge. Renders consistently in warm reds. The planes find bone structure on faces and body geometry on figures with equal conviction.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, cropped at the waist, warm red cubist fragmentation, faceted planes revealing structure
Soft impressionist brushwork in pale pinks greens and blues with floral forms in the background. Delicate and luminous. The figure feels alive with light and colour.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, cropped at the waist, luminous impressionist style with pale floral tones and delicate brushwork
Pale grey and white with large rounded sculptural forms in the background. Light and airy. The figure feels set against polished stone.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, cropped at the waist, against rounded stone-like forms in muted grey and white, light and spacious
Cool blue geometric planes like shattered ice filling the background. The figure is refracted rather than rendered. Cold and crystalline.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, cropped at the waist, shattered ice facets refracting form into cold angular fragments
Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, cropped at the waist, loose painterly grid of blue and yellow with energetic graphic presence
Warm sepia and grey-brown tones over a heavily layered textured surface. The background generates dark flanking forms that read like weathered or torn paper. The figure feels retrieved from an aged document rather than a contemporary image.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, cropped at the waist, aged document aesthetic with dark flanking forms and weathered paper surfaces
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, cropped at the waist, monochrome cubist facets, figure and ground merged in cool grey
Cool blue-violet with large angular faceted planes filling the background. The figure is naturalistically rendered in warm flesh tones against the crystalline surround. Precise and cold with a quartz-like quality to the fractured background.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, cropped at the waist, precise faceted background in cool quartz-like fragments framing warm flesh tones
Cool blue taupe and pale rose with rounded smooth boulder forms filling the background. Figure is warm and confident against the cool stone surround. Naturalistic and grounded — the background reads as river-worn stone rather than angular rock. Softer and more painterly than Blue Granite.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, cropped at the waist, warm figure set against cool rounded boulder forms, painterly and grounded
Pale yellow cream and soft mauve-blue build both figure and background as if a pointillist painting has been gently diffused — dots present but bleeding into each other. Background generates large luminous cloud-like forms in the same soft technique. High-key and summery — luminous rather than crisp.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, cropped at the waist, pale dotted brushwork dissolved into high-key summer light, figure and sky sharing the same haze
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, cropped at the waist, clean decisive linework on azure ground, draped forms in elegant dark outline
Entire surface broken into dense confident brushstrokes in cool blue-grey and white — figure and ground unified in the same energetic mark-making. The figure is present but woven into the surface rather than sitting on it. Cool silvery and kinetic.
Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, cropped at the waist, in dense, energetic strokes that merge figure and ground in silvery blue