Bold red and white with organic sculptural forms surrounding the figure. The red bleeds into white rather than filling hard shapes. Dramatic and immediate.
Portrait from behind, eye contact, nude, arms out, cropped at the hip, bold two-tone red and white, fluid sculptural masses dissolving at their edges
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Portrait from behind, eye contact, nude, arms out, cropped at the hip, free tessellated brushwork in blue, white, and pink, figure and field unified
Pale grey and white with large rounded sculptural forms in the background. Light and airy. The figure feels set against polished stone.
Portrait from behind, eye contact, nude, arms out, cropped at the hip, in a cool, luminous palette with smooth monolithic shapes suggesting polished marble
Cool grey with large angular fractured rock forms flanking the figure on both sides. The figure is warmly rendered in flesh tones against the cool jagged surround. Naturalistic and grounded with a raw stone quality.
Portrait from behind, eye contact, nude, arms out, cropped at the hip, oil-painted realism with jagged stone textures, cool grey palette warmed by natural flesh tones
Pale ground with a dense blue-grey pattern of text-like or script-like marks filling the background. The figure is rendered in warm flesh tones over the inscribed surface. Distinctive and layered with an archaeological quality.
Portrait from behind, eye contact, nude, arms out, cropped at the hip, figure in warm tones emerging from an archaeological ground of text-like markings
Hot coral and orange figure burns against fractured cool blue and white ground. Background generates angular broken planes with a ghosted second figure visible behind. Strong warm-cool tension dominates. Sources with bold colour read with hallucinatory intensity.
Portrait from behind, eye contact, nude, arms out, cropped at the hip, hallucinatory colour intensity, splintered planes, searing warm tones over fractured cool fields
Dark blue border frames a cool interior of rounded boulder forms in pale blue and stone. Figure is warm and painterly against the cool surround. The vignette framing gives a distinctive painting-within-a-painting quality. Cool and composed with real painterly substance.
Portrait from behind, eye contact, nude, arms out, cropped at the hip, painterly composition with dark border framing and cool sculptural tones
Cool blue taupe and pale rose with rounded smooth boulder forms filling the background. Figure is warm and confident against the cool stone surround. Naturalistic and grounded — the background reads as river-worn stone rather than angular rock. Softer and more painterly than Blue Granite.
Portrait from behind, eye contact, nude, arms out, cropped at the hip, soft naturalistic palette of weathered stone with warm confident figure
Entire surface broken into dense confident brushstrokes in cool blue-grey and white — figure and ground unified in the same energetic mark-making. The figure is present but woven into the surface rather than sitting on it. Cool silvery and kinetic.
Portrait from behind, eye contact, nude, arms out, cropped at the hip, painted in confident, kinetic mark-making of cool grey-white across the whole surface
Figure rendered in flat orange-red against a pale grey-cream background of fine-line panelled detail suggesting newsprint or comic strip. Large dark orange-red circular forms sweep in from the sides. Graphic and immediate with a pop art edge.
Portrait from behind, eye contact, nude, arms out, cropped at the hip, in flat graphic pop art style evoking vintage newsprint and comic strip panels
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait from behind, eye contact, nude, arms out, cropped at the hip, delicate icy facets of blue-grey white and cream against a crushed-paper ground
Dense swirling gestural marks in cool grey-white and deep burgundy-red. Dark turbulent forms flank a pale central figure. Heavy impasto quality throughout. Brooding and theatrical.
Portrait from behind, eye contact, nude, arms out, cropped at the hip, in brooding theatrical impasto, dark swirling forms framing pale light