Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, subtle jewelry, cropped at the waist, rendered in loose mosaic fragments of blue, white, and pink on a pale ground
Warm grey with bold swirling painterly forms in the background. The figure feels modelled rather than painted. Sculptural and considered.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, subtle jewelry, cropped at the waist, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure
Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, subtle jewelry, cropped at the waist, rendered in warm ochre and flesh tones against a fractured white ground with bold colour blocks
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, subtle jewelry, cropped at the waist, rendered in faceted grey geometric planes, angular and precise
Warm flesh and pale blue with tiled repeated copies of the figure filling the background in an ordered grid. The central figure stands before a wall of its own reflections. Distinctive and slightly disorienting with a pop multiplicity.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, subtle jewelry, cropped at the waist, rendered in warm flesh tones and pale blue with a pop-art grid of repeated figures
Dark blue border frames a cool interior of rounded boulder forms in pale blue and stone. Figure is warm and painterly against the cool surround. The vignette framing gives a distinctive painting-within-a-painting quality. Cool and composed with real painterly substance.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, subtle jewelry, cropped at the waist, rendered in cool blues and warm painterly strokes with vignette framing
Warm cream and ivory ground with faint ghosted figure forms visible in the background texture. Painterly and delicate — the spectral presences are suggested rather than stated. Figure is confident and warm against the pale haunted surround. Flattering and quietly distinctive.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, subtle jewelry, cropped at the waist, rendered in warm ivory tones with ghosted figures drifting through the background
Cool silver and blue with dramatic angular mountain-like forms filling the background — jagged peaks or shattered rock faces in dark gestural marks. Figure is warm and painterly against the powerful cool surround. Alpine and commanding. One of the more dramatically structured backgrounds in this range.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, subtle jewelry, cropped at the waist, rendered in bold angular marks with icy silver-blue peaks and warm painterly figure
Warm brown-ochre surround with elaborate white marble sculptural forms filling the background — baroque fountain or ornate palace relief with faces and figures visible in the carved masses. Figure stands in warm flesh tones against the opulent white marble. Grand and slightly overwhelming.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, subtle jewelry, cropped at the waist, rendered in warm ochre tones against elaborate white baroque marble relief
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, subtle jewelry, cropped at the waist, rendered in bold dark contour line on pale blue ground with warm flesh tones
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, subtle jewelry, cropped at the waist, rendered in pale blue and cream geometric planes with warm flesh tones
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, subtle jewelry, cropped at the waist, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice