Thrown Clay

Warm grey with bold swirling painterly forms in the background. The figure feels modelled rather than painted. Sculptural and considered.

Part of the curated style catalog — one of 300 styles applied across 1,600 source images.

Portrait 0149 — Thrown Clay

Portrait 0149

Portrait of partially dressed subject with averted eyes, body canted, street clothes, astonished, tight cropping, against gestural painted forms in warm grey, the figure sculpted with careful depth

Portrait 0176 — Thrown Clay

Portrait 0176

Portrait of partially dressed subject with averted eyes, body canted, street clothes, cropped at the waist, against gestural painted forms in warm grey, the figure sculpted with careful depth

Portrait 0324 — Thrown Clay

Portrait 0324

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, astonished, very tight cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 0498 — Thrown Clay

Portrait 0498

Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 0553 — Thrown Clay

Portrait 0553

Portrait of a partially dressed subject with arms up, diverted eyes, body canted, lingerie, arms up, cropped at the waist, rendered in expressive swirling greys with a considered, three-dimensional quality

Portrait 0675 — Thrown Clay

Portrait 0675

Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, statement jewlry, traditional bust cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 0986 — Thrown Clay

Portrait 0986

Portrait of partially dressed subject with averted eyes, body canted, street clothes, subtle jewelry, traditional bust cropping, against gestural painted forms in warm grey, the figure sculpted with careful depth

Portrait 1602 — Thrown Clay

Portrait 1602

Portrait of a subject, not making eye contact,. Arms play a vital role, body square, lingerie, statement jewlry, cropped at the waist, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 3385 — Thrown Clay

Portrait 3385

Portrait of a subject eyed averted with arms behind, nude, arms behind, subtle jewelry, astonished, tight cropping, rendered in expressive swirling greys with a considered, three-dimensional quality

Portrait 3463 — Thrown Clay

Portrait 3463

Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, traditional bust cropping, rendered in expressive swirling greys with a considered, three-dimensional quality

Portrait 4711 — Thrown Clay

Portrait 4711

Portrait of partially dressed subject making eye contact, body square, lingerie, tight cropping, rendered in expressive swirling greys with a considered, three-dimensional quality

Portrait 4755 — Thrown Clay

Portrait 4755

Portrait of a subject, not making eye contact,. Arms play a vital role, body square, lingerie, statement jewlry, traditional bust cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 4958 — Thrown Clay

Portrait 4958

Portrait of partially dressed subject making eye contact, body square, lingerie, statement jewlry, traditional bust cropping, against gestural painted forms in warm grey, the figure sculpted with careful depth

Portrait 4971 — Thrown Clay

Portrait 4971

Portrait of partially dressed subject with averted eyes, body square, lingerie, traditional bust cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 5351 — Thrown Clay

Portrait 5351

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, street clothes, cropped at the waist, against gestural painted forms in warm grey, the figure sculpted with careful depth

Portrait 5369 — Thrown Clay

Portrait 5369

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, against gestural painted forms in warm grey, the figure sculpted with careful depth

Portrait 5432 — Thrown Clay

Portrait 5432

Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, against gestural painted forms in warm grey, the figure sculpted with careful depth

Portrait 5485 — Thrown Clay

Portrait 5485

Portrait of partially dressed subject with averted eyes, body canted, street clothes, tight cropping, rendered in expressive swirling greys with a considered, three-dimensional quality

Portrait 5605 — Thrown Clay

Portrait 5605

Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, rendered in expressive swirling greys with a considered, three-dimensional quality

Portrait 5646 — Thrown Clay

Portrait 5646

Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, very tight cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 5796 — Thrown Clay

Portrait 5796

Portrait of partially dressed subject with averted eyes, body square, street clothes, tight cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 6081 — Thrown Clay

Portrait 6081

Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Figure 0442 — Thrown Clay

Figure 0442

Nude figure standing, cropped at thigh, arms down, downcast eyes, rendered in expressive swirling greys with a considered, three-dimensional quality

Figure 0515 — Thrown Clay

Figure 0515

Nude figure kneeling/crouching, risqué pose, diverted eyes, against gestural painted forms in warm grey, the figure sculpted with careful depth

Figure 1219 — Thrown Clay

Figure 1219

Figure standing partially clothed in street clothes, cropped at thigh, arms playing a vital role, downcast eyes, modest, rendered in expressive swirling greys with a considered, three-dimensional quality

Figure 1255 — Thrown Clay

Figure 1255

Nude figure standing, cropped at thigh, arms playing a vital role, eye contact, modest, rendered in expressive swirling greys with a considered, three-dimensional quality

Figure 2388 — Thrown Clay

Figure 2388

Nude figure kneeling/crouching, risqué pose, eye contact, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Figure 2394 — Thrown Clay

Figure 2394

Figure sitting on the ground, modest pose, eye contact, nude, arms playing a vital role, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Figure 2515 — Thrown Clay

Figure 2515

Nude figure kneeling/crouching, modest pose, diverted eyes, rendered in expressive swirling greys with a considered, three-dimensional quality

Figure 2710 — Thrown Clay

Figure 2710

Nude figure kneeling/crouching, risqué pose, rendered in expressive swirling greys with a considered, three-dimensional quality

Figure 2773 — Thrown Clay

Figure 2773

Figure standing partially clothed in street clothes, cropped at thigh, arms playing a vital role, eye contact, modest, rendered in expressive swirling greys with a considered, three-dimensional quality

Figure 3460 — Thrown Clay

Figure 3460

Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, rendered in expressive swirling greys with a considered, three-dimensional quality

Figure 3519 — Thrown Clay

Figure 3519

Figure leaning in with averted eyes, lingerie, somewhat risqué, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Figure 3640 — Thrown Clay

Figure 3640

Figure sitting on the ground, risqué pose, eye contact, nude, rendered in expressive swirling greys with a considered, three-dimensional quality

Figure 4017 — Thrown Clay

Figure 4017

Figure in an unusual pose, diverted eyes, nude, arms playing a vital role, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Figure 4195 — Thrown Clay

Figure 4195

Figure leaning in with averted eyes, nude, somewhat risqué, rendered in expressive swirling greys with a considered, three-dimensional quality

Figure 4561 — Thrown Clay

Figure 4561

Nude figure standing, cropped at thigh, arms down, eye contact, rendered in expressive swirling greys with a considered, three-dimensional quality

Figure 4632 — Thrown Clay

Figure 4632

Figure sitting on the ground, modest pose, downcast eyes, nude, arms raised, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Figure 5878 — Thrown Clay

Figure 5878

Figure standing wearing lingerie, cropped at thigh, arms playing a vital role, diverted eyes, modest, rendered in expressive swirling greys with a considered, three-dimensional quality

Figure 6297 — Thrown Clay

Figure 6297

Figure facing away, eyes not visible, lingerie, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 0004 — Thrown Clay

Portrait 0004

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, lingerie, cropped at the waist, rendered in expressive swirling greys with a considered, three-dimensional quality

Portrait 0021 — Thrown Clay

Portrait 0021

Portrait of nude subject with averted eyes, body canted, smiling, tight cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 0033 — Thrown Clay

Portrait 0033

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, subtle jewelry, traditional bust cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 0058 — Thrown Clay

Portrait 0058

Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, rendered in expressive swirling greys with a considered, three-dimensional quality

Portrait 0093 — Thrown Clay

Portrait 0093

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, tight cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 0127 — Thrown Clay

Portrait 0127

Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the waist, rendered in expressive swirling greys with a considered, three-dimensional quality

Portrait 0209 — Thrown Clay

Portrait 0209

Portrait of a subject making eye contact with arms behind, nude, arms behind, cropped at the hip, against gestural painted forms in warm grey, the figure sculpted with careful depth

Portrait 0409 — Thrown Clay

Portrait 0409

Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, tight cropping, rendered in expressive swirling greys with a considered, three-dimensional quality

Portrait 0471 — Thrown Clay

Portrait 0471

Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, cropped at the waist, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 0475 — Thrown Clay

Portrait 0475

Portrait of a subject making eye contact with arms behind, nude, arms behind, very tight cropping, rendered in expressive swirling greys with a considered, three-dimensional quality

Portrait 0476 — Thrown Clay

Portrait 0476

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, traditional bust cropping, against gestural painted forms in warm grey, the figure sculpted with careful depth

Portrait 0571 — Thrown Clay

Portrait 0571

Portrait of nude subject with averted eyes, facing downward, body square, cropped at the waist, rendered in expressive swirling greys with a considered, three-dimensional quality

Portrait 0651 — Thrown Clay

Portrait 0651

Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 0708 — Thrown Clay

Portrait 0708

Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 0739 — Thrown Clay

Portrait 0739

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, rendered in expressive swirling greys with a considered, three-dimensional quality

Portrait 0891 — Thrown Clay

Portrait 0891

Portrait of partially dressed subject making eye contact, body square, lingerie, traditional bust cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 0966 — Thrown Clay

Portrait 0966

Portrait of partially dressed subject with averted eyes, body canted, lingerie, traditional bust cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 0978 — Thrown Clay

Portrait 0978

Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, cropped at the hip, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 0985 — Thrown Clay

Portrait 0985

Portrait of nude subject with averted eyes, body square, subtle jewelry, tight cropping, rendered in expressive swirling greys with a considered, three-dimensional quality

Portrait 1143 — Thrown Clay

Portrait 1143

Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, traditional bust cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 1258 — Thrown Clay

Portrait 1258

Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, rendered in expressive swirling greys with a considered, three-dimensional quality

Portrait 1404 — Thrown Clay

Portrait 1404

Portrait of a subject, not making eye contact,. Arms play a vital role, body square, lingerie, subtle jewelry, astonished, cropped at the waist, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 1535 — Thrown Clay

Portrait 1535

Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, against gestural painted forms in warm grey, the figure sculpted with careful depth

Portrait 2501 — Thrown Clay

Portrait 2501

Portrait of nude subject with averted eyes, facing downward, body canted, astonished, traditional bust cropping, against gestural painted forms in warm grey, the figure sculpted with careful depth

Portrait 2645 — Thrown Clay

Portrait 2645

Portrait of a subject making eye contact with arms behind, street clothes, arms behind, cropped at the hip, against gestural painted forms in warm grey, the figure sculpted with careful depth

Portrait 2652 — Thrown Clay

Portrait 2652

Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 2667 — Thrown Clay

Portrait 2667

Portrait of a subject eyed averted with arms behind, nude, arms behind, subtle jewelry, astonished, traditional bust cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 2890 — Thrown Clay

Portrait 2890

Portrait of partially dressed subject, making eye contact. Arms play a vital role, body canted, street clothes, smiling, traditional bust cropping, rendered in expressive swirling greys with a considered, three-dimensional quality

Portrait 3174 — Thrown Clay

Portrait 3174

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, nude, traditional bust cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 3208 — Thrown Clay

Portrait 3208

Portrait of nude subject with averted eyes, facing downward, body canted, astonished, traditional bust cropping, rendered in expressive swirling greys with a considered, three-dimensional quality

Portrait 3219 — Thrown Clay

Portrait 3219

Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, cropped at the waist, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 3285 — Thrown Clay

Portrait 3285

Portrait of nude subject with averted eyes, body canted, cropped at the waist, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 3343 — Thrown Clay

Portrait 3343

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body square, street clothes, cropped at the hip, rendered in expressive swirling greys with a considered, three-dimensional quality

Portrait 3468 — Thrown Clay

Portrait 3468

Portrait of partially dressed subject with averted eyes, body canted, street clothes, smiling, tight cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 3482 — Thrown Clay

Portrait 3482

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, street clothes, cropped at the waist, against gestural painted forms in warm grey, the figure sculpted with careful depth

Portrait 3521 — Thrown Clay

Portrait 3521

Portrait of nude subject, making eye contact, square to the canvas. Arms play a vital role, body square, traditional bust cropping, against gestural painted forms in warm grey, the figure sculpted with careful depth

Portrait 3696 — Thrown Clay

Portrait 3696

Portrait of a nude subject with arms up, eyes closed, body square, arms up, tight cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 3732 — Thrown Clay

Portrait 3732

Portrait of partially dressed subject making eye contact, body square, lingerie, traditional bust cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 3747 — Thrown Clay

Portrait 3747

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, very tight cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 3810 — Thrown Clay

Portrait 3810

Portrait of nude subject, making eye contact, square to the canvas. Arms play a vital role, body square, cropped at the waist, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 3827 — Thrown Clay

Portrait 3827

Portrait of partially dressed subject, making eye contact. Arms play a vital role, body canted, street clothes, cropped at the waist, against gestural painted forms in warm grey, the figure sculpted with careful depth

Portrait 3828 — Thrown Clay

Portrait 3828

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, smiling, cropped at the hip, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 3838 — Thrown Clay

Portrait 3838

Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, rendered in expressive swirling greys with a considered, three-dimensional quality

Portrait 3882 — Thrown Clay

Portrait 3882

Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, traditional bust cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 3924 — Thrown Clay

Portrait 3924

Portrait of partially dressed subject with averted eyes, body square, street clothes, statement jewlry, smiling, tight cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 3999 — Thrown Clay

Portrait 3999

Portrait of nude subject with averted eyes, body canted, cropped at the waist, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 4007 — Thrown Clay

Portrait 4007

Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, subtle jewelry, cropped at the waist, against gestural painted forms in warm grey, the figure sculpted with careful depth

Portrait 4032 — Thrown Clay

Portrait 4032

Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, tight cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 4070 — Thrown Clay

Portrait 4070

Portrait of partially dressed subject making eye contact, body square, lingerie, smiling, cropped at the waist, against gestural painted forms in warm grey, the figure sculpted with careful depth

Portrait 4094 — Thrown Clay

Portrait 4094

Portrait of a subject eyed averted with arms behind, nude, arms behind, traditional bust cropping, against gestural painted forms in warm grey, the figure sculpted with careful depth

Portrait 4132 — Thrown Clay

Portrait 4132

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, nude, traditional bust cropping, rendered in expressive swirling greys with a considered, three-dimensional quality

Portrait 4161 — Thrown Clay

Portrait 4161

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, lingerie, cropped at the hip, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 4187 — Thrown Clay

Portrait 4187

Portrait of a subject eyed averted with arms behind, nude, arms behind, traditional bust cropping, against gestural painted forms in warm grey, the figure sculpted with careful depth

Portrait 4220 — Thrown Clay

Portrait 4220

Portrait of partially dressed subject making eye contact, body square, lingerie, traditional bust cropping, against gestural painted forms in warm grey, the figure sculpted with careful depth

Portrait 4233 — Thrown Clay

Portrait 4233

Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, statement jewlry, smiling, traditional bust cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 4284 — Thrown Clay

Portrait 4284

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, smiling, tight cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 4296 — Thrown Clay

Portrait 4296

Portrait of nude subject, making eye contact, square to the canvas. Arms play a vital role, body square, traditional bust cropping, in warm grey tones with bold swirling brushwork and a sculptural, modelled figure

Portrait 4325 — Thrown Clay

Portrait 4325

Portrait of a nude subject with arms up, eyes closed, body canted, arms up, very tight cropping, against gestural painted forms in warm grey, the figure sculpted with careful depth

Portrait 4378 — Thrown Clay

Portrait 4378

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, lingerie, smiling, tight cropping, rendered in expressive swirling greys with a considered, three-dimensional quality

Portrait 4381 — Thrown Clay

Portrait 4381

Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, rendered in expressive swirling greys with a considered, three-dimensional quality