Pale cool ground with ghostly figurative forms emerging from the background. Soft and ethereal. The figure shares the space with phantom presences.
Smiling candid nude from behind, rendered in pale, cool tones with ghostly figures dissolving into misty backgrounds
High contrast black and white with dark architectural forms flanking the figure. Graphic and controlled. The figure stands in a surround of deep shadow and structure.
Smiling candid nude from behind, rendered in stark black and white with bold architectural shadows
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Smiling candid nude from behind, rendered in loose mosaic fragments of blue, white, and pink on a pale ground
Pale grey and white with large rounded sculptural forms in the background. Light and airy. The figure feels set against polished stone.
Smiling candid nude from behind, rendered in pale grey and white with soft sculptural forms and an airy, polished atmosphere
Cool blue geometric planes like shattered ice filling the background. The figure is refracted rather than rendered. Cold and crystalline.
Smiling candid nude from behind, rendered in fractured geometric planes of cool blue, crystalline and sharp
Pure monochrome grey with large geometric faceted planes filling the background. The figure is folded into the same angular surface rather than modelled in the round. Precise and cool with no colour anywhere in the image.
Smiling candid nude from behind, rendered in faceted grey geometric planes, angular and precise
Pale ground with a dense blue-grey pattern of text-like or script-like marks filling the background. The figure is rendered in warm flesh tones over the inscribed surface. Distinctive and layered with an archaeological quality.
Smiling candid nude from behind, rendered in warm flesh tones over a dense field of script-like marks on pale ground
Cool grey and blue-white angular stone planes fill the background like a quarry face. Figure is clean and graphic against the fractured surround. Pale and architectural — precise rather than painterly. Strong structural character throughout.
Smiling candid nude from behind, rendered in cool grey and blue-white angular stone planes, precise and architectural
Dark charcoal and deep purple flank large pale glowing rock or ice forms behind the figure. Scattered leaf shapes in the upper corners add a decorative note. Figure is warm against the luminous pale centre. Dramatic contrast between glowing stone and dark surround. Moody and painterly.
Smiling candid nude from behind, rendered in moody oils with glowing pale stone against deep charcoal and purple
Deep cobalt blue background with warm golden-yellow forms bursting outward in bold impasto. Figure painted in warm cream and flesh tones at the centre of the energy. Theatrical and baroque — stormy sky with golden light breaking through. One of the more dramatically coloured styles in the set.
Smiling candid nude from behind, rendered in thick impasto with cobalt depths and explosive golden light
Deep crimson and burgundy geometric planes sweep through the background in large bold angular forms. Figure rendered in pale white-grey tones against the rich red surround. Dramatic and saturated — the red commands the image. Architectural but warm-blooded.
Smiling candid nude from behind, in bold geometric planes of deep crimson and cool grey
Large angular faceted planes in pale blue-grey white and cream cover the entire surface like crumpled paper or crushed ice. Figure painted in warm flesh tones sits gently against the cool crystalline ground. Precise delicate and icy.
Smiling candid nude from behind, rendered in angular faceted planes of pale blue-grey and cream like crumpled ice