Dissolves the source into pointillist scatter on a pale ground. Warm earth tones of cream rust and burgundy. The figure is readable but barely — features survive as suggestion rather than form.
Candid, topless figure in blue jeans, pulling her hair back, pointillist fragmentation in cream and burgundy, form hovering at edge of legibility
Dark ground with cool rocky forms flanking a softly rendered figure. The slight out-of-focus quality gives the image an atmospheric rather than graphic character. Spare and confrontational despite the softness.
Candid, topless figure in blue jeans, pulling her hair back, spare, confrontational composition with diffused light and cool dark ambiance
High-key warm white with large fractured plaster forms filling the background. Cool shadows give the pale surface depth and sculptural weight. Light and substantial with a bleached stone quality.
Candid, topless figure in blue jeans, pulling her hair back, large cracked plaster surfaces, light-filled yet substantial with cool-toned depth
Cool pale blue and cream with tall rounded vertical forms filling the background — standing stones or monoliths in pale stone tones. Figure is warm against the cool ancient surround. Clean and naturalistic with a megalithic presence. Distinctive vertical character sets it apart from other stone styles.
Candid, topless figure in blue jeans, pulling her hair back, clean megalithic composition of rounded vertical stone forms in pale hues
Warm cream impasto background covered in large swirling floral forms — the brocade fabric of a sofa that was never meant to be sat on. Figure rendered in warm flesh tones that merge politely with the respectable surround. Comfortable and slightly suffocating.
Candid, topless figure in blue jeans, pulling her hair back, in lush impasto style with swirling floral forms and suffocating warmth of respectable interiors
Pure black ground with shattered mirror or glass fragments flying outward from the figure in cool silver-white. Figure stands at the centre of the explosion in pale silver tones. Cinematic and high contrast — one of the most dramatically distinctive styles in the set.
Candid, topless figure in blue jeans, pulling her hair back, dramatic high-contrast style with cool silver glass shards bursting outward from darkness
Irregular fragments in blue ochre warm taupe white and rose cover the entire surface in a varied and energetic mosaic. Figure built from the same colourful planes with red shoes catching the eye. More saturated and lively than Crockery — the palette of a well-stocked tile market.
Candid, topless figure in blue jeans, pulling her hair back, bold fragmented brushwork in warm saturated blues, ochres, and rose
Deep navy terracotta-red and pale blue-grey rectangular blocks arranged in a stark architectural composition. Figure painted naturalistically in warm flesh tones against the hard-edged colour field. Modernist and uncompromising — colour as architecture.
Candid, topless figure in blue jeans, pulling her hair back, rendered in uncompromising color-field geometry with naturalistic warm flesh tones
Bright cerulean blue upper ground with large pale grey-taupe sculptural forms flanking the figure like twisted columns or sentinel presences. Figure painted in warm flesh tones against the vivid blue. Theatrical and architectural — the flanking forms give every subject a dramatic escort.
Candid, topless figure in blue jeans, pulling her hair back, dramatic architectural staging in cerulean blue with pale sculptural presences
Deep crimson ground with dark charcoal and pale white forms in loose gestural marks. The red saturates everything. Legs floor and shadows all burn the same colour. Theatrical and confrontational. One of the most viscerally intense styles available.
Candid, topless figure in blue jeans, pulling her hair back, bold gestural painting in deep red with stark charcoal and white contrasts
Large irregular fragments of cobalt cream deep red and teal burst outward from the figure like a shattered wall fresco. Figure painted in warm terracotta and flesh planes with the same impasto weight as the ground. The whole surface feels ceramic and substantial.
Candid, topless figure in blue jeans, pulling her hair back, painted as a burst wall fresco with substantial impasto and earthy flesh tones
Bold diagonal planes in rust and white sweep across the entire composition with cool blue-grey accents. Figure fully integrated into the angular fragmentation — legs torso and ground all cut by the same decisive geometry. Flat graphic and industrial in tone.
Candid, topless figure in blue jeans, pulling her hair back, sharp diagonal planes slice through figure and ground in graphic rust and white