Stagefire

Deep crimson ground with dark charcoal and pale white forms in loose gestural marks. The red saturates everything. Legs floor and shadows all burn the same colour. Theatrical and confrontational. One of the most viscerally intense styles available.

Part of the curated style catalog — one of 300 styles applied across 1,600 source images.

Portrait 0149 — Stagefire

Portrait 0149

Portrait of partially dressed subject with averted eyes, body canted, street clothes, astonished, tight cropping, bold gestural painting in deep red with stark charcoal and white contrasts

Portrait 0176 — Stagefire

Portrait 0176

Portrait of partially dressed subject with averted eyes, body canted, street clothes, cropped at the waist, bold gestural painting in deep red with stark charcoal and white contrasts

Portrait 0324 — Stagefire

Portrait 0324

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, astonished, very tight cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 0498 — Stagefire

Portrait 0498

Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 0553 — Stagefire

Portrait 0553

Portrait of a partially dressed subject with arms up, diverted eyes, body canted, lingerie, arms up, cropped at the waist, in a visceral red-saturated style with loose theatrical mark-making

Portrait 0675 — Stagefire

Portrait 0675

Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, statement jewlry, traditional bust cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 0986 — Stagefire

Portrait 0986

Portrait of partially dressed subject with averted eyes, body canted, street clothes, subtle jewelry, traditional bust cropping, bold gestural painting in deep red with stark charcoal and white contrasts

Portrait 1602 — Stagefire

Portrait 1602

Portrait of a subject, not making eye contact,. Arms play a vital role, body square, lingerie, statement jewlry, cropped at the waist, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 3385 — Stagefire

Portrait 3385

Portrait of a subject eyed averted with arms behind, nude, arms behind, subtle jewelry, astonished, tight cropping, in a visceral red-saturated style with loose theatrical mark-making

Portrait 3463 — Stagefire

Portrait 3463

Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, traditional bust cropping, in a visceral red-saturated style with loose theatrical mark-making

Portrait 4711 — Stagefire

Portrait 4711

Portrait of partially dressed subject making eye contact, body square, lingerie, tight cropping, in a visceral red-saturated style with loose theatrical mark-making

Portrait 4755 — Stagefire

Portrait 4755

Portrait of a subject, not making eye contact,. Arms play a vital role, body square, lingerie, statement jewlry, traditional bust cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 4958 — Stagefire

Portrait 4958

Portrait of partially dressed subject making eye contact, body square, lingerie, statement jewlry, traditional bust cropping, bold gestural painting in deep red with stark charcoal and white contrasts

Portrait 4971 — Stagefire

Portrait 4971

Portrait of partially dressed subject with averted eyes, body square, lingerie, traditional bust cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 5351 — Stagefire

Portrait 5351

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, street clothes, cropped at the waist, bold gestural painting in deep red with stark charcoal and white contrasts

Portrait 5369 — Stagefire

Portrait 5369

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, tight cropping, bold gestural painting in deep red with stark charcoal and white contrasts

Portrait 5432 — Stagefire

Portrait 5432

Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, bold gestural painting in deep red with stark charcoal and white contrasts

Portrait 5485 — Stagefire

Portrait 5485

Portrait of partially dressed subject with averted eyes, body canted, street clothes, tight cropping, in a visceral red-saturated style with loose theatrical mark-making

Portrait 5605 — Stagefire

Portrait 5605

Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, in a visceral red-saturated style with loose theatrical mark-making

Portrait 5646 — Stagefire

Portrait 5646

Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, very tight cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 5796 — Stagefire

Portrait 5796

Portrait of partially dressed subject with averted eyes, body square, street clothes, tight cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 6081 — Stagefire

Portrait 6081

Portrait of nude subject making eye contact, face and body square to the canvas, tight cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Figure 0442 — Stagefire

Figure 0442

Nude figure standing, cropped at thigh, arms down, downcast eyes, in a visceral red-saturated style with loose theatrical mark-making

Figure 0515 — Stagefire

Figure 0515

Nude figure kneeling/crouching, risqué pose, diverted eyes, bold gestural painting in deep red with stark charcoal and white contrasts

Figure 1219 — Stagefire

Figure 1219

Figure standing partially clothed in street clothes, cropped at thigh, arms playing a vital role, downcast eyes, modest, in a visceral red-saturated style with loose theatrical mark-making

Figure 1255 — Stagefire

Figure 1255

Nude figure standing, cropped at thigh, arms playing a vital role, eye contact, modest, in a visceral red-saturated style with loose theatrical mark-making

Figure 2388 — Stagefire

Figure 2388

Nude figure kneeling/crouching, risqué pose, eye contact, rendered in smoldering crimson with charcoal and white gestural strokes

Figure 2394 — Stagefire

Figure 2394

Figure sitting on the ground, modest pose, eye contact, nude, arms playing a vital role, rendered in smoldering crimson with charcoal and white gestural strokes

Figure 2515 — Stagefire

Figure 2515

Nude figure kneeling/crouching, modest pose, diverted eyes, in a visceral red-saturated style with loose theatrical mark-making

Figure 2710 — Stagefire

Figure 2710

Nude figure kneeling/crouching, risqué pose, in a visceral red-saturated style with loose theatrical mark-making

Figure 2773 — Stagefire

Figure 2773

Figure standing partially clothed in street clothes, cropped at thigh, arms playing a vital role, eye contact, modest, in a visceral red-saturated style with loose theatrical mark-making

Figure 3460 — Stagefire

Figure 3460

Figure standing partially clothed, cropped at thigh, arms down, eye contact, street clothes, in a visceral red-saturated style with loose theatrical mark-making

Figure 3519 — Stagefire

Figure 3519

Figure leaning in with averted eyes, lingerie, somewhat risqué, rendered in smoldering crimson with charcoal and white gestural strokes

Figure 3640 — Stagefire

Figure 3640

Figure sitting on the ground, risqué pose, eye contact, nude, in a visceral red-saturated style with loose theatrical mark-making

Figure 4017 — Stagefire

Figure 4017

Figure in an unusual pose, diverted eyes, nude, arms playing a vital role, rendered in smoldering crimson with charcoal and white gestural strokes

Figure 4195 — Stagefire

Figure 4195

Figure leaning in with averted eyes, nude, somewhat risqué, in a visceral red-saturated style with loose theatrical mark-making

Figure 4561 — Stagefire

Figure 4561

Nude figure standing, cropped at thigh, arms down, eye contact, in a visceral red-saturated style with loose theatrical mark-making

Figure 4632 — Stagefire

Figure 4632

Figure sitting on the ground, modest pose, downcast eyes, nude, arms raised, rendered in smoldering crimson with charcoal and white gestural strokes

Figure 5878 — Stagefire

Figure 5878

Figure standing wearing lingerie, cropped at thigh, arms playing a vital role, diverted eyes, modest, in a visceral red-saturated style with loose theatrical mark-making

Figure 6297 — Stagefire

Figure 6297

Figure facing away, eyes not visible, lingerie, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 0004 — Stagefire

Portrait 0004

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, lingerie, cropped at the waist, in a visceral red-saturated style with loose theatrical mark-making

Portrait 0021 — Stagefire

Portrait 0021

Portrait of nude subject with averted eyes, body canted, smiling, tight cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 0033 — Stagefire

Portrait 0033

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, subtle jewelry, traditional bust cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 0058 — Stagefire

Portrait 0058

Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, in a visceral red-saturated style with loose theatrical mark-making

Portrait 0093 — Stagefire

Portrait 0093

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, tight cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 0127 — Stagefire

Portrait 0127

Portrait of partially dressed subject with averted eyes, body canted, lingerie, cropped at the waist, in a visceral red-saturated style with loose theatrical mark-making

Portrait 0209 — Stagefire

Portrait 0209

Portrait of a subject making eye contact with arms behind, nude, arms behind, cropped at the hip, bold gestural painting in deep red with stark charcoal and white contrasts

Portrait 0409 — Stagefire

Portrait 0409

Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, tight cropping, in a visceral red-saturated style with loose theatrical mark-making

Portrait 0471 — Stagefire

Portrait 0471

Portrait of nude subject, making eye contact, in which arms play a vital role, body from the side, cropped at the waist, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 0475 — Stagefire

Portrait 0475

Portrait of a subject making eye contact with arms behind, nude, arms behind, very tight cropping, in a visceral red-saturated style with loose theatrical mark-making

Portrait 0476 — Stagefire

Portrait 0476

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, traditional bust cropping, bold gestural painting in deep red with stark charcoal and white contrasts

Portrait 0571 — Stagefire

Portrait 0571

Portrait of nude subject with averted eyes, facing downward, body square, cropped at the waist, in a visceral red-saturated style with loose theatrical mark-making

Portrait 0651 — Stagefire

Portrait 0651

Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 0708 — Stagefire

Portrait 0708

Portrait of nude subject with averted eyes, facing downward, body square, tight cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 0739 — Stagefire

Portrait 0739

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, traditional bust cropping, in a visceral red-saturated style with loose theatrical mark-making

Portrait 0891 — Stagefire

Portrait 0891

Portrait of partially dressed subject making eye contact, body square, lingerie, traditional bust cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 0966 — Stagefire

Portrait 0966

Portrait of partially dressed subject with averted eyes, body canted, lingerie, traditional bust cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 0978 — Stagefire

Portrait 0978

Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, cropped at the hip, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 0985 — Stagefire

Portrait 0985

Portrait of nude subject with averted eyes, body square, subtle jewelry, tight cropping, in a visceral red-saturated style with loose theatrical mark-making

Portrait 1143 — Stagefire

Portrait 1143

Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, traditional bust cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 1258 — Stagefire

Portrait 1258

Portrait of nude subject with averted eyes, facing downward, body from the side, traditional bust cropping, in a visceral red-saturated style with loose theatrical mark-making

Portrait 1404 — Stagefire

Portrait 1404

Portrait of a subject, not making eye contact,. Arms play a vital role, body square, lingerie, subtle jewelry, astonished, cropped at the waist, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 1535 — Stagefire

Portrait 1535

Portrait of nude subject making eye contact, face and body angled way from the canvas, body from the side, tight cropping, bold gestural painting in deep red with stark charcoal and white contrasts

Portrait 2501 — Stagefire

Portrait 2501

Portrait of nude subject with averted eyes, facing downward, body canted, astonished, traditional bust cropping, bold gestural painting in deep red with stark charcoal and white contrasts

Portrait 2645 — Stagefire

Portrait 2645

Portrait of a subject making eye contact with arms behind, street clothes, arms behind, cropped at the hip, bold gestural painting in deep red with stark charcoal and white contrasts

Portrait 2652 — Stagefire

Portrait 2652

Portrait of nude subject with averted eyes, facing downward, body canted, tight cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 2667 — Stagefire

Portrait 2667

Portrait of a subject eyed averted with arms behind, nude, arms behind, subtle jewelry, astonished, traditional bust cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 2890 — Stagefire

Portrait 2890

Portrait of partially dressed subject, making eye contact. Arms play a vital role, body canted, street clothes, smiling, traditional bust cropping, in a visceral red-saturated style with loose theatrical mark-making

Portrait 3174 — Stagefire

Portrait 3174

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, nude, traditional bust cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 3208 — Stagefire

Portrait 3208

Portrait of nude subject with averted eyes, facing downward, body canted, astonished, traditional bust cropping, in a visceral red-saturated style with loose theatrical mark-making

Portrait 3219 — Stagefire

Portrait 3219

Portrait of a subject eyed averted with arms behind, nude, arms behind, astonished, cropped at the waist, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 3285 — Stagefire

Portrait 3285

Portrait of nude subject with averted eyes, body canted, cropped at the waist, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 3343 — Stagefire

Portrait 3343

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body square, street clothes, cropped at the hip, in a visceral red-saturated style with loose theatrical mark-making

Portrait 3468 — Stagefire

Portrait 3468

Portrait of partially dressed subject with averted eyes, body canted, street clothes, smiling, tight cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 3482 — Stagefire

Portrait 3482

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, street clothes, cropped at the waist, bold gestural painting in deep red with stark charcoal and white contrasts

Portrait 3521 — Stagefire

Portrait 3521

Portrait of nude subject, making eye contact, square to the canvas. Arms play a vital role, body square, traditional bust cropping, bold gestural painting in deep red with stark charcoal and white contrasts

Portrait 3696 — Stagefire

Portrait 3696

Portrait of a nude subject with arms up, eyes closed, body square, arms up, tight cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 3732 — Stagefire

Portrait 3732

Portrait of partially dressed subject making eye contact, body square, lingerie, traditional bust cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 3747 — Stagefire

Portrait 3747

Portrait of nude subject making eye contact, face square to the canvas but body angled away, body canted, very tight cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 3810 — Stagefire

Portrait 3810

Portrait of nude subject, making eye contact, square to the canvas. Arms play a vital role, body square, cropped at the waist, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 3827 — Stagefire

Portrait 3827

Portrait of partially dressed subject, making eye contact. Arms play a vital role, body canted, street clothes, cropped at the waist, bold gestural painting in deep red with stark charcoal and white contrasts

Portrait 3828 — Stagefire

Portrait 3828

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, smiling, cropped at the hip, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 3838 — Stagefire

Portrait 3838

Portrait of nude subject making eye contact, face and body square to the canvas, traditional bust cropping, in a visceral red-saturated style with loose theatrical mark-making

Portrait 3882 — Stagefire

Portrait 3882

Portrait of nude subject making eye contact, face and body angled way from the canvas, body square, traditional bust cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 3924 — Stagefire

Portrait 3924

Portrait of partially dressed subject with averted eyes, body square, street clothes, statement jewlry, smiling, tight cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 3999 — Stagefire

Portrait 3999

Portrait of nude subject with averted eyes, body canted, cropped at the waist, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 4007 — Stagefire

Portrait 4007

Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, subtle jewelry, cropped at the waist, bold gestural painting in deep red with stark charcoal and white contrasts

Portrait 4032 — Stagefire

Portrait 4032

Portrait of nude subject, making eye contact, in which arms play a vital role, body canted, tight cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 4070 — Stagefire

Portrait 4070

Portrait of partially dressed subject making eye contact, body square, lingerie, smiling, cropped at the waist, bold gestural painting in deep red with stark charcoal and white contrasts

Portrait 4094 — Stagefire

Portrait 4094

Portrait of a subject eyed averted with arms behind, nude, arms behind, traditional bust cropping, bold gestural painting in deep red with stark charcoal and white contrasts

Portrait 4132 — Stagefire

Portrait 4132

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, nude, traditional bust cropping, in a visceral red-saturated style with loose theatrical mark-making

Portrait 4161 — Stagefire

Portrait 4161

Portrait of a subject, not making eye contact,. Arms play a vital role, body canted, lingerie, cropped at the hip, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 4187 — Stagefire

Portrait 4187

Portrait of a subject eyed averted with arms behind, nude, arms behind, traditional bust cropping, bold gestural painting in deep red with stark charcoal and white contrasts

Portrait 4220 — Stagefire

Portrait 4220

Portrait of partially dressed subject making eye contact, body square, lingerie, traditional bust cropping, bold gestural painting in deep red with stark charcoal and white contrasts

Portrait 4233 — Stagefire

Portrait 4233

Portrait of nude subject making eye contact, face and body angled way from the canvas, body canted, statement jewlry, smiling, traditional bust cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 4284 — Stagefire

Portrait 4284

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, street clothes, smiling, tight cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 4296 — Stagefire

Portrait 4296

Portrait of nude subject, making eye contact, square to the canvas. Arms play a vital role, body square, traditional bust cropping, rendered in smoldering crimson with charcoal and white gestural strokes

Portrait 4325 — Stagefire

Portrait 4325

Portrait of a nude subject with arms up, eyes closed, body canted, arms up, very tight cropping, bold gestural painting in deep red with stark charcoal and white contrasts

Portrait 4378 — Stagefire

Portrait 4378

Portrait of partially dressed subject, making eye contact, square to the canvas. Arms play a vital role, body canted, lingerie, smiling, tight cropping, in a visceral red-saturated style with loose theatrical mark-making

Portrait 4381 — Stagefire

Portrait 4381

Portrait of nude subject making eye contact, face and body square to the canvas, smiling, traditional bust cropping, in a visceral red-saturated style with loose theatrical mark-making