Dark grey with cave-like grotto forms in the background. Hints of pink and mauve bleed through the stone texture. Cooler and moodier than Cool Slate.
Figure facing away, eyes not visible, nude, arms raised, somewhat risqué, deep charcoal grotto atmosphere, cool and brooding with blushes of mauve
Warm sandy stone with rounded cobble-like forms filling the background. Soft and tactile. The figure feels set into the surface rather than placed in front of it.
Figure facing away, eyes not visible, nude, arms raised, somewhat risqué, earthy cobblestone surface, figure integrated into rounded relief forms
Warm ochre and flesh tones on the figure against a fractured white ground with bold blue and yellow colour blocks. The grid is loose and painterly rather than hard-edged. Energetic and immediate with strong graphic presence.
Figure facing away, eyes not visible, nude, arms raised, somewhat risqué, bold colour blocking in ochre and blue on a broken white ground, immediate and gestural
Sandy ochre and warm stone tones with the background generating a clear arch and flanking walls that frame the figure in a niche. Painterly and naturalistic with strong architectural presence. The figure feels placed rather than imposed.
Figure facing away, eyes not visible, nude, arms raised, somewhat risqué, soft brushwork in amber and ochre, figure nestled in a carved stone arch
Cool blue lavender and silver with a silky vertical flow in the background — draped fabric or cascading water in cool light. Figure is warm against the pearlescent surround. Iridescent and luminous throughout. One of the more delicate and distinctive backgrounds in this range.
Figure facing away, eyes not visible, nude, arms raised, somewhat risqué, in delicate iridescent blues and lavender with silky vertical flow and glowing warmth
Cool mauve rose and blue with diagonal ribbon-like planes filling the background. Figure is warm against the cooler geometric surround. Background generates sweeping angular forms rather than figurative shapes. Painterly but more architectural than Clay Chorus.
Figure facing away, eyes not visible, nude, arms raised, somewhat risqué, painterly geometric planes of mauve and blue create an architectural cool-warm contrast
Cool blue-grey and warm ochre-gold impasto with large diagonal brushstrokes creating a herringbone pattern across the entire surface. Figure and background unified in the same energetic mark-making. Flattering and enveloping — this style wraps its subject in warmth and movement.
Figure facing away, eyes not visible, nude, arms raised, somewhat risqué, expressive impasto in blue-grey and ochre-gold, energetic herringbone marks enveloping the subject
Deep crimson ground with dark charcoal and pale white forms in loose gestural marks. The red saturates everything. Legs floor and shadows all burn the same colour. Theatrical and confrontational. One of the most viscerally intense styles available.
Figure facing away, eyes not visible, nude, arms raised, somewhat risqué, bold gestural painting in deep red with stark charcoal and white contrasts
Cool blue-grey and near-black with a blazing white centre that backlights the figure dramatically. Large dark organic forms sweep in from both sides like heavy wings or drawn curtains. Figure sits at the threshold of light and shadow in deep cool tones with only traces of warm flesh breaking through.
Figure facing away, eyes not visible, nude, arms raised, somewhat risqué, deep cool palette, blazing backlight, monumental dark shapes converging on a luminous threshold
Pale blue and cream angular planes fill the background in large airy blocks — bright and open rather than heavy. Figure painted in warm flesh tones against the luminous cool ground. Light-filled and confident.
Figure facing away, eyes not visible, nude, arms raised, somewhat risqué, luminous cubist planes in blue, cream, and confident warm tones
Entire surface broken into dense confident brushstrokes in cool blue-grey and white — figure and ground unified in the same energetic mark-making. The figure is present but woven into the surface rather than sitting on it. Cool silvery and kinetic.
Figure facing away, eyes not visible, nude, arms raised, somewhat risqué, painted in confident, kinetic mark-making of cool grey-white across the whole surface
Large rounded geometric planes in mid blue pale blue-grey cream and warm taupe cover the entire surface in a cool confident mosaic. Figure painted in the same cool tones fully integrated into the ground. Structured and architectural with a glazed ceramic quality.
Figure facing away, eyes not visible, nude, arms raised, somewhat risqué, architectural mosaic style, figure and ground unified in cool structured geometric planes