Warm brown and taupe tones with dramatic rocky stone forms flanking the figure. Painterly and classical in feel. The figure and background feel genuinely integrated.
Boudoir nude in stocking sitting on the arm of a couch, integrated figure and landscape in warm browns, painterly realism
Loose fragmented colour patches in blue white and pink on a pale ground. Mosaic-like but free. The fragments scatter across figure and background alike.
Boudoir nude in stocking sitting on the arm of a couch, free tessellated brushwork in blue, white, and pink, figure and field unified
Dense dark organic forms in deep grey-purple flank the figure against a pale pink centre. Almost wing-like or coral-like. The figure holds its ground against an imposing surround.
Boudoir nude in stocking sitting on the arm of a couch, dense organic masses in deep violet-grey encircle a luminous pale core
Warm flesh tones with strong painterly modelling against a cool teal-grey ground. The background generates a bold white cloud-like or glacial mass behind the figure. High contrast and corporeal with a sense of cool open light.
Boudoir nude in stocking sitting on the arm of a couch, corporeal oil painting style, warm flesh against cool grey with dramatic sculptural light
Cool blue lavender and silver with a silky vertical flow in the background — draped fabric or cascading water in cool light. Figure is warm against the pearlescent surround. Iridescent and luminous throughout. One of the more delicate and distinctive backgrounds in this range.
Boudoir nude in stocking sitting on the arm of a couch, in delicate iridescent blues and lavender with silky vertical flow and glowing warmth
Cool blue taupe and pale rose with rounded smooth boulder forms filling the background. Figure is warm and confident against the cool stone surround. Naturalistic and grounded — the background reads as river-worn stone rather than angular rock. Softer and more painterly than Blue Granite.
Boudoir nude in stocking sitting on the arm of a couch, soft naturalistic palette of weathered stone with warm confident figure
Deep indigo and navy forms fill the background in large bold brushstrokes with warm brown-ochre accents. Figure stands in pale blue-grey tones against the turbulent dark surround. Rich impasto character with genuine menace — the dark masses press in from all sides.
Boudoir nude in stocking sitting on the arm of a couch, thick impasto painting, turbulent dark surround in deep blue and ochre against pale grey figure
Cool blue-grey and warm cream forms churn densely through the background — packed cloud masses or turbulent water in thick impasto. Figure stands in warm flesh tones against the restless surround. The background never settles and rewards looking.
Boudoir nude in stocking sitting on the arm of a couch, painted in packed, storm-like impasto where background seethes with unresolved energy
Deep navy terracotta-red and pale blue-grey rectangular blocks arranged in a stark architectural composition. Figure painted naturalistically in warm flesh tones against the hard-edged colour field. Modernist and uncompromising — colour as architecture.
Boudoir nude in stocking sitting on the arm of a couch, rendered in uncompromising color-field geometry with naturalistic warm flesh tones
Pale azure ground with large draped forms described in clean dark contour line. Figure rendered in the same decisive line with warm flesh tones. One of the more reliably flattering styles available. The clean line finds and elevates the essential form in almost any source.
Boudoir nude in stocking sitting on the arm of a couch, pale blue ground, strong contour line and warm flesh tones in classical figure style
Deep cobalt and violet-blue ground with large rounded organic forms in cream warm taupe and pale gold massed behind the figure like oversized cloud shapes. Figure painted in warm flesh tones with confident impasto marks. Rich saturated and sculptural.
Boudoir nude in stocking sitting on the arm of a couch, thick confident brushwork, cobalt and cream with rounded cloud-like massing
Entire surface broken into dense confident brushstrokes in cool blue-grey and white — figure and ground unified in the same energetic mark-making. The figure is present but woven into the surface rather than sitting on it. Cool silvery and kinetic.
Boudoir nude in stocking sitting on the arm of a couch, painted in confident, kinetic mark-making of cool grey-white across the whole surface